Michael Heitz, Hendrik Rohlf
Uma’s Face—Thurman’s Voice
Andreas L. Hofbauer
Der Algorithmus und ich 5
Lars von Trier in Conversation with Mehdi Belhaj Kacem & Raphaëlle Milone
Who I Really Am
Das Leben besteht aus gestrandeten Konjunktiven
An Annotated History of Wakanda
A War of Fragments: World Versus America
Your Sprache Never Was
Lieber Paul 3
Conversation on “Glimpse”
Rolf Bossart, Milo Rau
Jurij Pavlovich Annenkov
A Diary of my Encounters
Futurama Nights, October 1978
Jelili Atiku, Damian Christinger
Venice, Lagos, and the Spaces in between
Human Oddities (Book)
Donatien Grau, Pierre Guyotat
Discoteca Flaming Star
Ich erinnere mich… (Discoteca Flaming Star)
Richard Prince (Book)
DIAPHANES is collecting lists: conceptually sensory bills of fare, enumerations and selections in the serenely fatal undertaking of classifying an unclassifiable present, of orienting ourselves through the stringing together of self-determined entries. The freely associated registers (including unequal and redundant items) are a call to attention or simply the excursive (as every list is potentially infinitely long or short) inventory of taste or consciousness.
1. Tell the Earth, “I love you. I can’t live without you."
2. At first you may feel embarrassed...
Cumulus tuba ;
Cirrus cumulonimbogenitus ;
mother-of-pearl cloud ;
Altocumulus translucidus ;
The post I’m now sharing was somewhat unsettling: “Barbara joined Facebook 6 years ago!”
Red oder Blue? Welche Götter? What’s wrong with reality? Nord oder Süd? Wie sterben? What is the problem with solutions?
We are looking for relics of visions of the future in past image spaces, for the traces and signatures of something once imaginable and timelessly possible.
L’œuvre d'art n’a pas d’idée, elle est idée
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since? If I open and am for ever in the black adiaphane. BASTA! I will see if I can see.
See now. There all the time without you: and ever shall be, world without end.«
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.