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Artaud’s Last Unpublished Work
Artaud’s Last Unpublished Work

Antonin Artaud, Stephen Barber (ed.)

Watchfiends and Rack Screams

I had a dream last night, scrambled, yes indeed, for a scrambled dream it sure was scrambled. But so meaningful on the other hand, so meaningful. Jean Dequeker was dragging himself along the earth with short and truncated legs, and he said: Am I a beast, a pebble, a branch or a meat stall? But after all what is a tree? What is a tree? Madame Dequeker was behind a cage with her stomach pressed against the flange of this...
  • avant-garde
  • autobiography
  • literature
  • Modernism
  • poetry
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Diane Williams

How about some string?

I said “Would you like a rope? You know that haul you have is not secured properly.”
“No,” he said, “but I see you have string!”
“If this comes into motion—” I said, “you should use a rope.”
“Any poison ivy on that? ” he asked me, and I told him my rope had been in the barn peacefully for years.
He took a length of it to the bedside table. He had no concept for what wood could endure.
“Table must have broken when I lashed it onto the truck,” he said.
And, when he was moving the sewing machine, he let the cast iron wheels—bang, bang on the stair.
I had settled down to pack up the flamingo cookie jar, the cutlery, and the cookware, but stopped briefly, for how many times do you catch sudden sight of something heartfelt?
I saw our milk cows in their slow...

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Angelika Meier

Your story begins with a tunnel.

I’m standing in my perfectly fitting uniform with its freshly-pressed swastika armband in a long line at an American office. I’m waiting to submit my Application for Total War. Then, after standing in line for hours, the friendly clerk tells me that I need The Application for Foreign Aggressions in the next office over. Since I’m a depressed fascist, I don’t keep my chin up for long—despite my spiffy brown uniform—so I decide that’s enough for today and to try again tomorrow. The very next morning, I’m valiantly standing in the correct line, but then I’m missing some paperwork for the correct submission of my Application for Total War. Besides a birth certificate (the original, no copies allowed!), I’m still missing two recommendation letters from American citizens. Five are necessary. But—I thought just three… No, five in total! With a smile, the clerk raises her right hand, her fingers spread...

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“Poetry must be made  by all. Not by one.”

Mário Gomes

“Poetry must be made by all. Not by one.”

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  • South America
  • theory of architecture
  • fiction
  • community
  • spatial turn
  • architecture
  • poetics

 

To end GOD’S JUDGEMENT
To end GOD’S JUDGEMENT

Antonin Artaud, Stephen Barber (ed.)

Radio Works: 1946–48

Artaud’s work is performative in the sense that it never simply describes, but actively produces the events it enacts. As Austin characterises performative language, ‘the issuing of the utterance is the performing of an action’.3 Artaud’s work, performed correctly, is magical, finding its power in ritualistic chanting. Intonation is key to this, recalling what he wrote about metaphysical language in The ­Theatre and its Double, where the aim is ‘to deal with intonations in an absolutely concrete manner, restoring their...
  • radio
  • literature
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The limp, voluptuous decadence of the place

Bruce Bégout

The limp, voluptuous decadence of the place

  • obsession
  • short stories
  • Venice
  • contemporary literature
  • avant-garde
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