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Arts

Haifa’s architectural modernism

Ines Weizman synchronises different narratives that have been swept away by the chaotic hurricanes of time.

memory
Israel
history of architecture
Middle East

Fiction

About a Coronation Cloak from Ethiopia

“The dead will shelter the living. They will find us once we have named them one by one”.

public sphere
museum

Discourse

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

poetry
mother figure
gender
contemporary art
body
motherhood

Humanities

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...

The Power of Narratives in Propaganda

Narratives are the enduring stars of propaganda and disinformation.

Russia
analytics of power
propaganda
intelligence sercive

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

mother figure
feminism
father figure
gender
body
aesthetics
contemporary art
queer theory
motherhood

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

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Art, Magazine, Books

New releases

Eliana Hernández-Pachón: Suspended Waters

Cristina Rivera Garza: De-Blading the Knife

Kevin B. Lee (ed.), Marine de Dardel (ed.), ...: The Future of Reality

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...: Global Narratives of Russian Disinformation

Sigrid Adorf (ed.), Sønke Gau (ed.), ...: going public.

Observing the Spectator

Article

Public Space and Public Audience in the Illustrated Manuscripts of al-Hariri's »Maqâmât«

Constitutive of the 50 equally composed stories of al-Hariri’s »Maqâmât« (literally »gathering, convention«) is a multitudinous, mostly anonymous audience. Its main character is the gifted speaker Abu Said, who, more often than not, makes surreptitiously a living from his speeches and sermons to people of diverse social strata. While the...

Andrea Lermer

Öffentlicher Raum und Publikum in den Illustrationen der »Maqâmât« al-Hariris im 13. Jahrhundert

Article

Il corpo senza organi dell'opera d'arte

Nach einer (R.D. Laing, dem Pionier der antipsychiatrischen Bewegung folgenden) Skizzierung von Antonin Artauds schizophrenen Symptomen, konzentriert sich der Beitrag auf das charakteristischste unter ihnen: Artauds Ablehnung der anatomischen Struktur des Körpers, welche die Organe zwingt, in einer hierarchisch organisierten und auf Produktivität fokussierten Struktur zu funktionieren. Artaud strebte dagegen...

Eleonora Sparvoli

Il corpo senza organi dell'opera d'arte

Article

Loyalty Made Visible

In 1640, after 60 years of Iberian Union under the rule of the Hispanic monarchy, Portugal re-installed her own king again: John IV from the Bragança Dynasty. This central event in Portugal’s history had to be communicated not only to the European nations but also to all the regions that...

Urte Krass

Loyalty Made Visible

Article

The Meaning of the Inner-pictorial Viewer. Reflections on Audience, Witness, and Spectator

Spectators and audience are constructions of the past. They are present at historical events, witness history and even verify records of the past. The eyewitness has already seen and carries his testimony into present or future. But within the motive of the Fifteen Signs before Doomsday the circumstances are inverse:...

Daniela Wagner

Gegenwart und Zukunft

It was another 75° day in LA.

Where do you go when you disappear?

OPEN
ACCESS

Current Texts

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them.

ABO DE FR

Current Texts

When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
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Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
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To lay a hand on the shoulder of future victims…

Donatien Grau, Pierre Guyotat

»By using voices I have rediscovered what we call humanity.« OPEN
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New releases

Maaza Mengiste: Of Interest to the General Public

Jürgen Brokoff (ed.), Karin Gludovatz (ed.), ...: Intervenierende Künste

Eva Backhaus (ed.), Grit Dommes (ed.), ...: Dynamics of the Intransitive

Naomi Boyce (ed.), Matthias Grotkopp (ed.), ...: Digital Interventions

Beate Söntgen (ed.), Katharina Tchelidze (ed.), ...: Scenes of the Avant-Garde

Arts

Reality, No More?

Marine de Dardel (ed.), Kevin B. Lee (ed.), ...

The Future of Reality

“Reality is all we have to love. There is nothing else.” John Berger

Everyday life without audiovisual technologies is no longer imaginable. How do we experience reality in the age of generative AI, algorithmic media, and the omnipresence of digital platforms? How does cinema—and all audiovisual media— construct, challenge and reimagine reality in times of ecological, political, and technological transformation?

film
sound
contemporary art
art

Arts

Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
ACCESS

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.« ABO DE

“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
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Tyler Coburn

However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall. ABO

Arts

Michele Pedrazzi

Il testo ignoto è una promessa

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza?

OPEN
ACCESS DE FR

time
electronic music
music
media theory
reading

Arts

Elena Vogman

Ornamentation is the body of our thought

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world.

OPEN
ACCESS

Authors

Books

Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), ...: On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

Marietta Kesting (ed.), Susanne Witzgall (ed.): Human after Man

Daniel Berndt (ed.), Susanne Huber (ed.), ...: ambivalent work*s

Antonin Artaud, Stephen Barber (ed.): Watchfiends and Rack Screams

Fiction

“Obsessed with buffering”

Tom McCarthy

Recessional—Or, the Time of the Hammer

Towards the end of Thomas Pynchon’s mammoth 1973 novel Gravity’s Rainbow, the stumbling ingénue of a hero Tyrone Slothrop sets off on a commando raid. The territory he and his cohorts move through is a giant metropolis, a “factory-state” in which capital, technology and power, perfectly co-calibrated, send airships drifting through urban canyons, past chrome caryatids and roof-gardens on skyscrapers that themselves shoot up and down on elevator-cables: a conurbation Pynchon calls the “City of the Future” or “Raketen-Stadt.” The...

ABO

conversation
Modernism
literary studies
literature
fiction

Fiction

The limp, voluptuous decadence of the place

Bruce Bégout

I’m not going to talk about my profession here. ABO FR DE

Axel Dielmann

“Can you imagine something like that?”

The curators were probably worried that someone would stumble carelessly up the stairs while looking at the exhibits… OPEN
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“Poetry must be made by all. Not by one.”

Mário Gomes

“Nuestro Norte es el Sur” = “Our North is the South.” OPEN
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Tom McCarthy

The ironic self-awareness of the poet can only be that of his own inauthenticity, repeated or fed back into itself at increasingly conscious levels, and ‘to know inauthenticity is not the same as to be authentic’. ABO DE

Fiction

Pierre Guyotat

The matrix for »Tombeau pour cinq cent mille soldats«

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G.

OPEN
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war
war experience

Fiction

Dodie Bellamy

All that pent up terror and rage

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats.

OPEN
ACCESS

Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
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Discourse

Sina Dell’Anno

“He always read Priam instead of ‘prime’.” OPEN
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Ute Holl

“Communism will be when we understand something of love.” OPEN
ACCESS

Would communication beyond the semiosphere be conceivable? OPEN
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Black Panther is an American, not an African story

A.K. Kaiza

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts. OPEN
ACCESS DE

Discourse

Slavs and Tatars

Why the Backwards Smile?

To what extent can a revolution of the inner world impact the external, material world surrounding us?

OPEN
ACCESS DE

Discourse

Clémentine Deliss

A coffin to bury the statues of the ancestors

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo…

OPEN
ACCESS

colonialism
contemporary art
museum
sculpture
colonial history
Africa

Authors

Books

Sami Khatib (ed.), Holger Kuhn (ed.), ...: Critique: The Stakes of Form

Philippe Despoix (ed.), Siegfried Kracauer, ...: The Past's Threshold

Liliana Gómez (ed.), Fabienne Liptay (ed.): Eco-operations

Maria Zinfert (ed.): Kracauer. Fotoarchiv

Humanities

Nothing is at home

Phenomena in Exile

Philosophy is found wanting. It is considered anachronistic, some say dead. The tradition is in ruins.

Philosophy is found wanting. It is considered anachronistic, some say dead. The tradition is in ruins. And, what is worse, they say, these are ruins of its own making. But it bears noting that debris has proved to be a productive site. For finding things. Marcel Duchamp’s work, for example, can make an appearance as a phenomenology. And phenomenology itself, for another example, can dispel its origin, the transcendental subject – Kant’s old doublet. What this adds up to is a...

ABO

art
aesthetics
phenomenology
Modernism
art theory

Humanities

Barbara Basting

Filippo Tommaso Marinetti’s closeness to fascism has put him in a dubious light. Barbara Basting tells of her personal fascination with futurism and her dehabituation from its aura and central figure. ABO DE

Andreas L. Hofbauer

The yoke of being, noteworthy dis-position

Anyone inclined to describe hunters and gatherers as poor, would be advised to understand them as free. OPEN
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Marcus Quent

Belief in the world is what we most lack.

Is it possible to regain a lost belief? Is it possible to do as we will with belief? OPEN
ACCESS DE

The abandonment of the centrality of the subject

Donatien Grau

Philology keeps it possible to open a space for the minority. OPEN
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Humanities

Maria Filomena Molder

So many egoists call themselves artists…

Words are human things; a great obscurity saturates them…

“So many egoists call themselves artists,” Rimbaud wrote to Paul Demeny on May 15, 1871. Even though that is not always obvious, ‘I’, the first person, is the most unknown person, a mystery that is constantly moving towards the other two, the second and third persons, a series of unfoldings and smatterings that eventually gelled as ‘Je est un autre’. That is why ‘apocryphal’ is a literarily irrelevant concept and ‘pseudo’ a symptom, the very proof that life, writing, is made up of echoes, which means that intrusions and thefts (Borges also discusses them) will always be the daily bread of those who write.

Words from others, words taken out of place and mutilated: here are the alms of time, that squanderer’s sole kindness. And so many others, mostly others who wrote, and many other pages, all of them apocryphal, all of them echoes, reflections. All this flows together into—two centuries...

OPEN
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Humanities

Jean-Luc Nancy

غریبه‌ها غریبه‌ها

ازخودبیگانه‌ ها راه‌ گم‌کرده‌ ها از کدامین اصل نامرئی؟

Etrange (غریب) در زبان فرانسوی از ریشه لاتین extraneus به معنای «خارجی» در برابر داخلی intraneus است. آنچه از خانه نیست unheimlich (امر غریب) از heim (خانه) نیست از منزل نیست در طرف دیگر دروازه fores است foreigner (خارجی)، خارج از ضرب و زیادی است odd (زاید) ناهنجار نامعمول نادر کمیاب تکی است seltsam (عجیب) عجیب و غریب besherat رشید ظریف پراوهام خمیده‌‌ verschroben (بد خو) خمیده شگفت‌ آور خارق‌ العاده حیرت‌ انگیز

غنای زبان امری غریب است در کلماتی که به نحوی حولِ مفهومِ غریبِ خارجی ausländer شکل گرفته اند خارج از کشور «هم‌‌ کشور ما» همانگونه که پیش‌ تر در فرانسه می‌ گفتیم «این کشور من است» برای اشاره به کسی از روستای من محله‌ ی من استان من ولایت من