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Arts

Haifa’s architectural modernism

Ines Weizman synchronises different narratives that have been swept away by the chaotic hurricanes of time.

history of architecture
Israel
Middle East
memory

Fiction

When life’s hard, time’s a motherfucker going slow

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways.

Discourse

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

body
gender
motherhood
mother figure
contemporary art
poetry

Humanities

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...

The Power of Narratives in Propaganda

Narratives are the enduring stars of propaganda and disinformation.

intelligence sercive
analytics of power
Russia
propaganda

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

mother figure
aesthetics
gender
motherhood
father figure
contemporary art
feminism
body
queer theory

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

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New releases

Eliana Hernández-Pachón: Suspended Waters

Cristina Rivera Garza: De-Blading the Knife

Kevin B. Lee (ed.), Marine de Dardel (ed.), ...: The Future of Reality

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...: Global Narratives of Russian Disinformation

Sigrid Adorf (ed.), Sønke Gau (ed.), ...: going public.

THINK ART? THINK ART!

Monograph

One plus one equals other

For an aesthetic mode of thought beyond the “linguistic turn”

Dieter Mersch

Epistemologies of Aesthetics

Monograph

“Obsessed with buffering”

In this essay, based on a talk he gave in Zurich, award-winning British novelist Tom McCarthy ("Remainder", "C", "Satin Island")... ABO

Tom McCarthy

Recessional—Or, the Time of the Hammer

Article

I’m not really sure what is and what isn’t theory.

Elisabeth Bronfen Tom, our idea here was that you would give us a little insight into how you find your themes, how you use theory for your texts. T.MC. I’m not really sure what is and what isn’t theory. I don’t really know where theory stops and fiction begins. If you take someone... ABO

Tom McCarthy

“Something that is not nothing”

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

The Disobedience of the Word

“He always read Priam instead of ‘prime’.”

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Current Texts

An immodest proposal

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. As Ballard emphasises several times in the World Versus America notebooks, he is utterly serious in his concerns and visions.
Although the Ballard estate declined permission for any images of pages from the World Versus America archival notebooks to accompany this essay, any member of the general public interested to do so can readily visit the British Library and view the notebooks in their entirety in the freely-accessible manuscripts collection there.

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Current Texts

Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
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A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
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Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
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A. L. Kennedy

When it all burns you’ll know – a writer was there at the first… ABO DE FR

Arts

Reality, No More?

Marine de Dardel (ed.), Kevin B. Lee (ed.), ...

The Future of Reality

“Reality is all we have to love. There is nothing else.” John Berger

Everyday life without audiovisual technologies is no longer imaginable. How do we experience reality in the age of generative AI, algorithmic media, and the omnipresence of digital platforms? How does cinema—and all audiovisual media— construct, challenge and reimagine reality in times of ecological, political, and technological transformation?

sound
contemporary art
film
art

Arts

Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
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Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
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“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
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Tyler Coburn

However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall. ABO

Arts

»Self-censorship is the worst.«

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

ABO DE

cinema
contemporary art
Evil
film d'auteur
film

Arts

Donatien Grau, Pierre Guyotat

To lay a hand on the shoulder of future victims…

»By using voices I have rediscovered what we call humanity.«

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Authors

Books

Antonin Artaud, Stephen Barber (ed.): Artaud the Mômo

Maria Zinfert (ed.): Kracauer. Photographic Archive

Antonin Artaud, Stephen Barber (ed.): Radio Works: 1946–48

Jens Andermann (ed.), Lisa Blackmore (ed.), ...: Natura: Environmental Aesthetics After Landscape

Fiction

The matrix for »Tombeau pour cinq cent mille soldats«

Pierre Guyotat

The Prison

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G.

Our prison was encircled by marshland where birds and sick dogs came to die. At night we could hear their cries and death rattles. We could see nothing of the town except its smoke and its dying animals. Prisoners on the second floor watched those washed-out cats and dogs die, lying down then struggling in the mud like birds caught in lime; famished cats jumped on those with gaping wounds and tore them open. From the cellar where we had been...

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war experience
war

Fiction

Angelika Meier

Your story begins with a tunnel.

The lost cause is the only one worth fighting for. OPEN
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Julien Maret

Track the clouds

heal slowly… when the deed is done… when coming back is nowhere… we slide our hands through sloping fountains… ABO

Mehdi Belhaj Kacem, Philippe Sollers

Like no other journal, Tel Quel was an outstanding arena of literary innovation and intellectual revolution. In this conversation its founder and publisher, Philippe Sollers, provides intimate insight and polemical hindsight into some of the most important milestones of its still-resonating era. ABO DE

Ann Cotten

The last philosopher. The zen-queen.

In what way are you a communist – since we need to define this. OPEN
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Fiction

Kim Gordon

It was another 75° day in LA.

Where do you go when you disappear?

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Fiction

Dodie Bellamy

All that pent up terror and rage

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats.

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Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

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Discourse

Black Panther is an American, not an African story

A.K. Kaiza

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts. OPEN
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Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

Jurij Pavlovich Annenkov

We rehearsed the crowd scenes in the Winter Palace, in the Throne Room and the Armorial Hall. ABO

Barbara Basting

Filippo Tommaso Marinetti’s closeness to fascism has put him in a dubious light. Barbara Basting tells of her personal fascination with futurism and her dehabituation from its aura and central figure. ABO DE

Discourse

Marie Glassl, Sophie Lewis

On Gestational Communism

“If you love your family, you want family abolition for them!”

ABO DE

motherhood
critique of neoliberalism
community
social movements
communism
family
birth

Discourse

Artur Zmijewski

About ‘how we treat the others’

“There is something deeply humiliating in such a situation.”

OPEN
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political aesthetics
documenta
propaganda
contemporary art
concentration camp
Poland
National Socialism
gift
migration
ethics

Authors

Books

Alexander Kluge, Joseph Vogl: Soll und Haben

Eyal Weizman, Ines Weizman: Before & After

Humanities

Nothing is at home

Phenomena in Exile

Philosophy is found wanting. It is considered anachronistic, some say dead. The tradition is in ruins.

Philosophy is found wanting. It is considered anachronistic, some say dead. The tradition is in ruins. And, what is worse, they say, these are ruins of its own making. But it bears noting that debris has proved to be a productive site. For finding things. Marcel Duchamp’s work, for example, can make an appearance as a phenomenology. And phenomenology itself, for another example, can dispel its origin, the transcendental subject – Kant’s old doublet. What this adds up to is a...

ABO

art theory
phenomenology
aesthetics
art
Modernism

Humanities

The abandonment of the centrality of the subject

Donatien Grau

Philology keeps it possible to open a space for the minority. OPEN
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Rolf Bossart, Milo Rau

We are bodies. It makes no sense to debate this. OPEN
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Marcus Quent

Belief in the world is what we most lack.

Is it possible to regain a lost belief? Is it possible to do as we will with belief? OPEN
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Zoran Terzić

Everything new is a pose in the alcoves of capital

In the post-avant-garde era we’re all either in the vanguard or asleep in the lap of capital. In this sense everybody is avant-garde—or nobody. OPEN
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Humanities

Maria Filomena Molder

So many egoists call themselves artists…

Words are human things; a great obscurity saturates them…

“So many egoists call themselves artists,” Rimbaud wrote to Paul Demeny on May 15, 1871. Even though that is not always obvious, ‘I’, the first person, is the most unknown person, a mystery that is constantly moving towards the other two, the second and third persons, a series of unfoldings and smatterings that eventually gelled as ‘Je est un autre’. That is why ‘apocryphal’ is a literarily irrelevant concept and ‘pseudo’ a symptom, the very proof that life, writing, is made up of echoes, which means that intrusions and thefts (Borges also discusses them) will always be the daily bread of those who write.

Words from others, words taken out of place and mutilated: here are the alms of time, that squanderer’s sole kindness. And so many others, mostly others who wrote, and many other pages, all of them apocryphal, all of them echoes, reflections. All this flows together into—two centuries...

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Humanities