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Arts

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

gender
motherhood
poetry
body
mother figure
contemporary art

Fiction

Antonin Artaud, Stephen Barber (ed.)

Me?

This tongue between four gums,
this meat between two knees,
this piece of hole
for madmen.

literature
psychiatry
avant-garde
poetry

Discourse

Haifa’s architectural modernism

Ines Weizman synchronises different narratives that have been swept away by the chaotic hurricanes of time.

history of architecture
Israel
memory
Middle East

Humanities

Mathias Denecke (ed.), Holger Kuhn (ed.), ...

The Cultural Logic of Environmentalization

Today, it has become a truism that capital circulates, that data, populations and materials flow, that money offers liquidity.

cultural critic
material flow
economics
digital culture
capitalism
art
digital media
ecology

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

aesthetics
queer theory
body
motherhood
feminism
mother figure
gender
contemporary art
father figure

Magazine Online

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

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Art, Magazine, Books

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New releases

Maaza Mengiste: Of Interest to the General Public

Jürgen Brokoff (ed.), Karin Gludovatz (ed.), ...: Intervenierende Künste

Eva Backhaus (ed.), Grit Dommes (ed.), ...: Dynamics of the Intransitive

Beate Söntgen (ed.), Katharina Tchelidze (ed.), ...: Scenes of the Avant-Garde

Naomi Boyce (ed.), Matthias Grotkopp (ed.), ...: Digital Interventions

Choreographing multitudes

Anthology

Social Media—New Masses

Mass gatherings and the positive or negative phantasms of the masses instigate various discourses and practices of social control, communication, and community formation. Yet the masses are not what they once were. In light of the algorithmic analysis of mass data, the diagnosis of dispersed public spheres in the age...

Inge Baxmann (ed.), Timon Beyes (ed.), Claus Pias (ed.)

Social Media—New Masses

Article

Crowds in augmented space

He must have had a long night. Now, at a quarter past eight in the morning, the young man is standing in front of the mirror with disheveled hair and a crooked tie and preparing himself for another day at the office. Beyond typical bathroom activity, however, this routine also... ABO

Roland Meyer

Augmented Crowds

Article

The Politics and aesthetics of participation

New forms of political participation formulate themselves in the public sphere. They are in most cases performed fully aware of the ambivalence, power and vulnerability of the body: in demonstrations or the occupation of buildings, street crossings or train tracks, in chaining themselves to buildings, suspending themselves from bridges or... ABO

Gabriele Klein

The (Micro)Politics of Social Choreography

Article

Zombies, Panic Prevention, Crowd Simulation

Calculating disasters today means to coalesce empirical data of past catastrophies, observational data of mass events, and the computer-based experimentation and scenario-building with virtual ABM models of realistic agents and spatial environments. It thus combines analytical and synthetic approaches, supported by advanced visualization techniques, in the areas of crowd simulation,... ABO

Sebastian Vehlken

After Affects

Black Panther is an American, not an African story

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts.

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Current Texts

Why the Backwards Smile?

To what extent can a revolution of the inner world impact the external, material world surrounding us?

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Current Texts

A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
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Twenty-four hours in state of unconsciousness

Now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself… ABO

Jurij Pavlovich Annenkov

We rehearsed the crowd scenes in the Winter Palace, in the Throne Room and the Armorial Hall. ABO

Kim Gordon

Where do you go when you disappear? OPEN
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Arts

Skin marks us in the world

Invented Skins

First, before you invent a skin, you are born with a skin; second, you can make a skin when you have one.

You never know how many skins you have had by having a single skin. However, this skin has an inseparable memory of the future. Its vital movement depends on this dynamic that inserts it in a specific present. Thus, if skin makes us human, it is also a set of points that mark different ways of feeling. We feel the world through the fragility of our skin. Microorganisms exist in this skin. The most human portion also contains inhuman matter...

avant-garde
Think Art
intertextuality
aesthetics
Brazil

Arts

When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

To lay a hand on the shoulder of future victims…

Donatien Grau, Pierre Guyotat

»By using voices I have rediscovered what we call humanity.« OPEN
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Tyler Coburn

However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall. ABO

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them. ABO DE FR

Arts

Dennis Cooper, Donatien Grau, ...

Sex creates love and love creates sex

“I don’t believe in progress, no.”

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music
philology

Arts

Donatien Grau, James Spooner

“Fuck that thing.” That’s all punk needs.

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’”

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Authors

Books

Donatien Grau, Sylvère Lotringer: I Was More American than the Americans

Mario Schulze (ed.), Sarine Waltenspül (ed.): String Figures

Fiction

Yes, magic exists!

Antonin Artaud, Stephen Barber (ed.)

A Sinister Assassin

from myself / to myself / who is it that comes / and who is it that goes?

Antonin Artaud’s very last work, prior to his death in March 1948, is the most extraordinary element of his entire body of work – and is the element now most enduringly inspirational, for contemporary artists, filmmakers, musicians, writers, choreographers, and others inspired by Artaud – through its fiercely exploratory, extreme and combative forms, along with its dissolutions and negations of forms, focused above all on the human anatomy, as well as on sonic experimentation and on provocations for innovation in...

avant-garde
poetry
literature
Modernism
autobiography

Fiction

Diane Williams

How about some string?

I said “Would you like a rope? You know that haul you have is not secured properly.” ABO DE

Dodie Bellamy

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats. OPEN
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Tom McCarthy

The ironic self-awareness of the poet can only be that of his own inauthenticity, repeated or fed back into itself at increasingly conscious levels, and ‘to know inauthenticity is not the same as to be authentic’. ABO DE

Johannes Binotto

Where words are uttered, the taming is shrewed. OPEN
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Fiction

A. L. Kennedy

Upending meanings and rewriting sanity

When it all burns you’ll know – a writer was there at the first…

ABO DE FR

Fiction

Pierre Guyotat

The matrix for »Tombeau pour cinq cent mille soldats«

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G.

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war experience
war

Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

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Discourse

Marie Glassl, Sophie Lewis

“If you love your family, you want family abolition for them!” ABO DE

Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
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Zoran Terzić

The programs “sense” how the clients function, but not because AI is becoming more human—rather because clients now function as generically as programs. OPEN
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Mehdi Belhaj Kacem, Philippe Sollers

Like no other journal, Tel Quel was an outstanding arena of literary innovation and intellectual revolution. In this conversation its founder and publisher, Philippe Sollers, provides intimate insight and polemical hindsight into some of the most important milestones of its still-resonating era. ABO DE

Discourse

Simon Critchley

Punk’s raptures are mystical.

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer.

ABO

Discourse

Stephen Barber

An immodest proposal

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. As Ballard emphasises several times in the World Versus America notebooks, he is utterly serious in his concerns and visions.
Although the Ballard estate declined permission for any images of pages from the World Versus America archival notebooks to accompany this essay, any member of the general public interested to do so can readily visit the British Library and view the notebooks in their entirety in the freely-accessible manuscripts collection there.

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Authors

Books

Eyal Weizman, Ines Weizman: Before & After

Marietta Kesting (ed.), Susanne Witzgall (ed.): Human after Man

Elisabeth Bronfen: Mad Men, Death and the American Dream

Erich Hörl (ed.), Nelly Y. Pinkrah (ed.), ...: Critique and the Digital

Humanities

The Dance of All Things

Georges Didi-Huberman, Laurent Mannoni, ...

Movements of Air

“The excessive leaps of our gaseous form around a halt...”

It would be futile to resist the feeling that the marvelous curls of smoke, photographed by Étienne-Jules Marey between 1899 and 1901, first elicit from us. We have the impression of witnessing a pure beauty in the process of making, unmaking, and remaking itself incessantly before our eyes. It is a supreme flow—images of flow and a flow of images all at once—from which approximately fifty instants have been randomly “drawn,” all formed differently and likewise admirable. Such simple beauty...

history of science
History of photography
history of media
photography
artistic research

Humanities

Jean-Luc Nancy

Ζένοι και Zah και Zuh

αποξενωμένοι αποκλίνοντες από ποιο αόρατο οικείο; OPEN
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Jean-Luc Nancy

غریبه‌ها غریبه‌ها

ازخودبیگانه‌ ها راه‌ گم‌کرده‌ ها از کدامین اصل نامرئی؟ OPEN
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Marcus Quent

Belief in the world is what we most lack.

Is it possible to regain a lost belief? Is it possible to do as we will with belief? OPEN
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Zoran Terzić

Everything new is a pose in the alcoves of capital

In the post-avant-garde era we’re all either in the vanguard or asleep in the lap of capital. In this sense everybody is avant-garde—or nobody. OPEN
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Humanities

Elena Vogman

Ornamentation is the body of our thought

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world.

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Humanities

Maria Filomena Molder

So many egoists call themselves artists…

Words are human things; a great obscurity saturates them…

“So many egoists call themselves artists,” Rimbaud wrote to Paul Demeny on May 15, 1871. Even though that is not always obvious, ‘I’, the first person, is the most unknown person, a mystery that is constantly moving towards the other two, the second and third persons, a series of unfoldings and smatterings that eventually gelled as ‘Je est un autre’. That is why ‘apocryphal’ is a literarily irrelevant concept and ‘pseudo’ a symptom, the very proof that life, writing, is made up of echoes, which means that intrusions and thefts (Borges also discusses them) will always be the daily bread of those who write.

Words from others, words taken out of place and mutilated: here are the alms of time, that squanderer’s sole kindness. And so many others, mostly others who wrote, and many other pages, all of them apocryphal, all of them echoes, reflections. All this flows together into—two centuries...

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Authors