did her PhD thesis in philosophy at Paris IV Sorbonne on the philosophical foundations of iconology (Art, histoire et signification. Un essai d’épistémologie d’histoire de l’art autour de l’iconologie d’E. Panofsky [Paris: L’Harmattan, 2012]). Her main interests concern aesthetics, philosophy of art, theories of the image, epistemology, and problems of temporality, especially in the German context. She also works as a translator (Belting, Riegl, Kittler).