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From xenolinguistics to cephalopods

Xenolinguistics

Would communication beyond the semiosphere be conceivable?

If ever humans should face creatures from outer space, they would surely have to find a way of dealing with the aliens and—supposing they would have such a thing: with their languages. The branch of linguistics dedicated to the study of such languages from outer space is commonly referred to as xenolinguistics. For the time being, xenolinguistics is an essentially speculative and certainly radical exercise of conceiving the diverse. We have asked a series of specialists from different fields that...

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science fiction
linguistics
communication
communication media

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Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
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Stephen Barber

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. OPEN
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Jurij Pavlovich Annenkov

We rehearsed the crowd scenes in the Winter Palace, in the Throne Room and the Armorial Hall. ABO

A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
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Malte Fabian Rauch

Camouflaged with a visual language

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Mehdi Belhaj Kacem

Guy Debord was the avant-garde’s Christ.

Mehdi Belhaj Kacem looks back and ahead in the light of the spectacle of aesthetic capitalism, which has become even more unfettered since Debord’s death.

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Magazine Online

minima oeconomica

Monograph

Das Finanzregime

»Souverän ist, wer eigene Risiken in Gefahren für andere zu verwandeln vermag und sich als Gläubiger letzter Instanz platziert.«

Joseph Vogl

Der Souveränitätseffekt

Anthology

Instabilität als Logik der Finanzmärkte selbst

Dass die momentane Krise der Finanzmärkte auch eine Krise der Wirtschaftswissenschaften sei, liest man derzeit immer wieder. Der Marktliberalismus und seine Theorie der »effizienten Märkte« seien gescheitert, es gebe in der ökonomischen Orthodoxie kein Instrumentarium, um »wilde Märkte« zu verstehen – die offenkundig Realität sind. Wie aber lassen sich Instabilitäten...

Hyman P. Minsky

Instabilität und Kapitalismus

Monograph

Zur Herrschaft der Finanzialisierung

Seit dem Zusammenbruch der Banken im Jahr 2008 scheint der Kapitalismus in eine Phase anhaltender Stagnation sowie geopolitischer und monetärer Instabilität eingetreten zu sein. Das Szenario, das sich vor unseren Augen abspielt, lässt an eine Art »Sozialismus des Kapitals« denken: Der Staat, der die Bedürfnisse der »Finanzsowjets« sichert, erlegt der...

Christian Marazzi

Sozialismus des Kapitals

Monograph

« C'est le médecin qui a inoculé la maladie à son patient. »

L’affirmation selon laquelle la crise des marchés financiers implique une crise des sciences économiques est presque devenue un lieu commun : le libéralisme des marchés et la théorie des « marchés efficaces » auraient échoué et l’économie orthodoxe n’aurait créé aucun dispositif pour appréhender les « marchés sauvages » qui,...

Hyman P. Minsky

L'hypothèse d'instabilité financière

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Michele Pedrazzi

Il testo ignoto è una promessa

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza?

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media theory
music
electronic music
reading
time

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Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them.

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Artur Żmijewski

“There is something deeply humiliating in such a situation.” OPEN
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Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
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Black Panther is an American, not an African story

A.K. Kaiza

In another era, the mish-mash presentation of Africa would have been the focal point of criticism. But this is not the age for facts. OPEN
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»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.« OPEN
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Photographs tend to suggest infinity

Siegfried Kracauer

The Photographic Approach (1951)

Photographs evoke a response in which our sense of beauty and our desire for knowledge interpenetrate.

The photographic approach – that is, the effort to utilize the inherent abilities of the camera – is responsible for the particular nature of photographs. In the days of Zola and the Impressionists, the properties of photographs were commonly held to be the hallmarks of art in general; but no sooner did painting and literature break away from realism than these properties assumed an exclusive character. Since they depend upon techniques peculiar to the medium, they have remained stable throughout its evolution....

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photography
Siegfried Kracauer
film
media theory
History of photography

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Marcus Quent

Belief in the world is what we most lack.

Is it possible to regain a lost belief? Is it possible to do as we will with belief? OPEN
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350 000 000 photographs onto Facebook everyday

Hans Block, Moritz Riesewieck

The idea of making the world more open and connected has degenerated to a business concept. OPEN
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Helmut J. Schneider

A Phenomenology of Compassion

How to make the strange person our “neighbor”? ABO DE

“Poetry must be made by all. Not by one.”

Mário Gomes

“Nuestro Norte es el Sur” = “Our North is the South.” OPEN
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Michael Heitz, Hendrik Rohlf

Be Jack!

Like no other actor, Uma Thurman bears a face as a trace of itself. The most recent emanation of this apparently indestructible construct, so successfully created for Kill Bill, can be seen in the latest film by Lars von Trier.

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Sandra Frimmel

Why should this be art?

What does it mean?

I Hate the Avant-Garde. When an artist as self-ironic and self-reflective as Yuri Albert makes such a statement about art, then skepticism is called for. Like his overall series Elitist-Democratic Art, the title deliberately plays with simple affirmations and negations, and at the same time exhibits the inherent receptive dilemma of the series: a (large) part of the artistically trained viewers see these shorthand works as abstract forms, without understanding the text, and only the few who can read (Russian) shorthand perceive a text, which for them doesn’t necessarily have to be art. I Hate the Avant-Garde was created in 2017, after a sketch made in 1987 in reaction to a changed situation in the reception of nonconformist art. With the beginning of perestroika, unofficial art that had hitherto been excluded from the state-run art scene—that is, from the official infrastructure of museums and exhibition spaces, and from art scholarship...

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