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Amelie Wedel

Other texts by Amelie Wedel for DIAPHANES

Filming from a Snail’s-Eye View: Submerged Vision and the Observational Mode in Geographies of Solitude
In: Marie Sophie Beckmann (ed.), Petra Löffler (ed.), Sub(e)merging: Experiences, Practices and Politics from below

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artistic practice
media aesthetics
subversion