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»The camera is my »exosomatic extension‹.«
»The camera is my »exosomatic extension‹.«

Gertrud Koch, Michael Lüthy, ...

A Walk With Allan Sekula Through His Exhibition

Gertrud Koch: We would like to start by discussing the different narrative forms you have chosen for the titles of your series, like »story«, »fable« or »tale«: how would you differentiate between stories and fables, and what autobiographical narratives are involved here? Is it a kind of metanarrative, is it a composing of different narrative moments?
   Allan Sekula: Very often my titling a particular work has an idiomatic logic: Fish Story has a vernacular resonance, particularly in American English where a...
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  • exhibition
  • Allan Sekula
  • fiction
  • photography
  • memory
News + Events

Anthropocene Lecture: Bruno Latour

29.09.2017, 19:00

Haus der Kulturen der Welt
John-Foster-Dulles-Allee 10
10557 Berlin
Deutschland

New releases
Reiner Schürmann: Luther. The Origin of Modern Self-Consciousness
Claus Pias: Computer Game Worlds

 

Topics
  • Autofiction—Metafiction

    Autofiction—Metafiction

    • Theory of fiction
    • autobiography
    • autofiction
    • fiction
    • memory
  • minima oeconomica

    minima oeconomica

    Analysen und Kritik moderner Ökonomie, deren Wissenschaft und Legitmation im Zeitalter der Finanzialisierung

    • economy
    • financial crisis
    • discourse history
    • economization
    • economics
    • financial markets
  • Wissen-Nicht-Wissen

    Wissen-Nicht-Wissen

    • potentiality
    • experiment
    • literary studies
    • poetics
    • poetology of knowledge
    • idleness
    • epistemology
    • ignorance and non-knowledge
    • astonishment
    • history of knowledge
  • The Subject of Capitalism

    The Subject of Capitalism

    • capitalism
    • cognitive capital
    • subjectification
    • migration
Current Texts

Sebastian Vehlken

Zombies, Panic Prevention, Crowd Simulation

Calculating disasters today means to coalesce empirical data of past catastrophies, observational data of mass events, and the computer-based experimentation and scenario-building with virtual ABM models of realistic agents and spatial environments. It thus combines analytical and synthetic approaches, supported by advanced visualization techniques, in the areas of crowd simulation, capturing, and sensing. With the latter, the crowd itself becomes kind of an operational medium – not only for its internal organization, but as a medium that helps regulating the multiple sensations and possible affections in a crowd in a real-time feedback loop to a computer model – a model, that in turn itself feeds back to the real-life crowd, sending information or warnings to the handheld devices of the app’s users. However, one would still rather question the applicability of the proposed feedback loop, as most people with the crowd sensing app most likely would not read the (individualized) directives appearing...

ABO
  • crowd psychology
  • epistemology
  • panic
  • contagion
  • affects
Current Texts

Maurizio Lazzarato

The endless array of merchandise

In contemporary capitalism, subjectivity is the product of a mass industry organized on a global level. For Félix Guattari this is actually the first and most important of capitalist productions, because it preconditions and is part of production in all other forms of merchandise. Subjectivity is a ‘key merchandise,’ which in its ‘nature’ is put together, developed and manufactured in the same way as a car, electricity, or a washing machine. Capitalism organizes the production and control of subjectivity through two different systems, which weave together the manufacture of the individuated subject (“social subjection”) and what seems to be the opposite, de-subjectification (“machinic enslavement”). Therefore capitalism exercises a twofold hold over subjectivity.

Social subjection involves techniques of government, which pass by way of, and mobilize, representation (political and linguistic), areas of knowledge, discursive visual practices, etc., and produce ‘subjects of rights,’ ‘political subjects,’ in short: ‘subjects’ of ‘I’s,’ of individuals. By...

ABO DE
  • algorithms
  • Governmentality
  • capitalism
  • identity
  • data

 

"Curriculum Vitae in Pictures“

Maria Zinfert (ed.)

Kracauer. Photographic Archive

Kracauer. Photographic Archive presents  largely unknown material from the estate of the German-American theorist of film and photography, ­Siegfried Kracauer and his wife and assistant Elisabeth, known as Lili. The single and group portraits, still lifes, street scenes and landscapes collected in this book all come from the estate of Siegfried Kracauer. Published here for the first time, they are an extensive and representative selection from the enlargements, contact sheets and rolls of film originally archived by Lili Kracauer. With...
  • 20th century
  • 1950s
  • biography
  • archive
  • 1930s
Current Texts

Stephen Frosh

We are always part of an and and a between.

As it happens, in relation to questions of fragile identities, I think these are very useful words. One issue that has been confronted in recent discussions of identity has been whether it is singular or plural and if the latter, which is the predominant critical view, what kind of plurality is being evoked by the term? Specifically, are we talking about something that is fragmented or something that is multiple? Is the human subject notionally one, but through exposure to forces of various kinds, ranging from the excessive competing demands of post-modernity through to devastating trauma, it becomes a split subject? Or does the multiplicity of selves and identities (to run the terms together for a moment) reflect the simple reality of life – we are multiple beings, and our task is to do something with this multiplicity, not to wish it gone? It is this position that I would...

ABO DE
  • identity
  • family
  • Judaism
  • Judith Butler
  • Hannah Arendt
Current Texts

Caroline Jones

Art, science and the server-user-mode

The question is: what kinds of subjects are we becoming, in these networked brains embedded in their fleshy, neuronal viscera? And are these art-implicated subjects finding their parallel in science? Now more than ever we need to think about ›experience‹ as embodied thought – now when that ›cavern‹ and the thick, sensory envelope that populates it with consciousness is studded with earphones, zooming in psychopharmaceuticals, extended with prostheses, dazzled by odorless tastes and tasteless odors, transported by new media, and buzzing with ideas. You will say: this is not the first moment we have confronted such questions. But if the Dadaists anticipated prosthetic subjecthood, their experience was of an intact head with attachments. The complexity of input and internalization in contemporary art, and the sheer scope of scientific interpellation of us as subjects, is a world away. Artists attempt to materialize the sense data of contemporary subject positions. Materialization is...

ABO
  • artistic research
  • Bruno Latour
  • contemporary art
  • experiment
  • Ernst Mach