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The future has never looked older
The future has never looked older

Tyler Coburn

Ergonomic Futures

Nothing under the sun, no matter how unbelievable or fantastic, is immune to the pressures of evolution. Take science-fiction. The Force, the mind meld—the entire field of psionics, for that matter—have the look of yellowing comic books, the taste of stale popcorn. They would have gone the way of the dodo, if not for the magic of capital. Hollywood has proved to be more powerful than natural selection, building menageries in the form of franchises, gilding cages for endangered ideas....
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Current Texts

Tom McCarthy

Ecstasy of inauthenticity

The question of authenticity and I go back some way; we’re old sparring partners – frenemies. It’s been a fraught relationship, shot through with paradox and misconstruing. My first novel, Remainder, does turn around its protagonist’s obsession with becoming ‘real’, inhabiting his era or his city, building, skin, movements and gestures in a ‘first-hand’ or ‘authentic’ way, an obsession which he carries to the point of murder. Yet the pleasure of seeing this book receiving glowing press reviews that praised it for its ‘originality’ and ‘true’-ness was tinged with an awareness of something being odd or ‘off’, since Remainder is in fact the most un-original of novels, a novel about non-originality and simulacra that’s quite blatantly composed of set tropes and constructed situations reprised and, only slightly modified, replayed from sources ranging from Ballard’s Crash and Beckett’s Godot back to Sterne’s Tristram Shandy (Uncle Toby’s domestic re-stagings of battle terrains)...

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  • contemporary literature
  • psychoanalysis
  • identity
  • Jacques Lacan

 

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Political Reflections on Choreography, Dance and Protest

Political Reflections on Choreography, Dance and Protest


Oliver Marchart

Dancing Politics

The human body is the most important medium through which a public space is curved out of the social. Of course, this does not always have to occur in form of a militarized collective marching in-sync through the streets. Very often it is precisely the vulnerability of bodies which is used as a ­performative medium of protest (up to the extreme point where people decide to publicly set themselves on fire). Taking this word of caution into account, we may...
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ACCESS
  • Hannah Arendt
  • activism
  • Occupy Wall Street
  • Jean-Luc Nancy
  • acting
Current Texts
Enjoy!

Michael Heitz

Enjoy!

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  • China
  • contemporary art
  • sexuality
  • motherhood
  • Video art