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Arts

Antonin Artaud, Stephen Barber (ed.)

Artaud’s Last Unpublished Work

Antonin Artaud’s last large-scale work, published in its complete form in English for the first time. Foreword by John Zorn.

poetry
avant-garde
autobiography
Modernism
poetry
literature

Fiction

Versuchsanordnung, Ausradierung oder Palimpsest

Als Tempus wählen Sie bitte das Präsens.

Discourse

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

body
poetry
gender
motherhood
mother figure
contemporary art

Humanities

Hauke Branding (ed.), Julian Volz (ed.)

Theoretical perspectives in conversation with artistic perspectives on Queer liberation in a transnational context.

Postcolonial Studies
contemporary art
contemporary art
queer theory
orientalism
desire

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

queer theory
feminism
motherhood
aesthetics
body
father figure
contemporary art
mother figure
gender

Magazine Online

News + Events

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Hans-Jörg Rheinberger: In Touch: Encounters between Art and Research

Hauke Branding (ed.), Julian Volz (ed.): Radical Desires

Kevin B. Lee (ed.): The Future of Survival

Allison Grimaldi Donahue: The History of Breathing

Antonin Artaud, Stephen Barber (ed.): Last Writings of Antonin Artaud

Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action

Observing the Spectator

Article

Public Relations

Within a group of manuscripts, made in the circle around Jeanne II of Navarre in the 1330's (BnF, Ms. fr. 5716; BnF, Ms. n. a. lat. 3145; Ms. fr. 13568), several miniatures show distinguished figures that not only appear as witnesses inside the pictured scene but also serve as links...

Anja Rathmann-Lutz

Public Relations

Anthology

Kunst und Gesellschaft

Die Ausstellung ist in den letzten Jahrzehnten zu einem der erfolgreichsten kulturellen Ereignisse avanciert. So zumindest scheint es angesichts der Vielzahl neuer Museumsbauten, der globalen Verbreitung sogenannter Biennalen und dem zunehmenden Maß an medialer und diskursiver Aufmerksamkeit, das der bildenden Kunst zuteil wird. Worin aber gründet dieser Erfolg? Welche gesellschaftliche...

Carolin Meister (ed.), Dorothea von Hantelmann (ed.)

Die Ausstellung

Article

Disabling / Enabling Photography

The article examines the representation of people with cognitive and physical disabilities in two sets of photographs, (a) the commercial portraits of American and European show freaks from the 19th and early 20th century and (b) artistic images made by American photographer Diane Arbus between the 1950s and the 1970s.It...

Lars Nowak

Disabling / Enabling Photography

Anthology

Involving the Beholder

The invention of depicting figures participating in an event — nameless bystanders, beholders, and onlookers — marks an important change in the ways artists addressed the beholder of the artworks themselves. This shift speaks to a significant transformation of the relationship between images and their audience. The public in the...

Beate Fricke (ed.), Urte Krass (ed.)

The Public in the Picture / Das Publikum im Bild

Aimless Automata and Inhuman Techno-materiality

ABO DE

Current Texts

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them.

ABO DE FR

Current Texts

A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
ACCESS

Jurij Pavlovich Annenkov

We rehearsed the crowd scenes in the Winter Palace, in the Throne Room and the Armorial Hall. ABO

Stephen Barber

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. OPEN
ACCESS DE

Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

New releases

Eyal Weizman, Ines Weizman: Before & After

Thomas Köck: un gran casino (ta pissà adoss l’ürocc)

Arts

The Architecture of Disaster

Before & After

How can the gap between images become a site of critical counter-reading rather than a symbol of erasure?

History is increasingly presented as a series of catastrophes. The most common mode of this presentation is the before-and-after image—a juxtaposition of two photographs of the same place, at different times, before and after an event has taken its toll. Buildings seen intact in a “before” photograph have been destroyed in the one “after.” Neighborhoods bustling with activity in one image are in ruins or under a layer of foulwater in the next. Deforestations, contaminations, melting icebergs and drying rivers...

History of photography
photographic images
forensic science
war
photography

Arts

Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
ACCESS DE FR

Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
ACCESS DE

Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
ACCESS

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west? OPEN
ACCESS

Arts

Artur Zmijewski

About ‘how we treat the others’

“There is something deeply humiliating in such a situation.”

OPEN
ACCESS DE

gift
concentration camp
ethics
propaganda
contemporary art
documenta
National Socialism
Poland
migration
political aesthetics

Arts

Donatien Grau, Pierre Guyotat

To lay a hand on the shoulder of future victims…

»By using voices I have rediscovered what we call humanity.«

OPEN
ACCESS

Authors

Books

Antonin Artaud, Stephen Barber (ed.): Radio Works: 1946–48

Sara Alonso Gómez (ed.), Isabel J. Piniella Grillet (ed.), ...: NO Rhetoric(s)

Antonin Artaud, Stephen Barber (ed.): Artaud the Mômo

Mehdi Belhaj Kacem, Antoine d’Agata: Diagonale du vide

Fiction

All that pent up terror and rage

Dodie Bellamy

Plague Widow

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats.

Driving to the Castro, Bee Reaved feels hyper emotional, as she often does in the car, Nick Cave’s Ghosteen on repeat, and she thinks—this is what it’s like to live without hope. Six months after Kevin’s death, friends left her to fare for herself. Other widows warned her this would happen, that everybody would disappear before she was ready. One widow she no longer talks to said, “Wait and see, you’re going to have a total breakdown.” Now, with the...

OPEN
ACCESS

Fiction

Kim Gordon

Where do you go when you disappear? OPEN
ACCESS

Tom McCarthy

The ironic self-awareness of the poet can only be that of his own inauthenticity, repeated or fed back into itself at increasingly conscious levels, and ‘to know inauthenticity is not the same as to be authentic’. ABO DE

Zoran Terzić

Everything new is a pose in the alcoves of capital

In the post-avant-garde era we’re all either in the vanguard or asleep in the lap of capital. In this sense everybody is avant-garde—or nobody. OPEN
ACCESS DE

Dietmar Dath

Do you want to believe in language?

The index calculates everything. Announcements of awards, mostly false, light up then die. His dopamine balance feeds the list. Limbic structures support it. Brain means house, should have windows. OPEN
ACCESS DE

Fiction

Pierre Guyotat

The matrix for »Tombeau pour cinq cent mille soldats«

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G.

OPEN
ACCESS

war
war experience

Fiction

Stephen Barber

Twenty-four hours in state of unconsciousness

Now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself…

Now the dead will no longer be buried, now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself, now human bodies will expectorate fury and envision their own transformation or negation, now infinite and untold catastrophes are imminently on their way —ready to cross the bridge over the river Aire and engulf us all — in this winter of discontent, just beginning at this dead-of-night instant before midnight, North-Sea ice-particles already crackling in the air and the last summer long-over, the final moment of my seventeenth birthday, so we have to go, the devil is at our heels… And now we’re running at full-tilt through the centre of the city, across the square beneath the Purbeck-marble edifice of the Queen’s Hotel, down towards the dark arches under the railway tracks, the illuminated sky shaking, the air fissured with beating cacophony,...

ABO

Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
ACCESS DE

Discourse

Ute Holl

“Communism will be when we understand something of love.” OPEN
ACCESS

Marie Glassl, Sophie Lewis

“If you love your family, you want family abolition for them!” ABO DE

Would communication beyond the semiosphere be conceivable? OPEN
ACCESS

Sina Dell’Anno

“He always read Priam instead of ‘prime’.” OPEN
ACCESS DE

Discourse

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

The key to survival will lay in female hands.

OPEN
ACCESS DE

performance
feminism
body
ceremony
ritual
spiritism
colonialism
Africa

Discourse

»Self-censorship is the worst.«

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

ABO DE

film
contemporary art
film d'auteur
Evil
cinema

Authors

Books

Erich Hörl (ed.), Nelly Y. Pinkrah (ed.), ...: Critique and the Digital

Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), ...: On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

Marietta Kesting (ed.), Susanne Witzgall (ed.): Human after Man

David Graeber: Anarchy—In a Manner of Speaking

Maria Zinfert (ed.): Kracauer. Photographic Archive

Humanities

Nothing is at home

Phenomena in Exile

Philosophy is found wanting. It is considered anachronistic, some say dead. The tradition is in ruins.

Philosophy is found wanting. It is considered anachronistic, some say dead. The tradition is in ruins. And, what is worse, they say, these are ruins of its own making. But it bears noting that debris has proved to be a productive site. For finding things. Marcel Duchamp’s work, for example, can make an appearance as a phenomenology. And phenomenology itself, for another example, can dispel its origin, the transcendental subject – Kant’s old doublet. What this adds up to is a...

ABO