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Capitalism sucks. Tag everything.

Dan-el Padilla Peralta

Junk Philology. An Anti-Commentary

it seemed like we’d just been in some horrible dream

whole blocks of avenues in all directions | The verse snaps tight around the dynamic contrast of geometric uniformity and omni-directional spread, with north-south avenue grids stretched across the crest of human sound. From solid blocks to liquid (“we got a drink”) to gas “(As if the fog lifted”): the metamorphosis of phase-states. But when I read BLOCKS, I hear Lil Wayne: “tha block is hot, tha block is hot… Dodging cops and burning blocks.” And I remember the boys...

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Current Texts

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them. ABO DE FR

Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
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Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
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Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
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Current Texts

»Self-censorship is the worst.«

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

ABO DE

contemporary art
cinema
film
Evil
film d'auteur

Current Texts

Artur Zmijewski

About ‘how we treat the others’

“There is something deeply humiliating in such a situation.”

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contemporary art
propaganda
gift
migration
concentration camp
documenta
political aesthetics
Poland
National Socialism
ethics

Magazine Online

News + Events

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Antonin Artaud, Stephen Barber (ed.): Last Writings of Antonin Artaud

Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action

Eyal Weizman, Ines Weizman: Before & After

Thomas Köck: un gran casino (ta pissà adoss l’ürocc)

THINK ART? THINK ART!

Monograph

One plus one equals other

For an aesthetic mode of thought beyond the “linguistic turn”

Dieter Mersch

Epistemologies of Aesthetics

Anthology

Zu einer Poetik des Seriellen

Zugleich Gegenstand und Verfahren, setzt das serielle Denken, wie es sich in diesem Band abzeichnet, mithin eine Reihe von sonst...

Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)

Noch einmal anders

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

Monograph

Über das Denken der Kunst

Von der Kunst als Forschung und der Forschung als Kunst ist spätestens seit den 1990er Jahren die Rede. Das Konzept sucht die Künste und Wissenschaften in ihrer Arbeitsweise einander anzunähern, doch wird dabei kaum die Frage gestellt, welche Art von Wissen die Künste im Unterschied zu den Wissenschaften hervorbringen. Dieter...

Dieter Mersch

Epistemologien des Ästhetischen

Topics

Observing the Spectator
- optical illusion
- gaze
- observer
- mirror
Color and meaning
Who is afraid of Red, Yellow, Blue…?
- semiotics and semiology
- color
- image and imagery
- monochrome
- chromatics / colour science
The Subject of Capitalism
- cognitive capital
- capitalism
- migration
- subjectification
Autofiction—Metafiction
- fiction
- memory
- autobiography
- autofiction
- Theory of fiction

Current Texts

Donatien Grau, James Spooner

“Fuck that thing.” That’s all punk needs.

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’”

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Current Texts

Slavs and Tatars

Why the Backwards Smile?

To what extent can a revolution of the inner world impact the external, material world surrounding us?

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Current Texts

When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
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Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
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What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west? OPEN
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Books

Sara Alonso Gómez (ed.), Isabel J. Piniella Grillet (ed.), ...: NO Rhetoric(s)

Donatien Grau (ed.), Christoph Wiesner (ed.): After the Crisis

Alena Lepishava (ed.), Zmicier Vishniou (ed.), ...: НЕТУТЭЙШЫЯ: REVERSION

Shusha Niederberger (ed.), Cornelia Sollfrank (ed.), ...: Aesthetics of the Commons

The Architecture of Disaster

Ines Weizman, Eyal Weizman

Before & After

How can the gap between images become a site of critical counter-reading rather than a symbol of erasure?

History is increasingly presented as a series of catastrophes. The most common mode of this presentation is the before-and-after image—a juxtaposition of two photographs of the same place, at different times, before and after an event has taken its toll. Buildings seen intact in a “before” photograph have been destroyed in the one “after.” Neighborhoods bustling with activity in one image are in ruins or under a layer of foulwater in the next. Deforestations, contaminations, melting icebergs and drying rivers...

war
History of photography
photographic images
forensic science
photography

Current Texts

Part Dieu. The Painting of Francisco Sierra

Michael Heitz

You have to imagine Francisco Sierra as a cheerful painter. ABO DE

Claire Fontaine

Becoming the translator rather than the careless exploiter of nature might be the adventure of humankind in the years to come. OPEN
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Each showroom has a couple of “managers”.

Do I really know the person I’ve watched every day on screen for months? I know many things, like where he is, where he comes from, what his home looks like, when he gets up and sleeps, etc. But do I really know him? ABO DE

Jean-Luc Nancy

غریبه‌ها غریبه‌ها

ازخودبیگانه‌ ها راه‌ گم‌کرده‌ ها از کدامین اصل نامرئی؟ OPEN
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Current Texts

Christian Beetz, Hendrik Rohlf

On the boundaries of what is permissible to show

It became clear to me that it had become impossible to make a critical film about Apple.

Current Texts

Tom McCarthy

Ecstasy of inauthenticity

The ironic self-awareness of the poet can only be that of his own inauthenticity, repeated or fed back into itself at increasingly conscious levels, and ‘to know inauthenticity is not the same as to be authentic’.

The question of authenticity and I go back some way; we’re old sparring partners – frenemies. It’s been a fraught relationship, shot through with paradox and misconstruing. My first novel, Remainder, does turn around its protagonist’s obsession with becoming ‘real’, inhabiting his era or his city, building, skin, movements and gestures in a ‘first-hand’ or ‘authentic’ way, an obsession which he carries to the point of murder. Yet the pleasure of seeing this book receiving glowing press reviews that praised it for its ‘originality’ and ‘true’-ness was tinged with an awareness of something being odd or ‘off’, since Remainder is in fact the most un-original of novels, a novel about non-originality and simulacra that’s quite blatantly composed of set tropes and constructed situations reprised and, only slightly modified, replayed from sources ranging from Ballard’s Crash and Beckett’s Godot back to Sterne’s Tristram Shandy (Uncle Toby’s domestic re-stagings of battle terrains)...