Books

Magazine

Topics

diaphanes Berlin

Info

Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

User account

Arts

Haifa’s architectural modernism

Ines Weizman synchronises different narratives that have been swept away by the chaotic hurricanes of time.

Middle East
Israel
memory
history of architecture

Fiction

About a Coronation Cloak from Ethiopia

“The dead will shelter the living. They will find us once we have named them one by one”.

museum
public sphere

Discourse

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

mother figure
motherhood
body
contemporary art
gender
poetry

Humanities

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...

The Power of Narratives in Propaganda

Narratives are the enduring stars of propaganda and disinformation.

intelligence sercive
analytics of power
Russia
propaganda

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

gender
aesthetics
father figure
body
queer theory
feminism
motherhood
mother figure
contemporary art

Magazine Online

News + Events

diaphanes_net

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Eliana Hernández-Pachón: Suspended Waters

Cristina Rivera Garza: De-Blading the Knife

Kevin B. Lee (ed.), Marine de Dardel (ed.), ...: The Future of Reality

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...: Global Narratives of Russian Disinformation

Sigrid Adorf (ed.), Sønke Gau (ed.), ...: going public.

The Subject of Capitalism

Article

The endless array of merchandise

In contemporary capitalism, subjectivity is the product of a mass industry organized on a global level. For Félix Guattari this is actually the first and most important of capitalist productions, because it preconditions and is part of production in all other forms of merchandise. Subjectivity is a ‘key merchandise,’ which... ABO

Maurizio Lazzarato

The Production of Subjectivity

Article

Con Artist Don Draper, the archetypical American hero

At the very moment when the black figure falls through the vintage snap shots the loss of world seems complete.

Elisabeth Bronfen

The American Dream—A Game of Confidence

Article

Complicity in Spectatorship

The special case of lustful murdering soldiers of King Herod and the introduction of spectators on frescos by Giotto and pulpits by the Pisani are at the core of this contribution, which poses the question: How is cruelty visualized in Italy around 1300? The introduction of detached spectators in opposition...

Beate Fricke

Complicity in Spectatorship

Monograph

Mad Men, Death and the American Dream

Matthew Weiner’s series Mad Men is more than a resonant time capsule. Elisabeth Bronfen’s claim is that the show not only thrives on a significant double voicing, reviving the literature, film, music and fashion of the past within and for the cultural concerns of the present. With Don Draper an...

Elisabeth Bronfen

Mad Men, Death and the American Dream

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

The key to survival will lay in female hands.

OPEN
ACCESS DE

colonialism
performance
Africa
feminism
ritual
spiritism
body
ceremony

Current Texts

From xenolinguistics to cephalopods

Would communication beyond the semiosphere be conceivable?

OPEN
ACCESS

linguistics
communication media
science fiction
semiotics and semiology
communication
utopia

Current Texts

Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
ACCESS DE FR

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west? OPEN
ACCESS

Stephen Barber

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. OPEN
ACCESS DE

Philosophy is found wanting. It is considered anachronistic, some say dead. The tradition is in ruins. ABO

New releases

Maaza Mengiste: Of Interest to the General Public

Jürgen Brokoff (ed.), Karin Gludovatz (ed.), ...: Intervenierende Künste

Eva Backhaus (ed.), Grit Dommes (ed.), ...: Dynamics of the Intransitive

Naomi Boyce (ed.), Matthias Grotkopp (ed.), ...: Digital Interventions

Beate Söntgen (ed.), Katharina Tchelidze (ed.), ...: Scenes of the Avant-Garde

Arts

Reality, No More?

Marine de Dardel (ed.), Kevin B. Lee (ed.), ...

The Future of Reality

“Reality is all we have to love. There is nothing else.” John Berger

Everyday life without audiovisual technologies is no longer imaginable. How do we experience reality in the age of generative AI, algorithmic media, and the omnipresence of digital platforms? How does cinema—and all audiovisual media— construct, challenge and reimagine reality in times of ecological, political, and technological transformation?

contemporary art
sound
art
film

Arts

A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
ACCESS

Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
ACCESS

Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
ACCESS DE

Arts

Donatien Grau, Pierre Guyotat

To lay a hand on the shoulder of future victims…

»By using voices I have rediscovered what we call humanity.«

OPEN
ACCESS

Arts

Tyler Coburn

The future has never looked older

However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall.

ABO

Authors

Books

Liliana Gómez (ed.): Performing Human Rights

Alena Lepishava (ed.), Zmicier Vishniou (ed.), ...: НЕТУТЭЙШЫЯ: REVERSION

Kieran Aarons (ed.), Reiner Schürmann, ...: The Place of the Symbolic

Alex Arteaga (ed.): Architectures of Embodiment

Daniel Berndt (ed.), Susanne Huber (ed.), ...: ambivalent work*s

Fiction

Let’s find the stage of human affairs

Marion Muller-Colard, Clémence Pollet

Hannah Arendt's Little Theater

“A story worth telling is a story with spectators to judge it.”

While about to finish her last book, the philosopher Hannah Arendt is disturbed by her stubborn alter ego, 9-year-old Little Hannah. Reluctantly, the old woman lets herself drag out onto the streets of New York and into constant conversation by the inquisitive little girl. They enter a little theatre, and together they watch mankind, society, politics, power evolve – and they also experience the role of Evil (in the person of a wolf and of numerous wooden puppets) and its...

acting
thinking
young readers
ethics
Evil

Fiction

Stephen Barber

Twenty-four hours in state of unconsciousness

Now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself… ABO

Dodie Bellamy

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats. OPEN
ACCESS

When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

Mehdi Belhaj Kacem, Philippe Sollers

Like no other journal, Tel Quel was an outstanding arena of literary innovation and intellectual revolution. In this conversation its founder and publisher, Philippe Sollers, provides intimate insight and polemical hindsight into some of the most important milestones of its still-resonating era. ABO DE

Fiction

Maël Renouard

On Memory Atrophy

How can we remember the way we used to remember?

Externalized memory had always proceeded by contractions, summaries, reductions, selections, breaks in flow, as well as by organization, classification, boiling down. Card catalogues reduced thousands of works to a few key notions; tables of contents contracted the hundreds of pages in a given book. The sign itself was the first abbreviation of experience. An epic stitched of words was an abbreviation of the war, the long years of which were reduced to a few nights of recitation; the written text that recorded the epic was a contraction of the oral narration which pushed aside its sensory richness, melody, life in a thousand details. In accumulating, every level of abbreviation reconstituted an infinite flow, a new dilation that would be contracted in its turn. From the plurality of pages to the index and the table of contents; from the plurality of books to card catalogues.

The abbreviated elements were further arranged, situated...

OPEN
ACCESS

Fiction

Pierre Guyotat

The matrix for »Tombeau pour cinq cent mille soldats«

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G.

OPEN
ACCESS

war experience
war

Authors

Books

Mehdi Belhaj Kacem, Antoine d’Agata: Diagonale du vide

Maria Zinfert (ed.): Kracauer. Photographic Archive

Gleb J. Albert (ed.), Nikolaj Evreinov, ...: The Steps of Nemesis

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
ACCESS DE

Discourse

Jurij Pavlovich Annenkov

We rehearsed the crowd scenes in the Winter Palace, in the Throne Room and the Armorial Hall. ABO

Ute Holl

“Communism will be when we understand something of love.” OPEN
ACCESS

Black Panther is an American, not an African story

A.K. Kaiza

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts. OPEN
ACCESS DE

Andreas L. Hofbauer

The yoke of being, noteworthy dis-position

Anyone inclined to describe hunters and gatherers as poor, would be advised to understand them as free. OPEN
ACCESS DE

Discourse

Artur Zmijewski

About ‘how we treat the others’

“There is something deeply humiliating in such a situation.”

OPEN
ACCESS DE

gift
political aesthetics
ethics
contemporary art
propaganda
documenta
concentration camp
Poland
migration
National Socialism

Discourse

Marie Glassl, Sophie Lewis

On Gestational Communism

“If you love your family, you want family abolition for them!”

ABO DE

motherhood
birth
family
communism
social movements
community
critique of neoliberalism

Authors

Humanities

A non-Western way of thinking

Mario Schulze (ed.), Sarine Waltenspül (ed.)

String Figures

Stretched between eight fingers and two thumbs

In recent years, string figures have gained prominence in cultural theory. Donna Haraway promotes string figures as a method of thinking and collaboration between both disciplines and species. Rather than the technicist and rigid metaphor of the network, Haraway’s string figures provide a playful, process-oriented, embodied, performative (and non-Western) mode of thought in which responsibility and collaboration are foregrounded.

game / play
theory construction
history of technology
ethnology
cultural history

Humanities

غریبه‌ها غریبه‌ها

ازخودبیگانه‌ ها راه‌ گم‌کرده‌ ها از کدامین اصل نامرئی؟ OPEN
ACCESS FR GR DE

Alexander García Düttmann

What does “emancipatory” mean today?

Let us pretend one more time that the world can still be saved. ABO DE

Humanities

Sina Dell’Anno

Saturnaaaaalia

The rebellion of the signifiers against their semantic taming

OPEN
ACCESS DE

Humanities

Mehdi Belhaj Kacem

Guy Debord was the avant-garde’s Christ.

Mehdi Belhaj Kacem looks back and ahead in the light of the spectacle of aesthetic capitalism, which has become even more unfettered since Debord’s death.

ABO FR DE

Authors