User account

Maria Ordóñez

has developed her artistic practice focused on collectivity as a discipline of ethical engagement and shared knowledge, mostly in working with people affected by violence in Colombia, where she comes from. She is currently working on her doctoral project about alternative ecologies and creative forms of recomposition related to forced disappearance and the transitional context in Colombia (1950–2016), as part of the research team on “Contested Amnesia and Dissonant Narratives in the Global South: Post-conflict in Literature, Art, and Emergent Archives,” directed by Prof. Liliana Gomez, in the Department of Cultural Analysis at the University of Zurich.
Bibliography
  • art
  • education
  • Think Art
  • artistic practice
  • pedagogy
  • university
  • aesthetics
  • contemporary art