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Maria H. Loh

is a lecturer in early modern Italian art and theory in the Department of History of Art at University College London. She is author of the seminal study about repetition, imitation, and pastiche in art, in which she studies the function of copies in sixteenth- and seventeenth-century Italy.

Other texts by Maria H. Loh for DIAPHANES
Bibliography
  • English
  • 2009
    »Renaissance Faciality«, in: Oxford Art Journal 32 (2009), S. 341–363., Oxford, Oxford University Press
  • 2007
    Titian Remade – Repetition and the Transformation of Early Modern Italian Art, Los Angeles, J P Getty Trust Pubn
  • painting
  • art history
  • 17th century
  • Baroque
  • science of art
  • epistemology