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Art
Il testo ignoto è una promessa
Michele Pedrazzi
The Next Bit. Corpo a corpo con l’ignoto
Immaginiamo di trovarci al cospetto di un “oggetto semiotico” ignoto. Potrebbe trattarsi di un dipinto, di un brano di letteratura, di un pezzo musicale, di un programma informatico, di un artefatto culturale in senso lato: poco importa al momento, ciò che ci interessa è il carattere di estraneità di questo oggetto, di cui ignoriamo al momento tutto. Attardiamoci per un attimo in questo limbo interpretativo. Nella realtà, questa sorta di tabula rasa sostanzialmente non esiste, ogni oggetto ci arriva già...
Current Texts
Anthology
Zur Kritik der Wirksamkeit in den Künsten
Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)
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Monograph
Around a sculpture by Alberto Giacometti
Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)
The Cube and the Face
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Current Texts
How can withdrawal be represented?
Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), ...
On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices
How can withdrawal—meaning either that which withdraws itself, or which is being withdrawn—be represented, thus made visible and negotiable? This publication takes this paradox as its starting point, which remains present as a tension throughout. The book aims to draw constellations of different instances of withdrawal, ranging from passivity, failure, and refusal to disappearance and remembrance and to resilience and resistance. Understanding withdrawal as a concept that encompasses both cutting ties and reaffirming relations, the contributions collected here trace the...
Current Texts
Mehdi Belhaj Kacem, Philippe Sollers
Like no other journal, Tel Quel was an outstanding arena of literary innovation and intellectual revolution. In this conversation its founder and publisher, Philippe Sollers, provides intimate insight and polemical hindsight into some of the most important milestones of its still-resonating era.
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