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Around a sculpture by Alberto Giacometti
Around a sculpture by Alberto Giacometti

Georges Didi-Huberman, Mira Fliescher (ed.), ...

The Cube and the Face

The Cube, as we can see, isn’t one. It is an ­irregular polyhedron which catalogues describe as having twelve sides — that nice figure, twelve, a destinal figure if ever there was one, which willfully evokes Mallarmé’s throw of the dice, at the very moment that the clock strikes twelve at midnight, in the dark house of Igitur. One can imagine that Giacometti wanted to give a unique volume to the twelve facets — six and six — of two cubes added together: a unique architecture...
  • art theory
  • face
  • Alberto Giacometti
  • art history
  • abstract art
Current Texts
About ‘how we treat the others’

Artur Żmijewski

About ‘how we treat the others’

ABO DE
  • concentration camp
  • contemporary art
  • Poland
  • migration
  • ethics
  • National Socialism
  • political aesthetics
  • documenta
  • gift
  • propaganda
News + Events

Yves Netzhammer: Book Presentation and Artist’s Talk

22.08.2017, 18:30

ETH Zürich Graphische Sammlung
Rämistrasse 101
8092 Zürich
Schweiz

Exhibition: On Series, Scenes and Sequences – FEATURE Yves Netzhammer

16.08.2017 – 03.09.2017

ETH Zürich Graphische Sammlung
Rämistrasse 101
8092 Zürich
Schweiz

 

 

Essays on Photography by Siegfried Kracauer
Essays on Photography by Siegfried Kracauer

Siegfried Kracauer, Philippe Despoix (ed.), ...

The Past's Threshold

There can be no doubt, however, that in Kracauer’s texts published at the turn of the 1920s and the 1930s from his position as an editor of the cultural pages at the daily newspaper Frankfurter ­Zeitung, then in the 1950s during his American period, he sketches out a theorisation of photography that can be described as groundbreaking. But it is also true that most of his works overlap, in more than one way, with this medium of reproduction or that...
  • film
  • media theory
  • Siegfried Kracauer
  • photography
  • History of photography
Current Texts

Ulaş Aktaş

The development of cultural screens

The radicalisation of the process of civilisation is a challenge to art, even an overwhelming one. High-modernist art, with its claims to understanding and expressing the world, positioned within a world that has become highly complex, is challenged by itself.

How is one to dance against Auschwitz or Hiroshima?

The sheer attempt to “dance against” anything would be naïve! Art after modernism – and I think the date 1945 would serve very well as a point of reference – had to and must now relinquish its own irresolvable complexity and retreat. It becomes in a sense truly radical but it would be more accurate to say it becomes nuclear, focussing on the core. Beckett’s plays are destilled cores – their greatness lies in their smallness. Absolute music, absolute art – Merce Cunningham’s dance could well be termed absolute dance in this sense – cristallises something from out of the cultural forms of bourgeois art, something which can...

ABO
  • crisis
  • dancing
  • immunization
  • body
  • politics
Current Texts

Stephen Frosh

We are always part of an and and a between.

As it happens, in relation to questions of fragile identities, I think these are very useful words. One issue that has been confronted in recent discussions of identity has been whether it is singular or plural and if the latter, which is the predominant critical view, what kind of plurality is being evoked by the term? Specifically, are we talking about something that is fragmented or something that is multiple? Is the human subject notionally one, but through exposure to forces of various kinds, ranging from the excessive competing demands of post-modernity through to devastating trauma, it becomes a split subject? Or does the multiplicity of selves and identities (to run the terms together for a moment) reflect the simple reality of life – we are multiple beings, and our task is to do something with this multiplicity, not to wish it gone? It is this position that I would...

ABO DE
  • Hannah Arendt
  • family
  • Judith Butler
  • Judaism
  • identity