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Inke Arns (ed.), Igor Chubarov (ed.), ...: Nikolai Evreinov: »The Storming of the Winter Palace«

Igor Chubarov (ed.), Inke Arns (ed.), Sylvia Sasse (ed.)

Nikolai Evreinov: »The Storming of the Winter Palace«

Softcover, 320 pages

Date of publication: 15.09.2017

DE

Historic event, reenactement, fake

In 1920, the third anniversary of the October Revolution, the Storming of the Winter Palace was performed with a cast of 10,000. The mass spectacle, directed by Nikolai Evreinov, was a kind of false, deceptive reenactment. It was intended to recall something—the storming of the Winter Palace as the beginning of the revolution—that it itself produced as a theatrical medium. This volume reconstructs the event with texts, photographs, and drawings, and shows how not only in the Soviet Union did the photograph of the theatrical “storming” became a historical document of the October Revolution.

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Inke Arns

PhD, curator and artistic director of the Hartware MedienKunstVerein (www.hmkv.de) in Dortmund, Germany, since 2005. She has worked internationally as an independent curator, writer, and theorist specializing in media art, net cultures, and Eastern Europe since 1993.
Inke Arns (ed.), Igor Chubarov (ed.), ...: Nikolaj Evreinov: »Sturm auf den Winterpalast«
Other texts by Inke Arns for DIAPHANES

Igor Chubarov

is a philosopher and professor at Moscow State University. He is a senior research fellow in the Institute of Philosophy at the Russian Academy of Sciences and editor of the Logos magazine. He is the author of works on modern art and early-Soviet proletarian art, the history of Russian philosophy, theories of power, the theory of machines and mediatheory and on Evreinov.
Inke Arns (ed.), Igor Chubarov (ed.), ...: Nikolaj Evreinov: »Sturm auf den Winterpalast«
Other texts by Igor Chubarov for DIAPHANES

Sylvia Sasse

studied Slavic and German Studies in Constance and St. Petersburg (1990-1996). She earned her PhD in Constance in 1999 and obtained her habilitation at Freie Universität Berlin. After her teaching and research work at Freie Universität Berlin (1999-2001), the Center for Literary and Cultural Research Berlin (2001-2005) and UC Berkeley (2002-2003) she was Professor for Eastern Slavic Literature at the Humboldt University of Berlin. Since 2009 she has been Full Professor of Slavic Literature at the university of Zurich and co-director of the ZKK (Centre for Arts and Cultural Theory). She is currently working on the interference between literature and law, conceptions of escape and performance art in Eastern Europe.

Other texts by Sylvia Sasse for DIAPHANES
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