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Magdalena Tyzlik-Carver

is Assistant Professor in the Department of Digital Design and Information Studies at the School of Communication and Culture at Aarhus University, Denmark. She is also an independent curator and recent curated exhibitions and events include ScreenShots: Desire and Automated Image (2019), Movement Code Notation (2018), Corrupting Data (2017), Ghost Factory: performative exhibition with humans and machines (2015), Common Practice (2010, 2013). She is co-editor (with Helen Pritchard and Eric Snodgrass) of Executing Practices (Open Humanities Press, 2018) a collection of essays by artists, programmers, and theorists engaging in critical intervention into the broad concept of execution in software. She is a member of Critical Software Thing group and a member of the editorial board for the Data Browser series. She is also Associate Researcher with Centre for the Study of the Networked Image at London South Bank University.
Other texts by Magdalena Tyzlik-Carver for DIAPHANES
  • authorship
  • copyright
  • digital culture
  • art
  • aesthetics