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Arts

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

contemporary art
mother figure
motherhood
poetry
body
gender

Fiction

Antonin Artaud, Stephen Barber (ed.)

Jiji-Crycry

Me, Antonin Artaud, I am my son, my father, my mother, and me.

avant-garde
drugs
poetry
literature

Discourse

Time Probe Zero Synthesis

When to switch off? What to look for? How to write? Which lines to draw? Whence self-recognition? DIAPHANES 3—TIME PROBE ZERO SYNTHESIS

discourse
literature
contemporary art
contemporary literature
contemporary culture
art
art theory

Humanities

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...

The Power of Narratives in Propaganda

Narratives are the enduring stars of propaganda and disinformation.

analytics of power
propaganda
intelligence sercive
Russia

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

contemporary art
father figure
gender
queer theory
aesthetics
mother figure
feminism
body
motherhood

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Anna-Lisa Dieter (ed.), Daniel Tyradellis (ed.): On Water

Haus der Kulturen der Welt (ed.): Deberlinization

Haus der Kulturen der Welt (ed.): Deberlinisierung

Giuseppe Di Salvatore (ed.), Fabienne Liptay (ed.): The Sirenic: Follow the Water, Follow the Sound

Eliana Hernández-Pachón: Suspended Waters

Cristina Rivera Garza: De-Blading the Knife

The Subject of Capitalism

Article

The endless array of merchandise

In contemporary capitalism, subjectivity is the product of a mass industry organized on a global level. For Félix Guattari this is actually the first and most important of capitalist productions, because it preconditions and is part of production in all other forms of merchandise. Subjectivity is a ‘key merchandise,’ which... ABO

Maurizio Lazzarato

The Production of Subjectivity

Monograph

Mad Men, Death and the American Dream

Matthew Weiner’s series Mad Men is more than a resonant time capsule. Elisabeth Bronfen’s claim is that the show not only thrives on a significant double voicing, reviving the literature, film, music and fashion of the past within and for the cultural concerns of the present. With Don Draper an...

Elisabeth Bronfen

Mad Men, Death and the American Dream

Article

Con Artist Don Draper, the archetypical American hero

At the very moment when the black figure falls through the vintage snap shots the loss of world seems complete.

Elisabeth Bronfen

The American Dream—A Game of Confidence

Article

Counter-Hegemonic Struggle and Agonistic Practices 

In recent years we have witnessed an incredible acceleration in the process of commodification in the field of culture. With the development of the culture industries, the worst nightmares of Horkheimer and Adorno seem to have been realized. Indeed, some theorists claim that, through our dependence on the entertainments corporations,... OPEN
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Chantal Mouffe

Democratic Politics in the Age of Post-Fordism

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them.

ABO DE FR

Current Texts

On Memory Atrophy

How can we remember the way we used to remember?

Externalized memory had always proceeded by contractions, summaries, reductions, selections, breaks in flow, as well as by organization, classification, boiling down. Card catalogues reduced thousands of works to a few key notions; tables of contents contracted the hundreds of pages in a given book. The sign itself was the first abbreviation of experience. An epic stitched of words was an abbreviation of the war, the long years of which were reduced to a few nights of recitation; the written text that recorded the epic was a contraction of the oral narration which pushed aside its sensory richness, melody, life in a thousand details. In accumulating, every level of abbreviation reconstituted an infinite flow, a new dilation that would be contracted in its turn. From the plurality of pages to the index and the table of contents; from the plurality of books to card catalogues.

The abbreviated elements were further arranged, situated...

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Current Texts

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west? OPEN
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Jurij Pavlovich Annenkov

We rehearsed the crowd scenes in the Winter Palace, in the Throne Room and the Armorial Hall. ABO

Black Panther is an American, not an African story

A.K. Kaiza

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts. OPEN
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Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
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New releases

Kevin B. Lee (ed.), Marine de Dardel (ed.), ...: The Future of Reality

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...: Global Narratives of Russian Disinformation

Sigrid Adorf (ed.), Sønke Gau (ed.), ...: going public.

Naomi Boyce (ed.), Matthias Grotkopp (ed.), ...: Digital Interventions

Beate Söntgen (ed.), Katharina Tchelidze (ed.), ...: Scenes of the Avant-Garde

Arts

Mama Say Make I Dey Go, She Dey My Back

Jelili Atiku, Damian Christinger

Venice, Lagos, and the Spaces in between

The key to survival will lay in female hands.

Wandering down the Riva S. Biasio I gaze at the superyachts, thronged at the quay, and the African street vendors selling cheap knock-off handbags: poor immigrants trying to make a living contrasted with the absurdly wealthy visiting one of the great gatherings of the globalized art world. This image has become a sort of a cliché, especially during the last edition of the Biennale di Venezia, curated by Okwui Enwezor, with its emphasis on art from the global South and...

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body
Africa
feminism
performance
colonialism

Arts

Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
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Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
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Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
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Arts

Michele Pedrazzi

Il testo ignoto è una promessa

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza?

OPEN
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reading
time
music
electronic music
media theory

Arts

Artur Zmijewski

About ‘how we treat the others’

“There is something deeply humiliating in such a situation.”

OPEN
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ethics
migration
documenta
contemporary art
political aesthetics
National Socialism
propaganda
gift
Poland
concentration camp

Authors

Books

Marietta Kesting (ed.), Susanne Witzgall (ed.): Human after Man

Sara Alonso Gómez (ed.), Isabel J. Piniella Grillet (ed.), ...: NO Rhetoric(s)

Fiction

Yes, magic exists!

Antonin Artaud, Stephen Barber (ed.)

A Sinister Assassin

from myself / to myself / who is it that comes / and who is it that goes?

Antonin Artaud’s very last work, prior to his death in March 1948, is the most extraordinary element of his entire body of work – and is the element now most enduringly inspirational, for contemporary artists, filmmakers, musicians, writers, choreographers, and others inspired by Artaud – through its fiercely exploratory, extreme and combative forms, along with its dissolutions and negations of forms, focused above all on the human anatomy, as well as on sonic experimentation and on provocations for innovation in...

autobiography
avant-garde
Modernism
poetry
literature

Fiction

Jochen Thermann

I really should not have hired him…

Waldemar—well, that was not actually his name… ABO DE FR

Axel Dielmann

“Can you imagine something like that?”

The curators were probably worried that someone would stumble carelessly up the stairs while looking at the exhibits… OPEN
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Angelika Meier

Your story begins with a tunnel.

The lost cause is the only one worth fighting for. OPEN
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Jean-Luc Nancy

غریبه‌ها غریبه‌ها

ازخودبیگانه‌ ها راه‌ گم‌کرده‌ ها از کدامین اصل نامرئی؟ OPEN
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Fiction

A. L. Kennedy

Upending meanings and rewriting sanity

When it all burns you’ll know – a writer was there at the first…

ABO DE FR

Fiction

Soham Gupta

When life’s hard, time’s a motherfucker going slow

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways.

ABO DE FR

Authors

Books

Tom McCarthy: Recessional—Or, the Time of the Hammer

Donatien Mary, Ronan de Calan: The Ghost of Karl Marx

Antonin Artaud, Stephen Barber (ed.): Artaud the Mômo

Antonin Artaud, Stephen Barber (ed.): Radio Works: 1946–48

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

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Discourse

“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
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A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
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Sina Dell’Anno

“He always read Priam instead of ‘prime’.” OPEN
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Ute Holl

“Communism will be when we understand something of love.” OPEN
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Discourse

Marie Glassl, Sophie Lewis

On Gestational Communism

“If you love your family, you want family abolition for them!”

ABO DE

community
critique of neoliberalism
family
social movements
birth
motherhood
communism

Discourse

From xenolinguistics to cephalopods

Would communication beyond the semiosphere be conceivable?

OPEN
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utopia
communication
science fiction
communication media
linguistics
semiotics and semiology

Authors

Books

Liliana Gómez (ed.), Fabienne Liptay (ed.): Eco-operations

David Graeber: Anarchy—In a Manner of Speaking

Maria Zinfert (ed.): Kracauer. Fotoarchiv

Gertrud Koch: Breaking Bad, Breaking Out, Breaking Even

Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), ...: On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

Humanities

One plus one equals other

Dieter Mersch

Epistemologies of Aesthetics

For an aesthetic mode of thought beyond the “linguistic turn”

We identified ‘showing’—rather than ‘saying’—as the primary self-manifestation of the aesthetic. By ‘showing’ and ‘manifestation’ we do not mean expression, but exhibition and exposition. Wherever works work only with aisthēta and relevance is drawn from perceptions or things and their materiality—from every nuance of coloring, from the way in which objects are framed or combined, from the position of a detail, from the interval between two notes and their microtonal succession or arrhythmic placement, from any hesitation of physical feeling,...

artistic research
discourse analysis
epistemology
Think Art
aesthetics

Humanities

Mengia Tschalaer

“The sexual asylum story is everything,” OPEN
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Rolf Bossart, Milo Rau

We are bodies. It makes no sense to debate this. OPEN
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Each showroom has a couple of “managers”.

Do I really know the person I’ve watched every day on screen for months? I know many things, like where he is, where he comes from, what his home looks like, when he gets up and sleeps, etc. But do I really know him? ABO DE

Alexander García Düttmann

Can contemporary theatre recognize itself in the boxing ring so that its fist, the fist of the past, strikes a forceful and violent blow? ABO DE

Humanities

Maria Filomena Molder

So many egoists call themselves artists…

Words are human things; a great obscurity saturates them…

“So many egoists call themselves artists,” Rimbaud wrote to Paul Demeny on May 15, 1871. Even though that is not always obvious, ‘I’, the first person, is the most unknown person, a mystery that is constantly moving towards the other two, the second and third persons, a series of unfoldings and smatterings that eventually gelled as ‘Je est un autre’. That is why ‘apocryphal’ is a literarily irrelevant concept and ‘pseudo’ a symptom, the very proof that life, writing, is made up of echoes, which means that intrusions and thefts (Borges also discusses them) will always be the daily bread of those who write.

Words from others, words taken out of place and mutilated: here are the alms of time, that squanderer’s sole kindness. And so many others, mostly others who wrote, and many other pages, all of them apocryphal, all of them echoes, reflections. All this flows together into—two centuries...

OPEN
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Humanities