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The Projectionists
Stephen Barber

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Artaud the Mômo
Antonin Artaud, Stephen Barber (ed.)

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What’s Legit?
Liza Mattutat (ed.), Roberto Nigro (ed.), Nadine Schiel (ed.), ...

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Houndstooth
Jason Schwartz
simple forms called William, far off in a corner of the landscape

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Critique: The Stakes of Form
Sami Khatib (ed.), Holger Kuhn (ed.), Oona Lochner (ed.), ...

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Critique and the Digital
Erich Hörl (ed.), Nelly Y. Pinkrah (ed.), Lotte Warnsholdt (ed.)

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Why Do Things Have Names?
Jean Paul Mongin, Junko Shibuya

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minor cosmopolitan
Zairong Xiang (ed.)

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Anarchy—In a Manner of Speaking
Mehdi Belhaj Kacem, David Graeber, Assia Turquier-Zauberman

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Radio Works: 1946-48
Antonin Artaud, Stephen Barber (ed.)

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What is Contemporary Art?
Alexander García Düttmann

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Reading Marx
Reiner Schürmann, Malte Fabian Rauch (ed.), Nicolas Schneider (ed.)

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Connect and Divide
Ulrike Bergermann (ed.), Monika Dommann (ed.), Erhard Schüttpelz (ed.), ...
Media divide and connect simultaneously: they act as intermediaries between otherwise disconnected entities.

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Dialogical Imaginations
Michael F. Zimmermann (ed.)

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Modern Philosophies of the Will
Reiner Schürmann, Kieran Aarons (ed.), Francesco Guercio (ed.)

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Infinitely Determinable
Davide Giuriato

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