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Sebastián Eduardo Dávila
Sebastián Eduardo Dávila’s PhD project deals with materiality in art practices from postwar Guatemala. He forms part of the DFG graduate program “Cultures of Critique” at Leuphana University Lüneburg. His articles and reviews have been published in journals such as Miradas, Re:Visions, Revista Poiésis and insurgencias.net, in the anthology Museums, Transculturality and the Nation State (ed. Susanne Leeb and Nina Samuel, 2022), and in the context of art exhibitions. He has spoken at conferences like “Worldviews: Latin American Art and the Decolonial Turn” (London/online, 2021) and “Seeing more Queerly in the 21st Century” (Miami, 2020), and is part of the collective VOCES de Guatemala en Berlín.
Other texts by Sebastián Eduardo Dávila for DIAPHANES
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In the Aftermath of Violence. On Being Present and Calling Into Presence
In: Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), Ulrike Jordan (ed.), Thorsten Schneider (ed.), Judith Sieber (ed.), Nele Wulff (ed.), On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices
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A Psychiatric Clinic, a Monastery, a City and a River. On the (Artistic) Legibility of Disappearance in Topography
In: Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), Ulrike Jordan (ed.), Thorsten Schneider (ed.), Judith Sieber (ed.), Nele Wulff (ed.), On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices