Marie Glassl, Sophie Lewis
Surrogate Abolition
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Rudi Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Simon Critchley
Learning to Eat Time with One’s Ears
Sina Dell’Anno
Punk / Philology
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Donatien Grau
A Life in Philology
Claire Fontaine
Towards a Theory of Magic Materialism
A. L. Kennedy
What is an Author?
Tom McCarthy
Toke My Asymptote – or, The Ecstatic Agony of Appearance
Kai van Eikels
Do in What's Doing, Democracy in!
Mehdi Belhaj Kacem, Philippe Sollers
What is the Meaning of the Avant-garde’s Death?
Zoran Terzić
The Tautomaniac
Sandra Frimmel
I Hate the Avant-garde
Mehdi Belhaj Kacem
Tomb for Guy Debord
Michael Heitz, Hendrik Rohlf
Uma’s Face—Thurman’s Voice
Alexander García Düttmann
Cold Distance
Barbara Basting
Der Algorithmus und ich 6
Axel Dielmann
The Dressmaker
Barbara Basting
Der Algorithmus und ich 6
A.K. Kaiza
An Annotated History of Wakanda
Jean-Luc Nancy
Zah Zuh
Jean-Luc Nancy
Zah Zuh
Jochen Thermann
The Assistant Chef
Dietmar Dath
Your Sprache Never Was
Nicole Bachmann
Questionnaire Nicole Bachmann
Marcus Quent
Elapsing Time and Belief in the World
Jelili Atiku, Damian Christinger
Venice, Lagos, and the Spaces in between
Eric Baudelaire
Abecedarium
Rolf Bossart, Milo Rau
On Realism
Ann Cotten
Dialogs
Jurij Pavlovich Annenkov
A Diary of my Encounters
Johanna Went
I remember (Johanna Went)
Peter Ott
The Monotheistic Cell Or Reports from Fiction
Stephen Barber
I remember (Stephen Barber)
Blixa Bargeld
LISTMANIA: ABT. DIE DUEMMSTEN BERLINER FRISÖRNAMEN
Hendrik Rohlf
Richard Prince (Book)
Kommt ein Polizist zu einem Mann, der beschuldigt wird, seinen kleinen Sohn zu Tode geschüttelt zu haben. Wie ist denn das passiert?, will der Polizist wissen. So!, gibt der Mann...
Andreas L. Hofbauer, René Luckhardt: HER
Wien: Der Konterfei 2015
limitierte Ausgabe, 50 Seiten
In einem Onlineforum, das sich mit dem Umzug ins 40 Lichtjahre von uns entfernte Planeten-system...
Capt. Norman Macmillan:
How to Pilot an Aeroplane,
George Allen & Unwin LTD: London 1942,
first edition, 110 pages
This book told me just what I had to know before...
We are looking for relics of visions of the future in past image spaces, for the traces and signatures of something once imaginable and timelessly possible.
The post I’m now sharing was somewhat unsettling: “Barbara joined Facebook 6 years ago!”
Not on any Knowlede’s service this register in progress seeks accumulating entries of imagenables: names, objects, imaginations… singularities, that neither have to be thought nor upon which must be speculated.
Following Georges Perec’s Memory 480: "I remember… (to be continued…)"…
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.