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Camouflaged with a visual language
Camouflaged with a visual language

Malte Fabian Rauch

Where the Negative Holds Court

What Reena really wanted to know was why – in a night club, for example – do we chose, always and above all, that nothing happens?” Many ventured to explore this wasteland, our present, in recent years. But cartographing a void is delicate matter. It is a blank space; it demands new methods. Representation is not among them, having proved too imprecise an instrument. One group went further than most others: drawing lines, mapping grounds, testing waters. Their lines introduced...
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About ‘how we treat the others’

Artur Zmijewski

About ‘how we treat the others’

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Essays on Photography by Siegfried Kracauer
Essays on Photography by Siegfried Kracauer

Siegfried Kracauer, Philippe Despoix (ed.), ...

The Past's Threshold

There can be no doubt, however, that in Kracauer’s texts published at the turn of the 1920s and the 1930s from his position as an editor of the cultural pages at the daily newspaper Frankfurter ­Zeitung, then in the 1950s during his American period, he sketches out a theorisation of photography that can be described as groundbreaking. But it is also true that most of his works overlap, in more than one way, with this medium of reproduction or that...
  • History of photography
  • film
  • media theory
  • photography
  • Siegfried Kracauer
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Mama Say Make I Dey Go, She Dey My Back

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

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