User account

Other Topics
Current Texts
About ‘how we treat the others’

Artur Zmijewski

About ‘how we treat the others’

OPEN
ACCESS
DE
  • contemporary art
  • propaganda
  • ethics
  • political aesthetics
  • gift
  • concentration camp
  • National Socialism
  • documenta
  • migration
  • Poland
Il testo ignoto è una promessa
Il testo ignoto è una promessa

Michele Pedrazzi

The Next Bit. Corpo a corpo con l’ignoto

Immaginiamo di trovarci al cospetto di un “oggetto semiotico” ignoto. Potrebbe trattarsi di un dipinto, di un brano di letteratura, di un pezzo musicale, di un programma informatico, di un artefatto culturale in senso lato: poco importa al momento, ciò che ci interessa è il carattere di estraneità di questo oggetto, di cui ignoriamo al momento tutto. Attardiamoci per un attimo in questo limbo interpretativo. Nella realtà, questa sorta di tabula rasa sostanzialmente non esiste, ogni oggetto ci arriva già...
OPEN
ACCESS
DE FR
  • electronic music
  • time
  • reading
  • music
  • media theory
The matrix for »Tombeau pour cinq cent mille soldats«
The matrix for »Tombeau pour cinq cent mille soldats«

Pierre Guyotat

The Prison

Our prison was encircled by marshland where birds and sick dogs came to die. At night we could hear their cries and death rattles. We could see nothing of the town except its smoke and its dying animals. Prisoners on the second floor watched those washed-out cats and dogs die, lying down then struggling in the mud like birds caught in lime; famished cats jumped on those with gaping wounds and tore them open. From the cellar where we had been...
OPEN
ACCESS
  • war
  • war experience
Fiction

Diane Williams

How about some string?

I said “Would you like a rope? You know that haul you have is not secured properly.”
“No,” he said, “but I see you have string!”
“If this comes into motion—” I said, “you should use a rope.”
“Any poison ivy on that? ” he asked me, and I told him my rope had been in the barn peacefully for years.
He took a length of it to the bedside table. He had no concept for what wood could endure.
“Table must have broken when I lashed it onto the truck,” he said.
And, when he was moving the sewing machine, he let the cast iron wheels—bang, bang on the stair.
I had settled down to pack up the flamingo cookie jar, the cutlery, and the cookware, but stopped briefly, for how many times do you catch sudden sight of something heartfelt?
I saw our milk cows in their slow...

ABO DE
Fiction

Maël Renouard

On Memory Atrophy

Externalized memory had always proceeded by contractions, summaries, reductions, selections, breaks in flow, as well as by organization, classification, boiling down. Card catalogues reduced thousands of works to a few key notions; tables of contents contracted the hundreds of pages in a given book. The sign itself was the first abbreviation of experience. An epic stitched of words was an abbreviation of the war, the long years of which were reduced to a few nights of recitation; the written text that recorded the epic was a contraction of the oral narration which pushed aside its sensory richness, melody, life in a thousand details. In accumulating, every level of abbreviation reconstituted an infinite flow, a new dilation that would be contracted in its turn. From the plurality of pages to the index and the table of contents; from the plurality of books to card catalogues.

The abbreviated elements were further arranged, situated...

OPEN
ACCESS
Digital disrupture
Digital disrupture

Dieter Mersch

Digital Criticism

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...
OPEN
ACCESS
DE
Discourse
From xenolinguistics to cephalo­pods

From xenolinguistics to cephalo­pods

OPEN
ACCESS
  • communication
  • utopia
  • semiotics and semiology
  • communication media
  • linguistics
  • science fiction
Questioning the United Fruit Company archive
 Questioning the United Fruit Company archive

Liliana Gómez

Archive Matter

The United Fruit Company archive is the point of departure for this book’s reflections about the constructions but also the contested meanings of photography and thus about how the camera both depicts and configures the Caribbean as a laboratory of the modern. As archives emerge, they are resurgent, may change over the course of time, mold space anew, or revise history. By their nature archives are Pandora’s box, the outcome of opening them necessarily unknown, bringing the possibility of detournements....
  • archive
  • photography
  • Caribbean
  • cultural studies
  • capitalism

 

We like !