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On the boundaries of what is permissible to show
On the boundaries of what is permissible to show

Christian Beetz, Hendrik Rohlf

Catalysts of Radicalization

On the way to a digital society, we’re probably at one of the great crossroads in human civilization. The problem is that people have no images for what’s coming their way, and therefore can’t imaging a digital society. For me this is one of the most important and exciting issues around. I once tried without success to make a film about Apple—among other things I was interested in how the most successful corporation in the world was able to maintain...
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Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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From xenolinguistics to cephalo­pods

From xenolinguistics to cephalo­pods

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  • communication
  • linguistics
  • semiotics and semiology
  • communication media
  • science fiction
  • utopia

 

Photographs tend to suggest infinity
Photographs tend to suggest infinity

Siegfried Kracauer

The Photographic Approach (1951)

The photographic approach – that is, the effort to utilize the inherent abilities of the camera – is responsible for the particular nature of photographs. In the days of Zola and the Impressionists, the properties of photographs were commonly held to be the hallmarks of art in general; but no sooner did painting and literature break away from realism than these properties assumed an exclusive character. Since they depend upon techniques peculiar to the medium, they have remained stable throughout its evolution....
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  • Siegfried Kracauer
  • media theory
  • History of photography
  • photography
  • film
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Enjoy!

Michael Heitz

Enjoy!

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  • Video art
  • sexuality
  • China
  • contemporary art
  • motherhood
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Humanity is a metahuman concept.

Rolf Bossart, Milo Rau

Humanity is a metahuman concept.

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  • realism
  • artistic practice
  • re-enactment
  • postmodernism
  • art theory
  • transhumanism