Books

The book tells the story of Lili and Siegfried Kracauer’s close working relationship – from the early 1930s following their marriage in Germany, to exile in Paris and the war and post-war years in the USA.

Paris
20th century
archive
History of photography
collection
1950s
Siegfried Kracauer
portrait
biography
1930s
exile
photographic images
photography

Discourse

Ines Weizman

Haifa’s architectural modernism

Ines Weizman synchronises different narratives that have been swept away by the chaotic hurricanes of time.

history of architecture
Middle East
Israel
memory

Humanities

Ute Holl

The Moses complex’s place is exile.

The Moses complex is complex, because its topological space is differentiated as a relationship of ratios, resonances, and interferences.

political theory
Jean-Marie Straub
exile
opera
migration
community
Arnold Schönberg
Danièle Huillet
psychoanalysis

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

motherhood
body
feminism
father figure
queer theory
aesthetics
mother figure
contemporary art
gender

Magazine Online

News + Events

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

diaphanes_net

New releases

Karin Gludovatz, Matthias Warstat, ...: Intervenierende Künste

Eva Backhaus (ed.), Grit Dommes (ed.), ...: Dynamics of the Intransitive

Marcia Sá Cavalcante Schuback (ed.), David Payne (ed.): Breaking Grounds

Hans-Jörg Rheinberger: In Touch: Encounters between Art and Research

Choreographing multitudes

Article

Crowds in augmented space

He must have had a long night. Now, at a quarter past eight in the morning, the young man is standing in front of the mirror with disheveled hair and a crooked tie and preparing himself for another day at the office. Beyond typical bathroom activity, however, this routine also... ABO

Roland Meyer

Augmented Crowds

Article

The Politics and aesthetics of participation

New forms of political participation formulate themselves in the public sphere. They are in most cases performed fully aware of the ambivalence, power and vulnerability of the body: in demonstrations or the occupation of buildings, street crossings or train tracks, in chaining themselves to buildings, suspending themselves from bridges or... ABO

Gabriele Klein

The (Micro)Politics of Social Choreography

Article

Facebook's Open Graph Protocol: a medial promise

Facebook’s Open Graph protocol is the basis of a conglomerate in which the technical functionalities of addressing and distribution go hand in hand with categorization, staging, and user activity. A fundamental aspect to all of this is the fact that Open Graph can only be thought about in terms of... ABO

Irina Kaldrack, Theo Röhle

Creating Subsets of the Masses

Anthology

Social Media—New Masses

Mass gatherings and the positive or negative phantasms of the masses instigate various discourses and practices of social control, communication, and community formation. Yet the masses are not what they once were. In light of the algorithmic analysis of mass data, the diagnosis of dispersed public spheres in the age...

Inge Baxmann (ed.), Timon Beyes (ed.), Claus Pias (ed.)

Social Media—New Masses

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

The key to survival will lay in female hands.

OPEN
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ritual
body
colonialism
feminism
spiritism
performance
ceremony
Africa

Current Texts

Ute Holl

Dream, Clouds, Off, Exile

“Communism will be when we understand something of love.”

OPEN
ACCESS

Karl Marx
communism
film
exile
monotheism

Current Texts

Pierre Guyotat

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G. OPEN
ACCESS

Dodie Bellamy

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats. OPEN
ACCESS

Maël Renouard

On Memory Atrophy

How can we remember the way we used to remember? OPEN
ACCESS

Diane Williams

How about some string?

I said “Would you like a rope? You know that haul you have is not secured properly.” ABO DE

Arts

Sex creates love and love creates sex

Dennis Cooper, Donatien Grau, ...

"I’d rather live in a book"

“I don’t believe in progress, no.”

I think love can take care of itself. It can be a subject in your writing, but love is part of life and writing is part of life. They’re all intermingled. I don’t think there’s a big distinction. I don’t think there’s much of a distinction between love and sex either. Sex creates love and love creates sex.

OPEN
ACCESS

philology
music

Arts

When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
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“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
ACCESS

Tyler Coburn

However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall. ABO

Arts

Dan-el Padilla Peralta

Capitalism sucks. Tag everything.

it seemed like we’d just been in some horrible dream

OPEN
ACCESS

Arts

»Self-censorship is the worst.«

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

ABO DE

film
contemporary art
Evil
film d'auteur
cinema

Authors

Books

Eyal Weizman, Ines Weizman: Before & After

Alena Lepishava (ed.), Zmicier Vishniou (ed.), ...: НЕТУТЭЙШЫЯ: REVERSION

Antonin Artaud, Stephen Barber (ed.): Watchfiends and Rack Screams

Marietta Kesting (ed.), Susanne Witzgall (ed.): Human after Man

Fiction

Upending meanings and rewriting sanity

A. L. Kennedy

What is an Author?

When it all burns you’ll know – a writer was there at the first…

The one who takes the temperature of widespread amphetamine dreams, who carves out screaming headlines to turn up the heat. The one who makes every morning a dose of paranoia, an uptick of fathomless rage. When it all burns you’ll know – a writer was there at the first, taking words and dipping them in shit, upending meanings and rewriting sanity. The one who writes the speeches for the tiny and furious men. The one who frames every demand, every statement...

ABO DE FR

Fiction

Zoran Terzić

Everything new is a pose in the alcoves of capital

In the post-avant-garde era we’re all either in the vanguard or asleep in the lap of capital. In this sense everybody is avant-garde—or nobody. OPEN
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Jean-Luc Nancy

غریبه‌ها غریبه‌ها

ازخودبیگانه‌ ها راه‌ گم‌کرده‌ ها از کدامین اصل نامرئی؟ OPEN
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Axel Dielmann

“Can you imagine something like that?”

The curators were probably worried that someone would stumble carelessly up the stairs while looking at the exhibits… OPEN
ACCESS DE

Raphaëlle Milone

Old-school publisher, avant-garde dandy, undisputed expert on the global history of Dada: Raphaëlle Milone paints an intimate but unsparing portrait of a man who belonged perhaps to a dying breed but is still remembered vividly. ABO FR

Fiction

Kim Gordon

It was another 75° day in LA.

Where do you go when you disappear?

OPEN
ACCESS

Fiction

Stephen Barber

Twenty-four hours in state of unconsciousness

Now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself…

Now the dead will no longer be buried, now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself, now human bodies will expectorate fury and envision their own transformation or negation, now infinite and untold catastrophes are imminently on their way —ready to cross the bridge over the river Aire and engulf us all — in this winter of discontent, just beginning at this dead-of-night instant before midnight, North-Sea ice-particles already crackling in the air and the last summer long-over, the final moment of my seventeenth birthday, so we have to go, the devil is at our heels… And now we’re running at full-tilt through the centre of the city, across the square beneath the Purbeck-marble edifice of the Queen’s Hotel, down towards the dark arches under the railway tracks, the illuminated sky shaking, the air fissured with beating cacophony,...

ABO

Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
ACCESS DE

Discourse

Stephen Barber

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. OPEN
ACCESS DE

Black Panther is an American, not an African story

A.K. Kaiza

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts. OPEN
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Marie Glassl, Sophie Lewis

“If you love your family, you want family abolition for them!” ABO DE

Michael Heitz

The strongest current reflections on the power struggles raging beyond the pleasure principle. OPEN
ACCESS DE

Discourse

Clémentine Deliss

A coffin to bury the statues of the ancestors

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo…

OPEN
ACCESS

colonialism
contemporary art
sculpture
museum
Africa
colonial history

Discourse

Michele Pedrazzi

Il testo ignoto è una promessa

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza?

OPEN
ACCESS DE FR

electronic music
media theory
time
reading
music

Authors

Books

Mehdi Belhaj Kacem, Antoine d’Agata: Diagonale du vide

Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), ...: On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

Tom McCarthy: Recessional—Or, the Time of the Hammer

Shusha Niederberger (ed.), Cornelia Sollfrank (ed.), ...: Aesthetics of the Commons

Humanities

Nothing is at home

Phenomena in Exile

Philosophy is found wanting. It is considered anachronistic, some say dead. The tradition is in ruins.

Philosophy is found wanting. It is considered anachronistic, some say dead. The tradition is in ruins. And, what is worse, they say, these are ruins of its own making. But it bears noting that debris has proved to be a productive site. For finding things. Marcel Duchamp’s work, for example, can make an appearance as a phenomenology. And phenomenology itself, for another example, can dispel its origin, the transcendental subject – Kant’s old doublet. What this adds up to is a...

ABO

Modernism
phenomenology
aesthetics
art
art theory

Humanities

Mehdi Belhaj Kacem, Philippe Sollers

Like no other journal, Tel Quel was an outstanding arena of literary innovation and intellectual revolution. In this conversation its founder and publisher, Philippe Sollers, provides intimate insight and polemical hindsight into some of the most important milestones of its still-resonating era. ABO DE

Sina Dell’Anno

The rebellion of the signifiers against their semantic taming OPEN
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Ines Kleesattel

Thérèse ayant douleurs menstruelles could be a beginning. OPEN
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Sylvia Sasse

“Lifestyle must conform to the above-named circles of persons or be easily adapted,” “artistic talent,” “strong general education.” OPEN
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Humanities

Maria Filomena Molder

So many egoists call themselves artists…

Words are human things; a great obscurity saturates them…

“So many egoists call themselves artists,” Rimbaud wrote to Paul Demeny on May 15, 1871. Even though that is not always obvious, ‘I’, the first person, is the most unknown person, a mystery that is constantly moving towards the other two, the second and third persons, a series of unfoldings and smatterings that eventually gelled as ‘Je est un autre’. That is why ‘apocryphal’ is a literarily irrelevant concept and ‘pseudo’ a symptom, the very proof that life, writing, is made up of echoes, which means that intrusions and thefts (Borges also discusses them) will always be the daily bread of those who write.

Words from others, words taken out of place and mutilated: here are the alms of time, that squanderer’s sole kindness. And so many others, mostly others who wrote, and many other pages, all of them apocryphal, all of them echoes, reflections. All this flows together into—two centuries...

OPEN
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Humanities

Barbara Basting

Based on a brilliant trick

Filippo Tommaso Marinetti’s closeness to fascism has put him in a dubious light. Barbara Basting tells of her personal fascination with futurism and her dehabituation from its aura and central figure.

ABO DE

Authors