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Arts

Haifa’s architectural modernism

Ines Weizman synchronises different narratives that have been swept away by the chaotic hurricanes of time.

history of architecture
memory
Middle East
Israel

Fiction

All that pent up terror and rage

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats.

Discourse

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

contemporary art
motherhood
gender
mother figure
body
poetry

Humanities

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...

The Power of Narratives in Propaganda

Narratives are the enduring stars of propaganda and disinformation.

analytics of power
intelligence sercive
propaganda
Russia

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

body
mother figure
contemporary art
queer theory
feminism
motherhood
gender
aesthetics
father figure

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New releases

Eliana Hernández-Pachón: Suspended Waters

Cristina Rivera Garza: De-Blading the Knife

Kevin B. Lee (ed.), Marine de Dardel (ed.), ...: The Future of Reality

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...: Global Narratives of Russian Disinformation

Sigrid Adorf (ed.), Sønke Gau (ed.), ...: going public.

Choreographing multitudes

Article

Computer Games and the Distraction Economy

Digital culture promises a business model that oscillates between blockbusters and niche products. This model leads to upheavals in the market that directly affect, for instance, the quality and availability of computer games. Just as we rely on cognitive models in our interactions with individuals, our understanding of complex social... ABO

Peter Krapp

Between the Madness and the Wisdom of Crowds

Article

The Politics and aesthetics of participation

New forms of political participation formulate themselves in the public sphere. They are in most cases performed fully aware of the ambivalence, power and vulnerability of the body: in demonstrations or the occupation of buildings, street crossings or train tracks, in chaining themselves to buildings, suspending themselves from bridges or... ABO

Gabriele Klein

The (Micro)Politics of Social Choreography

Article

Facebook's Open Graph Protocol: a medial promise

Facebook’s Open Graph protocol is the basis of a conglomerate in which the technical functionalities of addressing and distribution go hand in hand with categorization, staging, and user activity. A fundamental aspect to all of this is the fact that Open Graph can only be thought about in terms of... ABO

Irina Kaldrack, Theo Röhle

Creating Subsets of the Masses

Anthology

Social Media—New Masses

Mass gatherings and the positive or negative phantasms of the masses instigate various discourses and practices of social control, communication, and community formation. Yet the masses are not what they once were. In light of the algorithmic analysis of mass data, the diagnosis of dispersed public spheres in the age...

Inge Baxmann (ed.), Timon Beyes (ed.), Claus Pias (ed.)

Social Media—New Masses

From xenolinguistics to cephalopods

Would communication beyond the semiosphere be conceivable?

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semiotics and semiology
science fiction
utopia
linguistics
communication
communication media

Current Texts

When life’s hard, time’s a motherfucker going slow

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways.

ABO DE FR

Current Texts

A. L. Kennedy

When it all burns you’ll know – a writer was there at the first… ABO DE FR

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them. ABO DE FR

Ute Holl

“Communism will be when we understand something of love.” OPEN
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Black Panther is an American, not an African story

A.K. Kaiza

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts. OPEN
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Arts

Reality, No More?

Marine de Dardel (ed.), Kevin B. Lee (ed.), ...

The Future of Reality

“Reality is all we have to love. There is nothing else.” John Berger

Everyday life without audiovisual technologies is no longer imaginable. How do we experience reality in the age of generative AI, algorithmic media, and the omnipresence of digital platforms? How does cinema—and all audiovisual media— construct, challenge and reimagine reality in times of ecological, political, and technological transformation?

film
contemporary art
sound
art

Arts

Tyler Coburn

However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall. ABO

Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
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Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
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»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.« ABO DE

Arts

Elena Vogman

Ornamentation is the body of our thought

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world.

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Arts

Donatien Grau, James Spooner

“Fuck that thing.” That’s all punk needs.

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’”

OPEN
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Authors

Books

Gleb J. Albert (ed.), Nikolaj Evreinov, ...: The Steps of Nemesis

Eduardo Jorge de Oliveira: Invented Skins

Antonin Artaud, Stephen Barber (ed.): Artaud the Mômo

Fiction

To end GOD’S JUDGEMENT

Antonin Artaud, Stephen Barber (ed.)

Radio Works: 1946–48

Everything must be arranged to a hair in a fulminating order.

Artaud’s work is performative in the sense that it never simply describes, but actively produces the events it enacts. As Austin characterises performative language, ‘the issuing of the utterance is the performing of an action’.3 Artaud’s work, performed correctly, is magical, finding its power in ritualistic chanting. Intonation is key to this, recalling what he wrote about metaphysical language in The Theatre and its Double, where the aim is ‘to deal with intonations in an absolutely concrete manner, restoring their...

radio
literature

Fiction

Diane Williams

How about some string?

I said “Would you like a rope? You know that haul you have is not secured properly.” ABO DE

Stephen Barber

Twenty-four hours in state of unconsciousness

Now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself… ABO

Tom McCarthy

The ironic self-awareness of the poet can only be that of his own inauthenticity, repeated or fed back into itself at increasingly conscious levels, and ‘to know inauthenticity is not the same as to be authentic’. ABO DE

“Poetry must be made by all. Not by one.”

Mário Gomes

“Nuestro Norte es el Sur” = “Our North is the South.” OPEN
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Fiction

Pierre Guyotat

The matrix for »Tombeau pour cinq cent mille soldats«

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G.

OPEN
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war
war experience

Fiction

Kim Gordon

It was another 75° day in LA.

Where do you go when you disappear?

OPEN
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Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
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Discourse

Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
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Alexander García Düttmann

What does “emancipatory” mean today?

Let us pretend one more time that the world can still be saved. ABO DE

On the boundaries of what is permissible to show

Christian Beetz, Hendrik Rohlf

It became clear to me that it had become impossible to make a critical film about Apple. DE

Part Dieu. The Painting of Francisco Sierra

Michael Heitz

You have to imagine Francisco Sierra as a cheerful painter. ABO DE

Discourse

Sina Dell’Anno

The Disobedience of the Word

“He always read Priam instead of ‘prime’.”

OPEN
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Discourse

Jurij Pavlovich Annenkov

Hurrah!

We rehearsed the crowd scenes in the Winter Palace, in the Throne Room and the Armorial Hall.

ABO

Authors

Books

Antonin Artaud, Stephen Barber (ed.): Artaud 1937 Apocalypse

Sami Khatib (ed.), Holger Kuhn (ed.), ...: Critique: The Stakes of Form

Marietta Kesting (ed.), Susanne Witzgall (ed.): Human after Man

David Graeber: Anarchy—In a Manner of Speaking

Humanities

Around a sculpture by Alberto Giacometti

Georges Didi-Huberman, Mira Fliescher (ed.), ...

The Cube and the Face

Does this buried or lost face have a name?

The Cube, as we can see, isn’t one. It is an irregular polyhedron which catalogues describe as having twelve sides — that nice figure, twelve, a destinal figure if ever there was one, which willfully evokes Mallarmé’s throw of the dice, at the very moment that the clock strikes twelve at midnight, in the dark house of Igitur. One can imagine that Giacometti wanted to give a unique volume to the twelve facets — six and six — of two cubes added together: a unique architecture...

face
abstract art
Alberto Giacometti
art theory
art history

Humanities

Guy Debord was the avant-garde’s Christ.

Mehdi Belhaj Kacem

Mehdi Belhaj Kacem looks back and ahead in the light of the spectacle of aesthetic capitalism, which has become even more unfettered since Debord’s death. ABO FR DE

Barbara Basting

Filippo Tommaso Marinetti’s closeness to fascism has put him in a dubious light. Barbara Basting tells of her personal fascination with futurism and her dehabituation from its aura and central figure. ABO DE

Jean-Luc Nancy

Ζένοι και Zah και Zuh

αποξενωμένοι αποκλίνοντες από ποιο αόρατο οικείο; OPEN
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Jean-Luc Nancy

غریبه‌ها غریبه‌ها

ازخودبیگانه‌ ها راه‌ گم‌کرده‌ ها از کدامین اصل نامرئی؟ OPEN
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Humanities

Nothing is at home

Philosophy is found wanting. It is considered anachronistic, some say dead. The tradition is in ruins.

ABO

Modernism
aesthetics
art
phenomenology
art theory

Humanities

Maria Filomena Molder

So many egoists call themselves artists…

Words are human things; a great obscurity saturates them…

“So many egoists call themselves artists,” Rimbaud wrote to Paul Demeny on May 15, 1871. Even though that is not always obvious, ‘I’, the first person, is the most unknown person, a mystery that is constantly moving towards the other two, the second and third persons, a series of unfoldings and smatterings that eventually gelled as ‘Je est un autre’. That is why ‘apocryphal’ is a literarily irrelevant concept and ‘pseudo’ a symptom, the very proof that life, writing, is made up of echoes, which means that intrusions and thefts (Borges also discusses them) will always be the daily bread of those who write.

Words from others, words taken out of place and mutilated: here are the alms of time, that squanderer’s sole kindness. And so many others, mostly others who wrote, and many other pages, all of them apocryphal, all of them echoes, reflections. All this flows together into—two centuries...

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Authors