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Hauke Branding (ed.), Julian Volz (ed.): Radical Desires

Hauke Branding (ed.), Julian Volz (ed.)

Radical Desires
French Gay Liberation and Anticolonial Critique

Softcover, 192 pages

Date of publication: 25.08.2025

Despite a historically rich tradition of thinking about the relation between sexuality, desire and revolution, there is little engagement with desire’s radicality today. This volume attends to the radicality of desire as a starting point for overcoming heteropatriarchal capitalism by turning to the specific radical homosexual critique as it was first formulated in France in the 1970s in the writings of the Mouvement de Libération des Femmes and the Front Homosexuel d’Action Révolutionnaire, as well as in the conceptions of their most important protagonists, Monique Wittig and Guy Hocquenghem. Radical Desires seeks to emphasize the anti-identitarian character of the French gay liberation movement, as well as its implicit and explicit critique of gender and sexual binaries.

 

At the same time, the volume is also interested in intersectionally expanding this critique by confronting it with anticolonial and queer of color perspectives. As French gay liberation activists’ relations to North African men were often problematic, several contributions engage with the latent orientalist and racist tropes that appear in the movement’s writings. By aiming to go beyond a mere historicization of these ambivalences and exploring which contemporary problems appear in a different light as a result, Radical Desires highlights the (dis-)continuous relationship between current debates and those in 1970s France.

 

To explore the multiplicity of forms with or in which these critiques were expressed, the volume places theoretical perspectives in conversation with artistic perspectives on Queer liberation in a transnational context.

 

With contributions by Friederike Beier, Antoine Idier, Émilie Notéris, Lukas Betzler, Mohammad Shawky Hassan, Sido Lansari, Todd Shepard and Julian Volz.

 

 

 

 

Content
  • 9–26

    Introduction

    Hauke Branding, Julian Volz

  • 27–48

    Materialist Queerfeminism, the Queering of ­Dialectics, and the Sexless Society: A Tribute to Monique Wittig

    Friederike Beier

  • 49–78

    “Drift” and “Scattering”: The Pluralities of Guy Hocquenghem

    Antoine Idier

  • 79–88

    Holding the (Foot)note: Monique Wittig and Audre Lorde, a Missed Encounter?

    Émilie Notéris

  • 89–106

    Against Unambiguity: Guy Hocquenghem’s ­Writing of Desire

    Lukas Betzler

  • 107–130

    Let Me Be Yours: Notes on the Intrinsic Queerness of "One Thousand and One Nights"

    Mohammad Shawky Hassan

  • 131–144

    Où partent les oiseaux, après le ­dernier ciel?

    Sido Lansari

  • 145–172

    Searching for New Languages, ­Searching for Minor Voices in the Archive: Notes on Sido Lansari’s Artistic Practice

    Julian Volz

  • 173–200

    What Mostéfa Djadjam Taught Pierre Guyotat about Language: Algerian ­Perspectives and the Writing of Sexual Revolution in 1970s France

    Todd Shepard

  • desire
  • Postcolonial Studies
  • queer theory
  • orientalism
  • contemporary art
  • contemporary art

My language
English

Selected content
English

Hauke Branding

Hauke Branding is part of the research training group Cultures of Critique at Leuphana University Lüneburg. His research focuses on the history (of theory) of gay liberation, critical theory and the history of social movements. Together with Lukas Betzler, he reedited a German edition of Guy Hocquenghem’s Das homosexuelle Begehren (2019) and co-edited a dossier on 1970s French gay liberation (2021). Currently, he is working on a history of ideas of the radical West German gay liberation movement.

Julian Volz

Julian Volz is a curator, and research associate in the graduate programme Cultures of Critique at Leuphana University Lüneburg. In his dissertation, he is researching contemporary artistic practices that are referring to the (cultural-)revolutionary era of independent Algeria in the 1960s. Other research interests include Third Cinema, Queer Contemporary Art from the SWANA region and modernist Art in North Africa. Together with Meike Gerber and Emanuel Kapfinger he edited an anthology on Hans-Jürgen Krahl (2022), who was one of the leading theorists of the movement of 1968 in West Germany.
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