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Arts

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

contemporary art
poetry
body
mother figure
motherhood
gender

Fiction

When life’s hard, time’s a motherfucker going slow

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways.

Discourse

Haifa’s architectural modernism

Ines Weizman synchronises different narratives that have been swept away by the chaotic hurricanes of time.

history of architecture
Israel
Middle East
memory

Humanities

Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), ...

How can withdrawal be represented?

Constellations of different instances of withdrawal, ranging from passivity, failure, and refusal to disappearance and remembrance and to resilience and resistance.

protest movements
artistic practice
resistance
contemporary art

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

aesthetics
contemporary art
queer theory
feminism
body
motherhood
gender
father figure
mother figure

Magazine Online

News + Events

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

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New releases

Karin Gludovatz, Matthias Warstat, ...: Intervenierende Künste

Eva Backhaus (ed.), Grit Dommes (ed.), ...: Dynamics of the Intransitive

Marcia Sá Cavalcante Schuback (ed.), David Payne (ed.): Breaking Grounds

Hans-Jörg Rheinberger: In Touch: Encounters between Art and Research

Autofiction—Metafiction

Article

Why this past? Why is this past mine? A past which I did not even know? 

Born too late to see the war, too soon to forget it. Rocked by events which I didn’t experience.

Reiner Schürmann

How I Learned to Clench My Fists

Monograph

Curriculum Vitae in Pictures

Das Fotobuch »Kracauer. Fotoarchiv« zeigt bisher unbekannte fotografische Materialien aus dem Nachlass des Soziologen, Feuilletonisten und Filmtheoretikers Siegfried Kracauer: Portraits,...

Maria Zinfert (ed.)

Kracauer. Fotoarchiv

Article

“Obsessed with buffering”

I’ve become obsessed with buffering—or the narrator in my new novel is obsessed with buffering. He’s an anthropologist who has grown up reading Lévi-Strauss but he’s also a corporate anthropologist who is working for the Man. He’s putting culture in the service of capital. Like we all do, he spends... ABO

Tom McCarthy

“Obsessed with buffering”

Monograph

»Ich bin nicht gut im Vergessen. Ich kann es überhaupt nicht«

Ein junger Deutscher in den sechziger Jahren schreibt hier, heimgesucht von einer übergroßen Sensibilität für die Allgegenwart der Vergangenheit. Geradezu körperlich trägt er in seiner eigenen Person die Unfähigkeit aus, zu vergessen, was er selbst nicht bewusst erlebt hat: Krieg und Vernichtung. Die stark autobiographisch geprägte Erzählung folgt den zahlreichen...

Reiner Schürmann

Ursprünge

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

The key to survival will lay in female hands.

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feminism
body
Africa
ceremony
ritual
spiritism
performance
colonialism

Current Texts

»This is not my blood.«

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west?

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Video art
performance art
human–animal communication
identity

Current Texts

Stephen Barber

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. OPEN
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Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
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“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
ACCESS

Tyler Coburn

However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall. ABO

Arts

Pioneering!

An interview with Manuel Franquelo

"Trying to compete in the economy of attention from the field of contemporary art is a naive goal in the twenty-first century."

There are almost no publications about him, for a painting he takes a whole year, for his photographic works he develops the hardware himself, and the software along with it, and he has only exhibited twice in his entire career. The trained engineer is involved in large projects on facsimileing and 3D reproduction for museums, but his skill is largely applied to his own slowly and brilliantly developing work. Manuel Franquelo is an artist of unusual radicalism, both in the autonomy...

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Arts

A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
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Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
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Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
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Rolf Bossart, Milo Rau

We are bodies. It makes no sense to debate this. OPEN
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Arts

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them.

ABO DE FR

Arts

Dennis Cooper, Donatien Grau, ...

Sex creates love and love creates sex

“I don’t believe in progress, no.”

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philology
music

Authors

Books

Wolfgang Brückle (ed.), Fred Truniger (ed.): Display, Distribute, Disrupt

Donatien Grau, Sylvère Lotringer: I Was More American than the Americans

Daniel Berndt (ed.), Susanne Huber (ed.), ...: ambivalent work*s

Jens Andermann (ed.), Lisa Blackmore (ed.), ...: Natura: Environmental Aesthetics After Landscape

Eyal Weizman, Ines Weizman: Before & After

Fiction

“Obsessed with buffering”

Tom McCarthy

Recessional—Or, the Time of the Hammer

Towards the end of Thomas Pynchon’s mammoth 1973 novel Gravity’s Rainbow, the stumbling ingénue of a hero Tyrone Slothrop sets off on a commando raid. The territory he and his cohorts move through is a giant metropolis, a “factory-state” in which capital, technology and power, perfectly co-calibrated, send airships drifting through urban canyons, past chrome caryatids and roof-gardens on skyscrapers that themselves shoot up and down on elevator-cables: a conurbation Pynchon calls the “City of the Future” or “Raketen-Stadt.” The...

ABO

Modernism
literature
conversation
literary studies
fiction

Fiction

Diane Williams

How about some string?

I said “Would you like a rope? You know that haul you have is not secured properly.” ABO DE

Maël Renouard

On Memory Atrophy

How can we remember the way we used to remember? OPEN
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Stephen Barber

Twenty-four hours in state of unconsciousness

Now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself… ABO

Kim Gordon

Where do you go when you disappear? OPEN
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Fiction

Pierre Guyotat

The matrix for »Tombeau pour cinq cent mille soldats«

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G.

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war
war experience

Fiction

A. L. Kennedy

Upending meanings and rewriting sanity

When it all burns you’ll know – a writer was there at the first…

ABO DE FR

Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

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Discourse

From xenolinguistics to cephalopods

Would communication beyond the semiosphere be conceivable?

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linguistics
communication media
utopia
communication
science fiction
semiotics and semiology

Discourse

Ute Holl

Dream, Clouds, Off, Exile

“Communism will be when we understand something of love.”

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communism
monotheism
Karl Marx
film
exile

Authors

Books

Sami Khatib (ed.), Holger Kuhn (ed.), ...: Critique: The Stakes of Form

Mathias Denecke (ed.), Holger Kuhn (ed.), ...: Liquidity, Flows, Circulation

Humanities

A dialogue that doesn’t cover up its traces

David Graeber

Anarchy—In a Manner of Speaking

Anarchism is about the possibility of a crowd becoming smarter.

There’s endless literature on the mob or “the madness of crowds”, and most people do assume that any kind of crowd is necessarily going to be, collectively, stupider than any one of the individuals that make it up. That’s why most people accept the legitimacy of authoritarian leadership. If this were really true, it stands to reason that if you took even any one random person out of the crowd and made that person dictator, the crowd would make better...

FR DE

community
anarchy
anarchism
political theory
resistance

Humanities

The abandonment of the centrality of the subject

Donatien Grau

Philology keeps it possible to open a space for the minority. OPEN
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Mengia Tschalaer

“The sexual asylum story is everything,” OPEN
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Mehdi Belhaj Kacem, Philippe Sollers

Like no other journal, Tel Quel was an outstanding arena of literary innovation and intellectual revolution. In this conversation its founder and publisher, Philippe Sollers, provides intimate insight and polemical hindsight into some of the most important milestones of its still-resonating era. ABO DE

Marcus Quent

Belief in the world is what we most lack.

Is it possible to regain a lost belief? Is it possible to do as we will with belief? OPEN
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Humanities

Nothing is at home

Philosophy is found wanting. It is considered anachronistic, some say dead. The tradition is in ruins.

ABO

aesthetics
Modernism
art theory
art
phenomenology

Humanities

Maria Filomena Molder

So many egoists call themselves artists…

Words are human things; a great obscurity saturates them…

“So many egoists call themselves artists,” Rimbaud wrote to Paul Demeny on May 15, 1871. Even though that is not always obvious, ‘I’, the first person, is the most unknown person, a mystery that is constantly moving towards the other two, the second and third persons, a series of unfoldings and smatterings that eventually gelled as ‘Je est un autre’. That is why ‘apocryphal’ is a literarily irrelevant concept and ‘pseudo’ a symptom, the very proof that life, writing, is made up of echoes, which means that intrusions and thefts (Borges also discusses them) will always be the daily bread of those who write.

Words from others, words taken out of place and mutilated: here are the alms of time, that squanderer’s sole kindness. And so many others, mostly others who wrote, and many other pages, all of them apocryphal, all of them echoes, reflections. All this flows together into—two centuries...

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Authors