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Arts

The Architecture of Disaster

How can the gap between images become a site of critical counter-reading rather than a symbol of erasure?

History of photography
history of media
war
photographic images
forensic science
photography

Fiction

Antonin Artaud, Stephen Barber (ed.)

Me?

This tongue between four gums,
this meat between two knees,
this piece of hole
for madmen.

avant-garde
psychiatry
literature
poetry

Discourse

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

gender
mother figure
poetry
motherhood
contemporary art
body

Humanities

Hauke Branding (ed.), Julian Volz (ed.)

Theoretical perspectives in conversation with artistic perspectives on Queer liberation in a transnational context.

orientalism
queer theory
desire
Postcolonial Studies
contemporary art
contemporary art

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

motherhood
aesthetics
feminism
gender
body
contemporary art
queer theory
father figure
mother figure

Magazine Online

News + Events

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

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New releases

Kevin B. Lee (ed.): The Future of Survival

Allison Grimaldi Donahue: The History of Breathing

Antonin Artaud, Stephen Barber (ed.): Last Writings of Antonin Artaud

Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action

Eyal Weizman, Ines Weizman: Before & After

Thomas Köck: un gran casino (ta pissà adoss l’ürocc)

Autofiction—Metafiction

Article

Why this past? Why is this past mine? A past which I did not even know? 

Born too late to see the war, too soon to forget it. Rocked by events which I didn’t experience.

Reiner Schürmann

How I Learned to Clench My Fists

Article

»The camera is my »exosomatic extension‹.«

But how can an art in the name of the specific be the lingua franca of globalized art? OPEN
ACCESS

Gertrud Koch, Michael Lüthy, Bernhard Schieder, Allan Sekula

A Walk With Allan Sekula Through His Exhibition

Monograph

»Ich bin nicht gut im Vergessen. Ich kann es überhaupt nicht«

Ein junger Deutscher in den sechziger Jahren schreibt hier, heimgesucht von einer übergroßen Sensibilität für die Allgegenwart der Vergangenheit. Geradezu körperlich trägt er in seiner eigenen Person die Unfähigkeit aus, zu vergessen, was er selbst nicht bewusst erlebt hat: Krieg und Vernichtung. Die stark autobiographisch geprägte Erzählung folgt den zahlreichen...

Reiner Schürmann

Ursprünge

Monograph

Curriculum Vitae in Pictures

Das Fotobuch »Kracauer. Fotoarchiv« zeigt bisher unbekannte fotografische Materialien aus dem Nachlass des Soziologen, Feuilletonisten und Filmtheoretikers Siegfried Kracauer: Portraits,...

Maria Zinfert (ed.)

Kracauer. Fotoarchiv

»This is not my blood.«

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west?

OPEN
ACCESS

identity
performance art
Video art
human–animal communication

Current Texts

Camouflaged with a visual language

What Reena really wanted to know was why – in a night club, for example – do we chose, always and above all, that nothing happens?”

ABO

Current Texts

Black Panther is an American, not an African story

A.K. Kaiza

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts. OPEN
ACCESS DE

Kim Gordon

Where do you go when you disappear? OPEN
ACCESS

Stephen Barber

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. OPEN
ACCESS DE

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them. ABO DE FR

New releases

Antonin Artaud, Stephen Barber (ed.): Watchfiends and Rack Screams

Marie Sophie Beckmann (ed.), Petra Löffler (ed.): Sub(e)merging: Experiences, Practices and Politics from below

Arts

Artaud’s Last Unpublished Work

Antonin Artaud, Stephen Barber (ed.)

Watchfiends and Rack Screams

Antonin Artaud’s last large-scale work, published in its complete form in English for the first time. Foreword by John Zorn.

I had a dream last night, scrambled, yes indeed, for a scrambled dream it sure was scrambled. But so meaningful on the other hand, so meaningful. Jean Dequeker was dragging himself along the earth with short and truncated legs, and he said: Am I a beast, a pebble, a branch or a meat stall? But after all what is a tree? What is a tree? Madame Dequeker was behind a cage with her stomach pressed against the flange of this...

avant-garde
Modernism
poetry
literature
autobiography

Arts

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.« ABO DE

A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
ACCESS

Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
ACCESS

To lay a hand on the shoulder of future victims…

Donatien Grau, Pierre Guyotat

»By using voices I have rediscovered what we call humanity.« OPEN
ACCESS

Arts

Soham Gupta

When life’s hard, time’s a motherfucker going slow

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways.

ABO DE FR

Arts

Donatien Grau, James Spooner

“Fuck that thing.” That’s all punk needs.

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’”

OPEN
ACCESS

Books

Mathias Denecke (ed.), Holger Kuhn (ed.), ...: Liquidity, Flows, Circulation

Mehdi Belhaj Kacem, Antoine d’Agata: Diagonale du vide

Gleb J. Albert (ed.), Nikolaj Evreinov, ...: The Steps of Nemesis

Wiktoria Furrer, Carla Gabrí, ...: How to Teach Art?

Dieter Mersch: Epistemologies of Aesthetics

Daniel Berndt (ed.), Susanne Huber (ed.), ...: ambivalent work*s

Fiction

The matrix for »Tombeau pour cinq cent mille soldats«

Pierre Guyotat

The Prison

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G.

Our prison was encircled by marshland where birds and sick dogs came to die. At night we could hear their cries and death rattles. We could see nothing of the town except its smoke and its dying animals. Prisoners on the second floor watched those washed-out cats and dogs die, lying down then struggling in the mud like birds caught in lime; famished cats jumped on those with gaping wounds and tore them open. From the cellar where we had been...

OPEN
ACCESS

war
war experience

Fiction

Dodie Bellamy

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats. OPEN
ACCESS

I.V. Nuss

The seahorse is the chosen metaphor for pregnant trans men ABO DE

Tom McCarthy

The ironic self-awareness of the poet can only be that of his own inauthenticity, repeated or fed back into itself at increasingly conscious levels, and ‘to know inauthenticity is not the same as to be authentic’. ABO DE

Jochen Thermann

I really should not have hired him…

Waldemar—well, that was not actually his name… ABO DE FR

Fiction

Maël Renouard

On Memory Atrophy

How can we remember the way we used to remember?

Externalized memory had always proceeded by contractions, summaries, reductions, selections, breaks in flow, as well as by organization, classification, boiling down. Card catalogues reduced thousands of works to a few key notions; tables of contents contracted the hundreds of pages in a given book. The sign itself was the first abbreviation of experience. An epic stitched of words was an abbreviation of the war, the long years of which were reduced to a few nights of recitation; the written text that recorded the epic was a contraction of the oral narration which pushed aside its sensory richness, melody, life in a thousand details. In accumulating, every level of abbreviation reconstituted an infinite flow, a new dilation that would be contracted in its turn. From the plurality of pages to the index and the table of contents; from the plurality of books to card catalogues.

The abbreviated elements were further arranged, situated...

OPEN
ACCESS

Fiction

A. L. Kennedy

Upending meanings and rewriting sanity

When it all burns you’ll know – a writer was there at the first…

ABO DE FR

Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
ACCESS DE

Discourse

Would communication beyond the semiosphere be conceivable? OPEN
ACCESS

Jurij Pavlovich Annenkov

We rehearsed the crowd scenes in the Winter Palace, in the Throne Room and the Armorial Hall. ABO

Sina Dell’Anno

“He always read Priam instead of ‘prime’.” OPEN
ACCESS DE

Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
ACCESS DE

Discourse

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

The key to survival will lay in female hands.

OPEN
ACCESS DE

feminism
Africa
performance
colonialism
ceremony
spiritism
ritual
body

Discourse

Marie Glassl, Sophie Lewis

On Gestational Communism

“If you love your family, you want family abolition for them!”

ABO DE

family
community
communism
motherhood
social movements
critique of neoliberalism
birth

Authors

Books

Maria Zinfert (ed.): Kracauer. Photographic Archive

Liza Mattutat (ed.), Roberto Nigro (ed.), ...: What’s Legit?

Tom McCarthy: Recessional—Or, the Time of the Hammer

Donatien Grau, Sylvère Lotringer: I Was More American than the Americans

Humanities

A dialogue that doesn’t cover up its traces

David Graeber

Anarchy—In a Manner of Speaking

Anarchism is about the possibility of a crowd becoming smarter.

There’s endless literature on the mob or “the madness of crowds”, and most people do assume that any kind of crowd is necessarily going to be, collectively, stupider than any one of the individuals that make it up. That’s why most people accept the legitimacy of authoritarian leadership. If this were really true, it stands to reason that if you took even any one random person out of the crowd and made that person dictator, the crowd would make better...

FR DE