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Arts

Haifa’s architectural modernism

Ines Weizman synchronises different narratives that have been swept away by the chaotic hurricanes of time.

Israel
history of architecture
Middle East
memory

Fiction

About a Coronation Cloak from Ethiopia

“The dead will shelter the living. They will find us once we have named them one by one”.

public sphere
museum

Discourse

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

poetry
gender
contemporary art
mother figure
motherhood
body

Humanities

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...

The Power of Narratives in Propaganda

Narratives are the enduring stars of propaganda and disinformation.

Russia
analytics of power
intelligence sercive
propaganda

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

gender
queer theory
mother figure
body
feminism
motherhood
contemporary art
father figure
aesthetics

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Kevin B. Lee (ed.), Marine de Dardel (ed.), ...: The Future of Reality

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...: Global Narratives of Russian Disinformation

Sigrid Adorf (ed.), Sønke Gau (ed.), ...: going public.

Maaza Mengiste: Of Interest to the General Public

Choreographing multitudes

Article

Computer Games and the Distraction Economy

Digital culture promises a business model that oscillates between blockbusters and niche products. This model leads to upheavals in the market that directly affect, for instance, the quality and availability of computer games. Just as we rely on cognitive models in our interactions with individuals, our understanding of complex social... ABO

Peter Krapp

Between the Madness and the Wisdom of Crowds

Article

Facebook's Open Graph Protocol: a medial promise

Facebook’s Open Graph protocol is the basis of a conglomerate in which the technical functionalities of addressing and distribution go hand in hand with categorization, staging, and user activity. A fundamental aspect to all of this is the fact that Open Graph can only be thought about in terms of... ABO

Irina Kaldrack, Theo Röhle

Creating Subsets of the Masses

Article

Crowds in augmented space

He must have had a long night. Now, at a quarter past eight in the morning, the young man is standing in front of the mirror with disheveled hair and a crooked tie and preparing himself for another day at the office. Beyond typical bathroom activity, however, this routine also... ABO

Roland Meyer

Augmented Crowds

Anthology

Social Media—New Masses

Mass gatherings and the positive or negative phantasms of the masses instigate various discourses and practices of social control, communication, and community formation. Yet the masses are not what they once were. In light of the algorithmic analysis of mass data, the diagnosis of dispersed public spheres in the age...

Inge Baxmann (ed.), Timon Beyes (ed.), Claus Pias (ed.)

Social Media—New Masses

Black Panther is an American, not an African story

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts.

OPEN
ACCESS DE

Current Texts

The future has never looked older

However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall.

ABO

Current Texts

Pierre Guyotat

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G. OPEN
ACCESS

Jurij Pavlovich Annenkov

We rehearsed the crowd scenes in the Winter Palace, in the Throne Room and the Armorial Hall. ABO

Marie Glassl, Sophie Lewis

“If you love your family, you want family abolition for them!” ABO DE

Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
ACCESS DE

New releases

Jürgen Brokoff (ed.), Karin Gludovatz (ed.), ...: Intervenierende Künste

Eva Backhaus (ed.), Grit Dommes (ed.), ...: Dynamics of the Intransitive

Beate Söntgen (ed.), Katharina Tchelidze (ed.), ...: Scenes of the Avant-Garde

Naomi Boyce (ed.), Matthias Grotkopp (ed.), ...: Digital Interventions

Anna-Lisa Dieter (ed.), Daniel Tyradellis (ed.): On Water

Arts

Reality, No More?

Marine de Dardel (ed.), Kevin B. Lee (ed.), ...

The Future of Reality

“Reality is all we have to love. There is nothing else.” John Berger

Everyday life without audiovisual technologies is no longer imaginable. How do we experience reality in the age of generative AI, algorithmic media, and the omnipresence of digital platforms? How does cinema—and all audiovisual media— construct, challenge and reimagine reality in times of ecological, political, and technological transformation?

contemporary art
sound
art
film

Arts

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them. ABO DE FR

Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
ACCESS DE

Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
ACCESS

Arts

»This is not my blood.«

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west?

OPEN
ACCESS

performance art
Video art
human–animal communication
identity

Arts

»Self-censorship is the worst.«

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

ABO DE

contemporary art
film
film d'auteur
cinema
Evil

Authors

Books

Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), ...: On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

Antonin Artaud, Stephen Barber (ed.): Watchfiends and Rack Screams

Mathias Denecke (ed.), Holger Kuhn (ed.), ...: Liquidity, Flows, Circulation

Fiction

Yes, magic exists!

Antonin Artaud, Stephen Barber (ed.)

A Sinister Assassin

from myself / to myself / who is it that comes / and who is it that goes?

Antonin Artaud’s very last work, prior to his death in March 1948, is the most extraordinary element of his entire body of work – and is the element now most enduringly inspirational, for contemporary artists, filmmakers, musicians, writers, choreographers, and others inspired by Artaud – through its fiercely exploratory, extreme and combative forms, along with its dissolutions and negations of forms, focused above all on the human anatomy, as well as on sonic experimentation and on provocations for innovation in...

Modernism
poetry
literature
avant-garde
autobiography

Fiction

Stephen Barber

Twenty-four hours in state of unconsciousness

Now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself… ABO

Johannes Binotto

Where words are uttered, the taming is shrewed. OPEN
ACCESS DE

Mehdi Belhaj Kacem, Philippe Sollers

Like no other journal, Tel Quel was an outstanding arena of literary innovation and intellectual revolution. In this conversation its founder and publisher, Philippe Sollers, provides intimate insight and polemical hindsight into some of the most important milestones of its still-resonating era. ABO DE

The limp, voluptuous decadence of the place

Bruce Bégout

I’m not going to talk about my profession here. ABO FR DE

Fiction

A. L. Kennedy

Upending meanings and rewriting sanity

When it all burns you’ll know – a writer was there at the first…

ABO DE FR

Fiction

Soham Gupta

When life’s hard, time’s a motherfucker going slow

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways.

ABO DE FR

Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
ACCESS DE

Discourse

Sina Dell’Anno

“He always read Priam instead of ‘prime’.” OPEN
ACCESS DE

Would communication beyond the semiosphere be conceivable? OPEN
ACCESS

Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
ACCESS

Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
ACCESS

Discourse

Ute Holl

Dream, Clouds, Off, Exile

“Communism will be when we understand something of love.”

OPEN
ACCESS

exile
monotheism
film
Karl Marx
communism

Discourse

Clémentine Deliss

A coffin to bury the statues of the ancestors

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo…

OPEN
ACCESS

museum
contemporary art
colonialism
sculpture
colonial history
Africa

Authors

Books

Eyal Weizman, Ines Weizman: Before & After

Tom McCarthy: Recessional—Or, the Time of the Hammer

Erich Hörl (ed.), Nelly Y. Pinkrah (ed.), ...: Critique and the Digital

Humanities

We need more planetary dimensions!

Rosi Braidotti

Nomadic Subjects

The project of feminist nomadism for a European thinker implies a relationship to multiple languages.

My life-long engagement in the project of nomadic subjectivity rests on a specific cartography of our globalised times, marked by large-scale and technologically-mediated transformations of our social, economic and political universes. I start from the assumption that, as a result of these upheavals, traditional forms of self-representation, familiar cultural points of reference and age-old habits of thought are being re-composed, albeit in contradictory ways. Our historical context is marked by the schizoid structure of technology-driven advanced capitalism, as Deleuze and Guattari...

OPEN
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capitalism
identity
Europe
globalization
feminism

Humanities

Barbara Basting

Filippo Tommaso Marinetti’s closeness to fascism has put him in a dubious light. Barbara Basting tells of her personal fascination with futurism and her dehabituation from its aura and central figure. ABO DE

Rolf Bossart, Milo Rau

We are bodies. It makes no sense to debate this. OPEN
ACCESS DE

Helmut J. Schneider

A Phenomenology of Compassion

How to make the strange person our “neighbor”? ABO DE

Alexander García Düttmann

Can contemporary theatre recognize itself in the boxing ring so that its fist, the fist of the past, strikes a forceful and violent blow? ABO DE

Humanities

Maria Filomena Molder

So many egoists call themselves artists…

Words are human things; a great obscurity saturates them…

“So many egoists call themselves artists,” Rimbaud wrote to Paul Demeny on May 15, 1871. Even though that is not always obvious, ‘I’, the first person, is the most unknown person, a mystery that is constantly moving towards the other two, the second and third persons, a series of unfoldings and smatterings that eventually gelled as ‘Je est un autre’. That is why ‘apocryphal’ is a literarily irrelevant concept and ‘pseudo’ a symptom, the very proof that life, writing, is made up of echoes, which means that intrusions and thefts (Borges also discusses them) will always be the daily bread of those who write.

Words from others, words taken out of place and mutilated: here are the alms of time, that squanderer’s sole kindness. And so many others, mostly others who wrote, and many other pages, all of them apocryphal, all of them echoes, reflections. All this flows together into—two centuries...

OPEN
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Humanities