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(p. 215 – 220)
Anneka Esch-van Kan
is a member of the Graduate Centre for the Study of Culture at the University of Giessen, where she pursues her PhD project Representation of Crisis – Crisis of Representation. The Politics of Aesthetics and 21st Century. Political Theatre in the United States. Her research interests include the relations between politics and aesthetics, experimental theater in Europe and the US, contemporary (American) drama, poststructuralist philosophy, and points of contact between theories of culture and disability studies.
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Resisting – Introduction
In: Anneka Esch-van Kan (ed.), Stephan Packard (ed.), Philipp Schulte (ed.), Thinking – Resisting – Reading the Political
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"Torture Chicks" – Resistance and the Political in Coco Fusco's "A Room of One's Own" and "A Field Guide for Female Interrogators"
In: Anneka Esch-van Kan (ed.), Stephan Packard (ed.), Philipp Schulte (ed.), Thinking – Resisting – Reading the Political
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Politics and Aesthetics: Introduction
In: Anneka Esch-van Kan (ed.), Stephan Packard (ed.), Philipp Schulte (ed.), Thinking – Resisting – Reading the Political
Philipp Schulte
studied Applied Theatre Studies at Bergen University (Norway) and Gießen University. Since 2007, he has worked as contributor at the Hessian Theater Academy in Frankfurt, as a freelance author, and as a dramaturge. He is a researcher at the Institute for Applied Theater Studies in Gießen.
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Alternative Genealogies – Critique and Style in Contemporary Performance Art:. Xavier Le Roy and Mamoru Iriguchi ABO
In: Anneka Esch-van Kan (ed.), Stephan Packard (ed.), Philipp Schulte (ed.), Thinking – Resisting – Reading the Political
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Politics and Aesthetics: Introduction
In: Anneka Esch-van Kan (ed.), Stephan Packard (ed.), Philipp Schulte (ed.), Thinking – Resisting – Reading the Political
Anneka Esch-van Kan (ed.), Stephan Packard (ed.), Philipp Schulte (ed.)
Thinking – Resisting – Reading the Political
Softcover, 332 pages
PDF, 332 pages
This volume contrasts a number of recently suggested concepts of the political – each of which connects to certain instances of art and literature in its discourse – with questions concerning the rigidity of those connections: How strongly do such claims to politics depend on their specific examples, what is the scope of their validity to understand art with regard to politics, and how can they help us grasp the political within other pieces of art? In each case, manners of thinking concepts of the political, the mutual resistance of such concepts and their academic treatment, and the turn towards specific readings informed by those concepts converge.
The essays collected in “Thinking Resistances. Current Perspectives on Politics, Community, and Art“ engage with political phenomena in their interrelations with arts as well as with recent theoretical and philosophical perspectives on the very meaning of politics, the political, and community.
With contributions by Armen Avanessian, Friedrich Balke, Judith Butler, Simon Critchley, Anneka Esch-van Kan, Josef Früchtl, Andreas Hetzel, Jon McKenzie, Dieter Mersch, Chantal Mouffe, Maria Muhle, Nikolaus Müller-Schöll, Stephan Packard, Wim Peeters, Jacques Rancière, Juliane Rebentisch, Gabriel Rockhill, Frank Ruda and Philipp Schulte.
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9–16
Politics and Aesthetics: Introduction
Anneka Esch-van Kan, Stephan Packard, ...
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19–24
Thinking – Introduction
Stephan Packard
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25–41
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43–51
Democratic Politics in the Age of Post-Fordism OPEN
ACCESSChantal Mouffe
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53–63
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65–88
The Political and the Violent: On Resistances OPEN
ACCESSDieter Mersch
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89–100
All in Good Time? Fiction and the Possibility of Historic Events ABO
Friedrich Balke
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101–118
Doing or Not Doing: Politics, Aesthetics, Performance ABO
Jacques Rancière
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121–126
Resisting – Introduction
Anneka Esch-van Kan
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127–136
Ethical Ambivalence OPEN
ACCESSJudith Butler
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137–154
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155–162
Is Utopianism Dead? OPEN
ACCESSSimon Critchley
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163–183
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185–199
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201–212
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215–220
Reading – Introduction
Anneka Esch-van Kan, Philipp Schulte
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221–230
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231–243
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245–261
Realism Today: Art, Politics, and the Critique of Representation OPEN
ACCESSJuliane Rebentisch
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263–274
"Plus d'un rôle": Playing Together in Contemporary Dance, Theatre, and Performance
Nikolaus Müller-Schöll
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275–290
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291–310
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311–323