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Why this past? Why is this past mine? A past which I did not even know?

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Article

»The camera is my »exosomatic extension‹.«

Gertrud Koch, Michael Lüthy, Bernhard Schieder, Allan Sekula

A Walk With Allan Sekula Through His Exhibition

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Current Texts
Mama Say Make I Dey Go, She Dey My Back

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

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  • Africa
  • feminism
  • ceremony
  • ritual
  • spiritism
  • body
  • colonialism
  • performance
Current Texts
About ‘how we treat the others’

Artur Zmijewski

About ‘how we treat the others’

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  • political aesthetics
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Artaud’s Last Unpublished Work
Artaud’s Last Unpublished Work

Antonin Artaud, Stephen Barber (ed.)

Watchfiends and Rack Screams

I had a dream last night, scrambled, yes indeed, for a scrambled dream it sure was scrambled. But so meaningful on the other hand, so meaningful. Jean Dequeker was dragging himself along the earth with short and truncated legs, and he said: Am I a beast, a pebble, a branch or a meat stall? But after all what is a tree? What is a tree? Madame Dequeker was behind a cage with her stomach pressed against the flange of this...
  • literature
  • autobiography
  • poetry
  • avant-garde
  • Modernism
Jiji-Crycry
Jiji-Crycry

Antonin Artaud, Stephen Barber (ed.)

“Here Lies” preceded by “The Indian Culture”

The two poetic works collected together here as Here Lies preceded by Indian Culture were created as a partly improvised vocal performance dictated during one session on 25 November 1946, based on provisional notes, and transcribed by Artaud’s collaborator Paule Thévenin at Artaud’s pavilion in Ivry-sur-Seine. The two works together form one of the outstanding experiments of Artaud’s final period. Those two works were published in one volume in Paris on 20 January 1948 by the small poetry publisher K...
  • avant-garde
  • literature
  • poetry
  • drugs
Fiction

Maël Renouard

On Memory Atrophy

Externalized memory had always proceeded by contractions, summaries, reductions, selections, breaks in flow, as well as by organization, classification, boiling down. Card catalogues reduced thousands of works to a few key notions; tables of contents contracted the hundreds of pages in a given book. The sign itself was the first abbreviation of experience. An epic stitched of words was an abbreviation of the war, the long years of which were reduced to a few nights of recitation; the written text that recorded the epic was a contraction of the oral narration which pushed aside its sensory richness, melody, life in a thousand details. In accumulating, every level of abbreviation reconstituted an infinite flow, a new dilation that would be contracted in its turn. From the plurality of pages to the index and the table of contents; from the plurality of books to card catalogues.

The abbreviated elements were further arranged, situated...

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Digital disrupture
Digital disrupture

Dieter Mersch

Digital Criticism

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...
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We need more planetary dimensions!
We need more planetary dimensions!

Rosi Braidotti

Nomadic Subjects

My life-long engagement in the project of nomadic subjectivity rests on a specific cartography of our globalised times, marked by large-scale and technologically-mediated transformations of our social, economic and political universes. I start from the assumption that, as a result of these upheavals, traditional forms of self-representation, familiar cultural points of reference and age-old habits of thought are being re-composed, albeit in contradictory ways. Our historical context is marked by the schizoid structure of technology-driven advanced capitalism, as Deleuze and Guattari...
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  • globalization
  • Europe
  • capitalism
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Humanities

Maria Filomena Molder

So many egoists call themselves artists…

“So many egoists call themselves artists,” Rimbaud wrote to Paul Demeny on May 15, 1871. Even though that is not always obvious, ‘I’, the first person, is the most unknown person, a mystery that is constantly moving towards the other two, the second and third persons, a series of unfoldings and smatterings that eventually gelled as ‘Je est un autre’. That is why ‘apocryphal’ is a literarily irrelevant concept and ‘pseudo’ a symptom, the very proof that life, writing, is made up of echoes, which means that intrusions and thefts (Borges also discusses them) will always be the daily bread of those who write.

Words from others, words taken out of place and mutilated: here are the alms of time, that squanderer’s sole kindness. And so many others, mostly others who wrote, and many other pages, all of them apocryphal, all of them echoes, reflections. All this flows together into—two centuries...

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