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Muriel Fischer (ed.), Sandra Frimmel (ed.), ...: Global Narratives of Russian Disinformation

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Muriel Fischer (ed.), Sandra Frimmel (ed.), Nanina Graf (ed.), Iryna Herasimovich (ed.), Sylvia Sasse (ed.)

Global Narratives of Russian Disinformation

Softcover, 320 pages

Date of publication: 23.01.2026

Disinformation, conspiracy narratives, and propaganda are not only manipulative forms of communication with the intention to deceive, but also a field of global collective narratives. Russia is an important player in this field. From the Cold War to the present day, we can observe how (pro-)Russian narratives are regionally tailored, internationally disseminated and appropriated by various political, economic or cultural actors for their own purposes.While some narratives might originate from literary fantasy, science fiction or national myths, others draw on historical narratives and reproduce them. Russia often claims an anti-imperialist, anti-fascist or post-colonial intention in order to conceal its own imperialism and fascism. The contributions in this book document these narratives in their respective geographical and historical contexts. They examine narrative practices and their history, the interplay of global address and local appropriation as well as affects and effects within political discourse.

With contributions by Zaal Andronikashvili, Masha Borzunova, Roman Horbyk, Jade McGlynn, Mufutau Muyiwa, Christopher Nehring, Ksenia Poluektova-Krimer, Marina Rudyak, Anton Shekhovtsov, Sylvia Sasse, and others.

Muriel Fischer

Muriel Fischer is a PhD-student in the SNF project Arts & Disinformation at the Slavic Department of the University of Zurich and researches images in in the war against Ukraine.

Sandra Frimmel

is an art historian and the research coordinator of the Centre for Arts and Cultural Theory (ZKK) at the University of Zurich. Research interests: Russian art, art and power/law/society.

Other texts by Sandra Frimmel for DIAPHANES

Ich hasse die Avantgarde. Eine Bildhinterfragung OPEN
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I Hate the Avant-garde. A closer examination of a painting ABO
Zeichnen als Realitätserkundung
In: Victoria Lomasko, Die Unsichtbaren und die Zornigen
Zum Cover: Yuri Alberts Bilddenken
In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Ästhetische Theorie

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Notes on the Cover: Yuri Albert’s Figurative Thinking
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Gefallene Engel und andere Shootingstars. Zur Rezeption radikaler künstlerischer Positionen in Russland
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Lenin ist ein Pilz. Auf den Spuren des sowjetischen Imperiums
In: Victoria Lomasko, Die letzte sowjetische Künstlerin

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Human Extractivism in the Land of Lenin: Soviet Deportations and Their Aftermath in Victoria Lomasko's Graphic Reportages
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Nanina Graf

Nanina Graf is a doctoral candidate and academic assistant at the Slavic Department of the University of Zurich. She studied Slavic, German and Gender Studies in Zurich and St. Petersburg, is a board member of the German-Swiss NGO Libereco - Partnership for Human Rights and editor of the online magazine novinki.de.

Iryna Herasimovich

Iryna Herasimovich is a literary translator of numerous German-language authors into Belarusian. She also works as a dramaturge and curator in the field of visual arts and is a member of the German Academy for Language and Poetry. Since 2021, she has been a doctoral candidate at the Slavic Seminar at the University of Zurich.

Sylvia Sasse

is a professor of Slavic studies at the University of Zurich and co-founder of the ZKK (Centre for Arts and Cultural Theory), member of ZGW (Center "History of Knowledge"), and co-editor of "Geschichte der Gegenwart" (www.geschichtedergegenwart.ch).

Inke Arns (ed.), Igor Chubarov (ed.), ...: Nikolaj Evreinov: »Sturm auf den Winterpalast«

Dieter Mersch (ed.), Sylvia Sasse (ed.), ...: Ästhetische Theorie

Inke Arns (ed.), Igor Chubarov (ed.), ...: Nikolai Evreinov: »The Storming of the Winter Palace«

Dieter Mersch (ed.), Sylvia Sasse (ed.), ...: Aesthetic Theory

Gleb J. Albert (ed.), Nikolaj Evreinov, ...: Die Schritte der Nemesis

Gleb J. Albert (ed.), Nikolaj Evreinov, ...: The Steps of Nemesis

Other texts by Sylvia Sasse for DIAPHANES

1988. Matthew Barney. Selbstbehinderung OPEN
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In: Sandro Zanetti (ed.), Improvisation und Invention

pOpen access
1915. Nikolaj Evreinovs Theatertherapie. Heilung durch Improvisation
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1834. Maximilian Langenschwarz und die Kunst, sich selber Steine in den Weg zu legen
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1832. Improvisation versus Dichtung. Odoevskij und Puškin
In: Sandro Zanetti (ed.), Improvisation und Invention

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Den Staat an seine Gesetze erinnern. Dissidenz als Wissen vom Recht
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Vorwort
In: Inke Arns (ed.), Igor Chubarov (ed.), Sylvia Sasse (ed.), Nikolaj Evreinov: »Sturm auf den Winterpalast«

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»Geschichte wird mit dem Objektiv geschrieben«. Wie das Foto vom theatralen Sturm zum historischen Dokument wird
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Foreword
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“History is Written with the Lens”: How the Photo of the Theatrical Storming becomes a Historical Document
In: Inke Arns (ed.), Igor Chubarov (ed.), Sylvia Sasse (ed.), Nikolai Evreinov: »The Storming of the Winter Palace«

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Operative Censorship OPEN
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Operative Zensur OPEN
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Einleitung
In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Ästhetische Theorie

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Der theoretische Akt
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Introduction
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The Theoretical Act
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Michail M. Bachtin: »Литературоведение как наиболее свободная (почти карнавальная) область исследования«
In: Thomas Fries (ed.), Sandro Zanetti (ed.), Revolutionen der Literaturwissenschaft 1966–1971

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Julia Kristeva: »[L]a seule manière qu’a l’écrivain de participer à l’histoire devient alors la transgression […] par une écriture-lecture.«
In: Thomas Fries (ed.), Sandro Zanetti (ed.), Revolutionen der Literaturwissenschaft 1966–1971

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In: Victoria Lomasko, Die Unsichtbaren und die Zornigen

In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Ästhetische Theorie

In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Aesthetic Theory

In: Nina Bandi (ed.), Marina Belobrovaja (ed.), Rachel Mader (ed.), Siri Peyer (ed.), Bernadett Settele (ed.), What can art do?

In: Victoria Lomasko, Die letzte sowjetische Künstlerin

In: Liliana Gómez (ed.), Fabienne Liptay (ed.), Eco-operations

In: Sandro Zanetti (ed.), Improvisation und Invention

In: Sandro Zanetti (ed.), Improvisation und Invention

In: Sandro Zanetti (ed.), Improvisation und Invention

In: Sandro Zanetti (ed.), Improvisation und Invention

In: Monika Dommann (ed.), Kijan Malte Espahangizi (ed.), Svenja Goltermann (ed.), Nach Feierabend 2015

In: Inke Arns (ed.), Igor Chubarov (ed.), Sylvia Sasse (ed.), Nikolaj Evreinov: »Sturm auf den Winterpalast«

In: Inke Arns (ed.), Igor Chubarov (ed.), Sylvia Sasse (ed.), Nikolaj Evreinov: »Sturm auf den Winterpalast«

In: Inke Arns (ed.), Igor Chubarov (ed.), Sylvia Sasse (ed.), Nikolai Evreinov: »The Storming of the Winter Palace«

In: Inke Arns (ed.), Igor Chubarov (ed.), Sylvia Sasse (ed.), Nikolai Evreinov: »The Storming of the Winter Palace«

In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Ästhetische Theorie

In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Ästhetische Theorie

In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Aesthetic Theory

In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Aesthetic Theory

In: Thomas Fries (ed.), Sandro Zanetti (ed.), Revolutionen der Literaturwissenschaft 1966–1971

In: Thomas Fries (ed.), Sandro Zanetti (ed.), Revolutionen der Literaturwissenschaft 1966–1971