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Arts

Haifa’s architectural modernism

Ines Weizman synchronises different narratives that have been swept away by the chaotic hurricanes of time.

Middle East
history of architecture
Israel
memory

Fiction

About a Coronation Cloak from Ethiopia

“The dead will shelter the living. They will find us once we have named them one by one”.

museum
public sphere

Discourse

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

poetry
mother figure
body
motherhood
gender
contemporary art

Humanities

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...

The Power of Narratives in Propaganda

Narratives are the enduring stars of propaganda and disinformation.

analytics of power
intelligence sercive
propaganda
Russia

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

father figure
feminism
mother figure
queer theory
aesthetics
body
gender
motherhood
contemporary art

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

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New releases

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...: Global Narratives of Russian Disinformation

Sigrid Adorf (ed.), Sønke Gau (ed.), ...: going public.

Maaza Mengiste: Of Interest to the General Public

Jürgen Brokoff (ed.), Karin Gludovatz (ed.), ...: Intervenierende Künste

Choreographing multitudes

Article

Facebook's Open Graph Protocol: a medial promise

Facebook’s Open Graph protocol is the basis of a conglomerate in which the technical functionalities of addressing and distribution go hand in hand with categorization, staging, and user activity. A fundamental aspect to all of this is the fact that Open Graph can only be thought about in terms of... ABO

Irina Kaldrack, Theo Röhle

Creating Subsets of the Masses

Article

The Politics and aesthetics of participation

New forms of political participation formulate themselves in the public sphere. They are in most cases performed fully aware of the ambivalence, power and vulnerability of the body: in demonstrations or the occupation of buildings, street crossings or train tracks, in chaining themselves to buildings, suspending themselves from bridges or... ABO

Gabriele Klein

The (Micro)Politics of Social Choreography

Article

Computer Games and the Distraction Economy

Digital culture promises a business model that oscillates between blockbusters and niche products. This model leads to upheavals in the market that directly affect, for instance, the quality and availability of computer games. Just as we rely on cognitive models in our interactions with individuals, our understanding of complex social... ABO

Peter Krapp

Between the Madness and the Wisdom of Crowds

Anthology

Social Media—New Masses

Mass gatherings and the positive or negative phantasms of the masses instigate various discourses and practices of social control, communication, and community formation. Yet the masses are not what they once were. In light of the algorithmic analysis of mass data, the diagnosis of dispersed public spheres in the age...

Inge Baxmann (ed.), Timon Beyes (ed.), Claus Pias (ed.)

Social Media—New Masses

Upending meanings and rewriting sanity

When it all burns you’ll know – a writer was there at the first…

ABO DE FR

Current Texts

Capitalism sucks. Tag everything.

it seemed like we’d just been in some horrible dream

OPEN
ACCESS

Current Texts

Marie Glassl, Sophie Lewis

“If you love your family, you want family abolition for them!” ABO DE

How about some string?

I said “Would you like a rope? You know that haul you have is not secured properly.” ABO DE

Tyler Coburn

However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall. ABO

Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
ACCESS DE

Arts

Reality, No More?

Marine de Dardel (ed.), Kevin B. Lee (ed.), ...

The Future of Reality

“Reality is all we have to love. There is nothing else.” John Berger

Everyday life without audiovisual technologies is no longer imaginable. How do we experience reality in the age of generative AI, algorithmic media, and the omnipresence of digital platforms? How does cinema—and all audiovisual media— construct, challenge and reimagine reality in times of ecological, political, and technological transformation?

contemporary art
art
film
sound

Arts

A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
ACCESS

Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
ACCESS

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them. ABO DE FR

Arts

»Self-censorship is the worst.«

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

ABO DE

film
Evil
cinema
contemporary art
film d'auteur

Arts

Slavs and Tatars

Why the Backwards Smile?

To what extent can a revolution of the inner world impact the external, material world surrounding us?

OPEN
ACCESS DE

Authors

Fiction

Artaud’s Last Unpublished Work

Antonin Artaud, Stephen Barber (ed.)

Watchfiends and Rack Screams

Antonin Artaud’s last large-scale work, published in its complete form in English for the first time. Foreword by John Zorn.

I had a dream last night, scrambled, yes indeed, for a scrambled dream it sure was scrambled. But so meaningful on the other hand, so meaningful. Jean Dequeker was dragging himself along the earth with short and truncated legs, and he said: Am I a beast, a pebble, a branch or a meat stall? But after all what is a tree? What is a tree? Madame Dequeker was behind a cage with her stomach pressed against the flange of this...

poetry
literature
autobiography
Modernism
avant-garde

Fiction

Stephen Barber

Twenty-four hours in state of unconsciousness

Now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself… ABO

Zoran Terzić

Everything new is a pose in the alcoves of capital

In the post-avant-garde era we’re all either in the vanguard or asleep in the lap of capital. In this sense everybody is avant-garde—or nobody. OPEN
ACCESS DE

Julien Maret

Track the clouds

heal slowly… when the deed is done… when coming back is nowhere… we slide our hands through sloping fountains… ABO

Angelika Meier

Your story begins with a tunnel.

The lost cause is the only one worth fighting for. OPEN
ACCESS DE

Fiction

Kim Gordon

It was another 75° day in LA.

Where do you go when you disappear?

OPEN
ACCESS

Fiction

Pierre Guyotat

The matrix for »Tombeau pour cinq cent mille soldats«

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G.

OPEN
ACCESS

war experience
war

Authors

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
ACCESS DE

Discourse

Stephen Barber

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. OPEN
ACCESS DE

Sina Dell’Anno

“He always read Priam instead of ‘prime’.” OPEN
ACCESS DE

Would communication beyond the semiosphere be conceivable? OPEN
ACCESS

Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
ACCESS DE

Discourse

A.K. Kaiza

Black Panther is an American, not an African story

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts.

OPEN
ACCESS DE

Discourse

Donatien Grau, Pierre Guyotat

To lay a hand on the shoulder of future victims…

»By using voices I have rediscovered what we call humanity.«

OPEN
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Authors

Books

Sami Khatib (ed.), Holger Kuhn (ed.), ...: Critique: The Stakes of Form

Tom McCarthy: Recessional—Or, the Time of the Hammer

Mehdi Belhaj Kacem, Antoine d’Agata: Diagonale du vide

Humanities

“Aboard ship! ye philosophers!”

Wu Yi

The Sea as Mirror

“I’ve heard the silent cries that filled the air, the reticence of the sirens when Odysseus, mast-bound, sailed past. Hark!”

A genealogy of philosophy in the form of a geology of the diluvial, so to speak. I’ve asked: how does the ocean, as a physical presence, a dynamic relationship, and an unsettling imaginary, challenge and reinvent philosophy as it understands itself to be and defines itself against? The method I’ve hitherto practiced is one simple and well-suited to the purpose: to de-sublimate and re-sublimate the variously over-sublimated layer of sense in philosophy with one’s own being, flesh and blood, and...

history of philosophy
literary studies
the sea

Humanities

Felix Stalder

Subjectivation and Authenticity

It is human selection that turns a machine selection that is meaningless because of its compilation criteria into a (potentially) meaningful narrative. ABO DE

Rolf Bossart, Milo Rau

We are bodies. It makes no sense to debate this. OPEN
ACCESS DE

Jean-Luc Nancy

غریبه‌ها غریبه‌ها

ازخودبیگانه‌ ها راه‌ گم‌کرده‌ ها از کدامین اصل نامرئی؟ OPEN
ACCESS FR GR DE

Guy Debord was the avant-garde’s Christ.

Mehdi Belhaj Kacem

Mehdi Belhaj Kacem looks back and ahead in the light of the spectacle of aesthetic capitalism, which has become even more unfettered since Debord’s death. ABO FR DE

Humanities

Maria Filomena Molder

So many egoists call themselves artists…

Words are human things; a great obscurity saturates them…

“So many egoists call themselves artists,” Rimbaud wrote to Paul Demeny on May 15, 1871. Even though that is not always obvious, ‘I’, the first person, is the most unknown person, a mystery that is constantly moving towards the other two, the second and third persons, a series of unfoldings and smatterings that eventually gelled as ‘Je est un autre’. That is why ‘apocryphal’ is a literarily irrelevant concept and ‘pseudo’ a symptom, the very proof that life, writing, is made up of echoes, which means that intrusions and thefts (Borges also discusses them) will always be the daily bread of those who write.

Words from others, words taken out of place and mutilated: here are the alms of time, that squanderer’s sole kindness. And so many others, mostly others who wrote, and many other pages, all of them apocryphal, all of them echoes, reflections. All this flows together into—two centuries...

OPEN
ACCESS DE

Humanities