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Arts

The Architecture of Disaster

How can the gap between images become a site of critical counter-reading rather than a symbol of erasure?

history of media
war
photographic images
History of photography
forensic science
photography

Fiction

Specters of the Avant-garde

DIAPHANES 6/7 stellt sich ins harte Licht ästhetischer Trauer, träumt von einer Nachhut der Vielen, konjugiert Vergangenes im Futur 2.

avant-garde
Modernism
contemporary art
contemporary literature
France
photography

Discourse

A coffin to bury the statues of the ancestors

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo…

colonial history
museum
contemporary art
Africa
colonialism
sculpture

Humanities

Hauke Branding (ed.), Julian Volz (ed.)

Theoretical perspectives in conversation with artistic perspectives on Queer liberation in a transnational context.

orientalism
contemporary art
desire
Postcolonial Studies
queer theory
contemporary art

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

father figure
motherhood
contemporary art
aesthetics
gender
feminism
body
queer theory
mother figure

Magazine Online

News + Events

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Marcia Sá Cavalcante Schuback (ed.), David Payne (ed.): Breaking Grounds

Hans-Jörg Rheinberger: In Touch: Encounters between Art and Research

Hauke Branding (ed.), Julian Volz (ed.): Radical Desires

Kevin B. Lee (ed.): The Future of Survival

THINK ART? THINK ART!

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

Monograph

One plus one equals other

For an aesthetic mode of thought beyond the “linguistic turn”

Dieter Mersch

Epistemologies of Aesthetics

Article

“Obsessed with buffering”

I’ve become obsessed with buffering—or the narrator in my new novel is obsessed with buffering. He’s an anthropologist who has grown up reading Lévi-Strauss but he’s also a corporate anthropologist who is working for the Man. He’s putting culture in the service of capital. Like we all do, he spends... ABO

Tom McCarthy

“Obsessed with buffering”

Article

I’m not really sure what is and what isn’t theory.

Elisabeth Bronfen Tom, our idea here was that you would give us a little insight into how you find your themes, how you use theory for your texts. T.MC. I’m not really sure what is and what isn’t theory. I don’t really know where theory stops and fiction begins. If you take someone... ABO

Tom McCarthy

“Something that is not nothing”

»Self-censorship is the worst.«

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

ABO DE

cinema
Evil
film
film d'auteur
contemporary art

Current Texts

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them.

ABO DE FR

Current Texts

Stephen Barber

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. OPEN
ACCESS DE

So many egoists call themselves artists…

Words are human things; a great obscurity saturates them… OPEN
ACCESS DE

Would communication beyond the semiosphere be conceivable? OPEN
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What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west? OPEN
ACCESS

New releases

Allison Grimaldi Donahue: The History of Breathing

Antonin Artaud, Stephen Barber (ed.): Last Writings of Antonin Artaud

Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action

Eyal Weizman, Ines Weizman: Before & After

Thomas Köck: un gran casino (ta pissà adoss l’ürocc)

Arts

Matrices porteuses – Surrogacies

DIAPHANES Magazine No. 11

This issue explores practices of human and non-human substitution.

What claims the place of the nuclear family in the face of hybrid kinships and social freezing? What could new elective kinships be in times of chatbots and pseudonymisation? Is this the time for surrogate mother tongues and extra-human rhetorics of surrogation? Sophie Lewis claims a gestational communism and hunts our grannies. Barbara Vinken reflects on spiritual motherhood, Luciana Parisi on human automata and gendered proxies. For Zuzana Cela, language is a foreign body that can be invaginated. Werner Hamacher strolls...

motherhood
contemporary art
body
gender
mother figure

Arts

Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
ACCESS

“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
ACCESS

Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
ACCESS DE

Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

Arts

Dan-el Padilla Peralta

Capitalism sucks. Tag everything.

it seemed like we’d just been in some horrible dream

OPEN
ACCESS

Arts

Michele Pedrazzi

Il testo ignoto è una promessa

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza?

OPEN
ACCESS DE FR

electronic music
time
media theory
reading
music

Authors

Books

Antonin Artaud, Stephen Barber (ed.): Artaud the Mômo

Maria Zinfert (ed.): Kracauer. Photographic Archive

Kieran Aarons (ed.), Reiner Schürmann, ...: The Place of the Symbolic

Philippe Despoix (ed.), Siegfried Kracauer, ...: The Past's Threshold

Sami Khatib (ed.), Holger Kuhn (ed.), ...: Critique: The Stakes of Form

Fiction

Artaud’s Last Unpublished Work

Antonin Artaud, Stephen Barber (ed.)

Watchfiends and Rack Screams

Antonin Artaud’s last large-scale work, published in its complete form in English for the first time. Foreword by John Zorn.

I had a dream last night, scrambled, yes indeed, for a scrambled dream it sure was scrambled. But so meaningful on the other hand, so meaningful. Jean Dequeker was dragging himself along the earth with short and truncated legs, and he said: Am I a beast, a pebble, a branch or a meat stall? But after all what is a tree? What is a tree? Madame Dequeker was behind a cage with her stomach pressed against the flange of this...

autobiography
avant-garde
poetry
literature
Modernism

Fiction

Stephen Barber

Twenty-four hours in state of unconsciousness

Now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself… ABO

A. L. Kennedy

When it all burns you’ll know – a writer was there at the first… ABO DE FR

Tom McCarthy

The ironic self-awareness of the poet can only be that of his own inauthenticity, repeated or fed back into itself at increasingly conscious levels, and ‘to know inauthenticity is not the same as to be authentic’. ABO DE

Jochen Thermann

I really should not have hired him…

Waldemar—well, that was not actually his name… ABO DE FR

Fiction

Kim Gordon

It was another 75° day in LA.

Where do you go when you disappear?

OPEN
ACCESS

Fiction

Dodie Bellamy

All that pent up terror and rage

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats.

OPEN
ACCESS

Books

Gleb J. Albert (ed.), Nikolaj Evreinov, ...: The Steps of Nemesis

Antonin Artaud, Stephen Barber (ed.): Artaud 1937 Apocalypse

Antonin Artaud, Stephen Barber (ed.): The Human Face and Other Writings on His Drawings

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
ACCESS DE

Discourse

Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
ACCESS

Sina Dell’Anno

“He always read Priam instead of ‘prime’.” OPEN
ACCESS DE

Marie Glassl, Sophie Lewis

“If you love your family, you want family abolition for them!” ABO DE

Felix Stalder

Subjectivation and Authenticity

It is human selection that turns a machine selection that is meaningless because of its compilation criteria into a (potentially) meaningful narrative. ABO DE

Discourse

A.K. Kaiza

Black Panther is an American, not an African story

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts.

OPEN
ACCESS DE

Discourse

Ute Holl

Dream, Clouds, Off, Exile

“Communism will be when we understand something of love.”

OPEN
ACCESS

Karl Marx
film
exile
communism
monotheism

Authors

Books

Donatien Grau, Sylvère Lotringer: I Was More American than the Americans

Mathias Denecke (ed.), Holger Kuhn (ed.), ...: Liquidity, Flows, Circulation

Humanities

»The camera is my »exosomatic extension‹.«

Gertrud Koch, Michael Lüthy, ...

A Walk With Allan Sekula Through His Exhibition

But how can an art in the name of the specific be the lingua franca of globalized art?

Gertrud Koch: We would like to start by discussing the different narrative forms you have chosen for the titles of your series, like »story«, »fable« or »tale«: how would you differentiate between stories and fables, and what autobiographical narratives are involved here? Is it a kind of metanarrative, is it a composing of different narrative moments?  Allan Sekula: Very often my titling a particular work has an idiomatic logic: Fish Story has a vernacular resonance, particularly in American English where a...

OPEN
ACCESS

exhibition
photography
Allan Sekula
memory
fiction

Humanities

The abandonment of the centrality of the subject

Donatien Grau

Philology keeps it possible to open a space for the minority. OPEN
ACCESS FR

Mengia Tschalaer

“The sexual asylum story is everything,” OPEN
ACCESS DE

Mehdi Belhaj Kacem, Philippe Sollers

Like no other journal, Tel Quel was an outstanding arena of literary innovation and intellectual revolution. In this conversation its founder and publisher, Philippe Sollers, provides intimate insight and polemical hindsight into some of the most important milestones of its still-resonating era. ABO DE

Each showroom has a couple of “managers”.

Do I really know the person I’ve watched every day on screen for months? I know many things, like where he is, where he comes from, what his home looks like, when he gets up and sleeps, etc. But do I really know him? ABO DE

Humanities

Zoran Terzić

Critique of generic rationality

The programs “sense” how the clients function, but not because AI is becoming more human—rather because clients now function as generically as programs.

OPEN
ACCESS DE

Humanities

Jean-Luc Nancy

غریبه‌ها غریبه‌ها

ازخودبیگانه‌ ها راه‌ گم‌کرده‌ ها از کدامین اصل نامرئی؟

Etrange (غریب) در زبان فرانسوی از ریشه لاتین extraneus به معنای «خارجی» در برابر داخلی intraneus است. آنچه از خانه نیست unheimlich (امر غریب) از heim (خانه) نیست از منزل نیست در طرف دیگر دروازه fores است foreigner (خارجی)، خارج از ضرب و زیادی است odd (زاید) ناهنجار نامعمول نادر کمیاب تکی است seltsam (عجیب) عجیب و غریب besherat رشید ظریف پراوهام خمیده‌‌ verschroben (بد خو) خمیده شگفت‌ آور خارق‌ العاده حیرت‌ انگیز

غنای زبان امری غریب است در کلماتی که به نحوی حولِ مفهومِ غریبِ خارجی ausländer شکل گرفته اند خارج از کشور «هم‌‌ کشور ما» همانگونه که پیش‌ تر در فرانسه می‌ گفتیم «این کشور من است» برای اشاره به کسی از روستای من محله‌ ی من استان من ولایت من