diaphanes

Notice (8): unserialize() [function.unserialize]: Error at offset 8181 of 13875 bytes [CORE/cake/libs/cache/file.php, line 190]

Code | Context

                $data = str_replace('\\\\\\\\', '\\', $data);
            }
            $data = unserialize((string)$data);

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unserialize - [internal], line ??
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[main] - APP/webroot/index.php, line 116

Ajarorpoq and TseLtse'no
(p. 123 – 135)

pOpen access

Rainer Hatoum

Ajarorpoq and TseLtse'no
On the Trail of Franz Boas' Cross-Cultural Fascination with Cat's Cradle

PDF, 13 pages

theory construction
game / play
cultural history
theory of science
history of technology
ethnology

b€ 35,00

Mario Schulze (ed.), Sarine Waltenspül (ed.)

String Figures
A Cultural Practice between Art, Anthropology, and Theory

Softcover, 400 pages

PDF, 400 pages

Stretched between eight fingers and two thumbs, sometimes between teeth and toes, lengths of string make shapes. String figures can do many things: they tell stories, they pass the time, they make the unsayable showable, they connect people. Whatever else they may be, they have often been explored by artists, ethnologists and theorists: as an aesthetic practice, as something to collect, as a non-Western way of thinking.

In recent years, string figures have gained prominence in cultural theory. Donna Haraway promotes string figures as a method of thinking and collaboration between both disciplines and species. Rather than the technicist and rigid metaphor of the network, Haraway’s string figures provide a playful, process-oriented, embodied, performative (and non-Western) mode of thought in which responsibility and collaboration are foregrounded.

Looking at ways of playing together on the ruins of our history the publication brings together different threads and seeks to weave connections between world regions and disciplines.

Works by Maya Deren, Harry Smith, Mulkun Wirrpanda, Nasser Mufti, Katrien Vermeire, Caroline Monnet, Toby Christian, Maureen Lander, Andy Warhol and contributions by Paul Basu, Seraina Dür and Jonas Gillmann, Mareile Flitsch, Rainer Hatoum, Ines Kleesattel, Robyn McKenzie, Nasser Mufti, Mario Schulze, Rani Singh, Henry Adam Svec, Éric Vandendriessche, Sarine Waltenspül among others; developed by Mario Schulze and Sarine Waltenspül in collaboration with the Museum Tinguely Basel, Switzerland

Content

7–45

An Introduction to String Figures between Art, Anthropology, and Theory

Mario Schulze, Sarine Waltenspül

pOpen access
49–67

Recollections of the String Figures of Yirrkala

Robyn McKenzie

pOpen access
69–91

Exhibiting Colonial Entanglements . String Figures and Material Metaphors

Paul Basu

pOpen access
93–122

Who Owns the Films? Who Shows the Films?. A Film of String Figures in a Web of Relationships

Sarine Waltenspül

pOpen access
123–135

Ajarorpoq and TseLtse'no. On the Trail of Franz Boas' Cross-Cultural Fascination with Cat's Cradle

Rainer Hatoum

pOpen access
137–150

Ethnomathematics of String Figure-Making Practices

Eric Vandendriessche

pOpen access
151–167

Hesitant Hands on Similar Loops. Some Reflections on the Embodiedness of String Figures

Mareile Flitsch

pOpen access
171–189

Shall We Rather Do String Figures Than Think in Networks?. Donna Haraway's SF Method

Mario Schulze

pOpen access
191–207

From Buffalo Skin to Intertwined Snakes. The String Figures of Harry Smith

Rani Singh

pOpen access
209–221

The Pliability of Form. Remediation in the String Figure Works of Jean Paul Riopelle and Vera Frenkel

Henry Adam Svec

pOpen access
223–243

SF: String Figures as Hexenspiele, "Witches' Games". Mattering Figurations of Relational Aesthetics

Ines Kleesattel

pOpen access
245–257

For an Aesthetic of Relating

Seraina Dür, Jonas Gillmann

pOpen access
305–308

A Reflection on String Figures and That One Time They Went Viral. On My TikTok Channel

David Ket'acik Nicolai

pOpen access
309–312

Powered by Indigenous Life and Grit. On Caroline Monnet's Mobilize

Adam Piron

pOpen access
313–316

Strings, Relations, Associations. On Figures from the Upper Rio Negro

Diana Guzmán Mirigõ, Andrea Scholz

pOpen access
317–320

A Door to the Imagination. On Andy Warhol's Screen Test: Harry Smith

Andres Pardey

pOpen access
321–324

Members on All Continents. On the History of the International String Figure Association since 1994

Mark Sherman

pOpen access
325–329

The Disappearance of a Female Ethnographer. On Diana Dreyfus

Ellen Spielmann

pOpen access
333–340

Entangling Forms of Knowledge Production. On Vilma Chiara, Harald Schultz, and the String Figures of the Krahô People

Maria Julia Fernandes Vicentin

pOpen access
341–347

Reconfiguring the Encyclopaedia Cinematographica. On the E-EC Interfaces

Moritz Greiner-Petter

pOpen access
349–352

Connections in Time and Space. On Katrien Vermeire's and Rudolf Haefelfinger's String Figure Films

Stephan Claassen

pOpen access
353–358

Te whai waewae a Māui. On Maureen Lander's String Games

Moya Lawson

pOpen access
359–363

Multispecies Obscenity. On My Poster Multispecies Cat's Cradle

Nasser Mufti

pOpen access
365–371

Cinema and String Figures. On Maya Deren's Witch's Cradle

Ute Holl

pOpen access
373–378

Against Immediacy. On Toby Christian's Stringer

Lynton Talbot

pOpen access

Topics

Sprache

Typ

Zugang

Format

Kategorien

Zeitlich

Geographisch

User account

7–45

Mario Schulze, Sarine Waltenspül

49–67

Robyn McKenzie

69–91

Paul Basu

93–122

Sarine Waltenspül

123–135

Rainer Hatoum

137–150

Eric Vandendriessche

151–167

Mareile Flitsch

171–189

Mario Schulze

191–207

Rani Singh

209–221

Henry Adam Svec

223–243

Ines Kleesattel

245–257

Seraina Dür, Jonas Gillmann

305–308

David Ket'acik Nicolai

309–312

Adam Piron

313–316

Diana Guzmán Mirigõ, Andrea Scholz

317–320

Andres Pardey

321–324

Mark Sherman

325–329

Ellen Spielmann

333–340

Maria Julia Fernandes Vicentin

341–347

Moritz Greiner-Petter

349–352

Stephan Claassen

353–358

Moya Lawson

359–363

Nasser Mufti

365–371

Ute Holl

373–378

Lynton Talbot