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Art
Punk’s raptures are mystical.
Simon Critchley
Learning to Eat Time with One’s Ears
Philology often seems concerned with tracing origins and identifying true sources as a way of sweeping away the penumbrae of cultural ornamentation and exfoliating the accumulated dead skin of the past that hardens into decadence, at once institutional and intellectual. Its spirit is Lutheran, or Nietzschean, which amounts to the same thing when you think about it a little. So can it be with punk, which is usually reduced to a series of flattened clichés about bondage trousers, dyed hair...
ABO
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Anthology
Zu einer Poetik des Seriellen
Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)
Noch einmal anders
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Around a sculpture by Alberto Giacometti
Georges Didi-Huberman, Mira Fliescher (ed.), ...
The Cube and the Face
The Cube, as we can see, isn’t one. It is an irregular polyhedron which catalogues describe as having twelve sides — that nice figure, twelve, a destinal figure if ever there was one, which willfully evokes Mallarmé’s throw of the dice, at the very moment that the clock strikes twelve at midnight, in the dark house of Igitur. One can imagine that Giacometti wanted to give a unique volume to the twelve facets — six and six — of two cubes added together: a unique architecture...
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