Notice (8): unserialize() [function.unserialize]: Error at offset 8183 of 23088 bytes [CORE/cake/libs/cache/file.php, line 190]

Code | Context

                $data = str_replace('\\\\\\\\', '\\', $data);
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Books

Magazine

Topics

diaphanes Berlin

Info

Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

User account

Arts

The Architecture of Disaster

How can the gap between images become a site of critical counter-reading rather than a symbol of erasure?

forensic science
History of photography
war
photography
photographic images
history of media

Fiction

The matrix for »Tombeau pour cinq cent mille soldats«

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G.

war
war experience

Discourse

Haifa’s architectural modernism

Ines Weizman synchronises different narratives that have been swept away by the chaotic hurricanes of time.

memory
Middle East
Israel
history of architecture

Humanities

Hauke Branding (ed.), Julian Volz (ed.)

Theoretical perspectives in conversation with artistic perspectives on Queer liberation in a transnational context.

orientalism
desire
contemporary art
Postcolonial Studies
contemporary art
queer theory

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

aesthetics
gender
body
queer theory
mother figure
feminism
father figure
motherhood
contemporary art

Magazine Online

News + Events

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

diaphanes_net

New releases

Marcia Sá Cavalcante Schuback (ed.), David Payne (ed.): Breaking Grounds

Hans-Jörg Rheinberger: In Touch: Encounters between Art and Research

Hauke Branding (ed.), Julian Volz (ed.): Radical Desires

Kevin B. Lee (ed.): The Future of Survival

Autofiction—Metafiction

Article

“I fled Europe as one flees one’s parents’ house“

I recognize that lobby. The Washington Hilton. Men in business suits are crammed in there by the thousands. American philosophers meeting for a convention. A compact assembly of thinkers. Thirty-five hundred of them, Newsweek published the figure. The eastern division of the American Philosophical Association. I make a tour of...

Reiner Schürmann

How I Try to Sell Myself to the Americans

Article

Why this past? Why is this past mine? A past which I did not even know? 

Born too late to see the war, too soon to forget it. Rocked by events which I didn’t experience.

Reiner Schürmann

How I Learned to Clench My Fists

Article

“Obsessed with buffering”

I’ve become obsessed with buffering—or the narrator in my new novel is obsessed with buffering. He’s an anthropologist who has grown up reading Lévi-Strauss but he’s also a corporate anthropologist who is working for the Man. He’s putting culture in the service of capital. Like we all do, he spends... ABO

Tom McCarthy

“Obsessed with buffering”

Monograph

»Ich bin nicht gut im Vergessen. Ich kann es überhaupt nicht«

Ein junger Deutscher in den sechziger Jahren schreibt hier, heimgesucht von einer übergroßen Sensibilität für die Allgegenwart der Vergangenheit. Geradezu körperlich trägt er in seiner eigenen Person die Unfähigkeit aus, zu vergessen, was er selbst nicht bewusst erlebt hat: Krieg und Vernichtung. Die stark autobiographisch geprägte Erzählung folgt den zahlreichen...

Reiner Schürmann

Ursprünge

The future has never looked older

However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall.

ABO

Current Texts

Dennis Cooper, Donatien Grau, ...

Sex creates love and love creates sex

“I don’t believe in progress, no.”

OPEN
ACCESS

philology
music

Current Texts

Sina Dell’Anno

“He always read Priam instead of ‘prime’.” OPEN
ACCESS DE

Ute Holl

“Communism will be when we understand something of love.” OPEN
ACCESS

Dodie Bellamy

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats. OPEN
ACCESS

Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
ACCESS

New releases

Allison Grimaldi Donahue: The History of Breathing

Antonin Artaud, Stephen Barber (ed.): Last Writings of Antonin Artaud

Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action

Eyal Weizman, Ines Weizman: Before & After

Thomas Köck: un gran casino (ta pissà adoss l’ürocc)

Arts

Matrices porteuses – Surrogacies

DIAPHANES Magazine No. 11

This issue explores practices of human and non-human substitution.

What claims the place of the nuclear family in the face of hybrid kinships and social freezing? What could new elective kinships be in times of chatbots and pseudonymisation? Is this the time for surrogate mother tongues and extra-human rhetorics of surrogation? Sophie Lewis claims a gestational communism and hunts our grannies. Barbara Vinken reflects on spiritual motherhood, Luciana Parisi on human automata and gendered proxies. For Zuzana Cela, language is a foreign body that can be invaginated. Werner Hamacher strolls...

gender
body
mother figure
motherhood
contemporary art

Arts

To lay a hand on the shoulder of future victims…

Donatien Grau, Pierre Guyotat

»By using voices I have rediscovered what we call humanity.« OPEN
ACCESS

“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
ACCESS

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west? OPEN
ACCESS

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them. ABO DE FR

Arts

Slavs and Tatars

Why the Backwards Smile?

To what extent can a revolution of the inner world impact the external, material world surrounding us?

OPEN
ACCESS DE

Arts

»Self-censorship is the worst.«

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

ABO DE

contemporary art
film d'auteur
Evil
film
cinema

Authors

Books

Eduardo Jorge de Oliveira: Invented Skins

Antonin Artaud, Stephen Barber (ed.): Watchfiends and Rack Screams

Wiktoria Furrer, Carla Gabrí, ...: How to Teach Art?

Fiction

Let’s find the stage of human affairs

Marion Muller-Colard, Clémence Pollet

Hannah Arendt's Little Theater

“A story worth telling is a story with spectators to judge it.”

While about to finish her last book, the philosopher Hannah Arendt is disturbed by her stubborn alter ego, 9-year-old Little Hannah. Reluctantly, the old woman lets herself drag out onto the streets of New York and into constant conversation by the inquisitive little girl. They enter a little theatre, and together they watch mankind, society, politics, power evolve – and they also experience the role of Evil (in the person of a wolf and of numerous wooden puppets) and its...

Evil
acting
thinking
ethics
young readers

Fiction

Johannes Binotto

Where words are uttered, the taming is shrewed. OPEN
ACCESS DE

Zoran Terzić

Everything new is a pose in the alcoves of capital

In the post-avant-garde era we’re all either in the vanguard or asleep in the lap of capital. In this sense everybody is avant-garde—or nobody. OPEN
ACCESS DE

Angelika Meier

Your story begins with a tunnel.

The lost cause is the only one worth fighting for. OPEN
ACCESS DE

Mike Wilson

Mike Wilson’s literature is a fast trip through the American night, drawn in melancholy images of great beauty. ABO

Fiction

Diane Williams

How about some string?

I said “Would you like a rope? You know that haul you have is not secured properly.”

I said “Would you like a rope? You know that haul you have is not secured properly.”
“No,” he said, “but I see you have string!”
“If this comes into motion—” I said, “you should use a rope.”
“Any poison ivy on that? ” he asked me, and I told him my rope had been in the barn peacefully for years.
He took a length of it to the bedside table. He had no concept for what wood could endure.
“Table must have broken when I lashed it onto the truck,” he said.
And, when he was moving the sewing machine, he let the cast iron wheels—bang, bang on the stair.
I had settled down to pack up the ﬂamingo cookie jar, the cutlery, and the cookware, but stopped brieﬂy, for how many times do you catch sudden sight of something heartfelt?
I saw our milk cows in their slow...

ABO DE

Fiction

Soham Gupta

When life’s hard, time’s a motherfucker going slow

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways.

ABO DE FR

Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
ACCESS DE

Discourse

Stephen Barber

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. OPEN
ACCESS DE

Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
ACCESS

Marie Glassl, Sophie Lewis

“If you love your family, you want family abolition for them!” ABO DE

Would communication beyond the semiosphere be conceivable? OPEN
ACCESS

Discourse

Jurij Pavlovich Annenkov

Hurrah!

We rehearsed the crowd scenes in the Winter Palace, in the Throne Room and the Armorial Hall.

ABO

Discourse

A.K. Kaiza

Black Panther is an American, not an African story

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts.

OPEN
ACCESS DE

Books

Maria Zinfert (ed.): Kracauer. Photographic Archive

Elisabeth Bronfen: Mad Men, Death and the American Dream

Liliana Gómez (ed.), Fabienne Liptay (ed.): Eco-operations

Alexander Kluge, Joseph Vogl: Soll und Haben

Philippe Despoix (ed.), Siegfried Kracauer, ...: The Past's Threshold

David Graeber: Anarchy—In a Manner of Speaking

Humanities

Il testo ignoto è una promessa

Michele Pedrazzi

The Next Bit. Corpo a corpo con l’ignoto

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza?

Immaginiamo di trovarci al cospetto di un “oggetto semiotico” ignoto. Potrebbe trattarsi di un dipinto, di un brano di letteratura, di un pezzo musicale, di un programma informatico, di un artefatto culturale in senso lato: poco importa al momento, ciò che ci interessa è il carattere di estraneità di questo oggetto, di cui ignoriamo al momento tutto. Attardiamoci per un attimo in questo limbo interpretativo. Nella realtà, questa sorta di tabula rasa sostanzialmente non esiste, ogni oggetto ci arriva già...

OPEN
ACCESS DE FR

media theory
reading
electronic music
time
music

Humanities

Each showroom has a couple of “managers”.

Do I really know the person I’ve watched every day on screen for months? I know many things, like where he is, where he comes from, what his home looks like, when he gets up and sleeps, etc. But do I really know him? ABO DE

The abandonment of the centrality of the subject

Donatien Grau

Philology keeps it possible to open a space for the minority. OPEN
ACCESS FR

Andreas L. Hofbauer

The yoke of being, noteworthy dis-position

Anyone inclined to describe hunters and gatherers as poor, would be advised to understand them as free. OPEN
ACCESS DE

Barbara Basting

Filippo Tommaso Marinetti’s closeness to fascism has put him in a dubious light. Barbara Basting tells of her personal fascination with futurism and her dehabituation from its aura and central figure. ABO DE

Humanities

Maria Filomena Molder

So many egoists call themselves artists…

Words are human things; a great obscurity saturates them…

“So many egoists call themselves artists,” Rimbaud wrote to Paul Demeny on May 15, 1871. Even though that is not always obvious, ‘I’, the first person, is the most unknown person, a mystery that is constantly moving towards the other two, the second and third persons, a series of unfoldings and smatterings that eventually gelled as ‘Je est un autre’. That is why ‘apocryphal’ is a literarily irrelevant concept and ‘pseudo’ a symptom, the very proof that life, writing, is made up of echoes, which means that intrusions and thefts (Borges also discusses them) will always be the daily bread of those who write.

Words from others, words taken out of place and mutilated: here are the alms of time, that squanderer’s sole kindness. And so many others, mostly others who wrote, and many other pages, all of them apocryphal, all of them echoes, reflections. All this flows together into—two centuries...

OPEN
ACCESS DE

Humanities

Zoran Terzić

Critique of generic rationality

The programs “sense” how the clients function, but not because AI is becoming more human—rather because clients now function as generically as programs.

OPEN
ACCESS DE

Authors