Constellations of different instances of withdrawal, ranging from passivity, failure, and refusal to disappearance and remembrance and to resilience and resistance.
33 Bücher für ein anderes Belarus
Künstlerische und theoretische Positionen zu Reproduktion und Kommunikation, Geschlecht und Gattung, Adressierung und Empfängnis.
This issue explores practices of human and non-human substitution.
"We" is neither addition nor juxtaposition of a number of "I"
from myself / to myself / who is it that comes / and who is it that goes?
“The excessive leaps of our gaseous form around a halt...”
On the very make-up of the United Fruit Company’s neocolonial plantation machine
The politics of the becoming-life of art and the politics of the resistant form.
The human face has not yet found its face.
Today, it has become a truism that capital circulates, that data, populations and materials flow, that money offers liquidity.
Art by definition produces unclear messages, but that’s its freedom.
Everything must be arranged to a hair in a fulminating order.
Me, Antonin Artaud, I am my son, my father, my mother, and me.
This issue matchmakes an unlikely couple.
A personal take on French Theory by one of the people who invented it
A blend of theory and stories from an extraordinary life by one of the leading cultural figures of the second half of the twentieth century and early twenty-first
How arts perform human rights and how aesthetic engagements with human rights violations testify to art’s capacity to create alternate worlds.
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