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Motion Pictures and the Staging of The Storming of the Winter Palace (1920)
(p. 139 – 139)

pOpen access

Anonymous

Motion Pictures and the Staging of The Storming of the Winter Palace (1920)

PDF, 1 pages

• historic documents
• Russia
• History of photography
• revolution

My language
English

Selected content
English

Change

b€ 30,00 p€ 30,00

Inke Arns (ed.), Igor Chubarov (ed.), Sylvia Sasse (ed.)

Nikolai Evreinov: »The Storming of the Winter Palace«

Softcover, 320 pages

PDF, 320 pages

In 1920, the third anniversary of the October Revolution, The Storming of the Winter Palace was performed with a cast of 10,000. But as a reenactment this mass spectacle, directed by Nikolai Evreinov, was deceptive. It was intended to recall something—the storming of the Winter Palace as the beginning of the revolution—that it itself produced as a theatrical medium. This volume reconstructs the event with texts, photographs, and drawings, and shows how not only in the Soviet Union did the photograph of the theatrical “storming” become a historical document of the October Revolution.

Content

• 7–20

  Foreword

  Sylvia Sasse

• 21–22

  The Storming of the Winter Palace (1920)

  Nikolai Evreinov

• 23–29

  The Storming of the Winter Palace. An article by the production’s director-in-chief (1920)

  Nikolai Evreinov

  p€ 4,95

• 30–49

  The Storming of the Winter Palace. Recollections of the staging to celebrate the third anniversary of the October Revolution (unpublished typescript, 1924)

  Nikolai Evreinov

  p€ 7,95

• 50–54

  The Storming of the Winter Palace. Recollections of the staging to celebrate the third anniversary of the October Revolution (1924)

  Nikolai Evreinov

  p€ 4,95

• 55–58

  Open-Air Theater (1920)

  Konstantin Derzhavin

  pOpen access

• 59–60

  A Miracle (1920)

  Konstantin Derzhavin

  pOpen access

• 61–63

  The Mass as Such (1920)

  Konstantin Derzhavin

  pOpen access

• 64–66

  The Storming of the Winter Palace. On the fifth anniversary of the staging (1925)

  Konstantin Derzhavin

  pOpen access

• 67–68

  What is required of the Audience during the Production (1920)

  Iosif Slepian, Dmitri Tëmkin

  pOpen access

• 69

  November Eight 1920 (1920)

  Lev Nikulin

  pOpen access

• 70–74

  Baltic Sea (1932)

  Lev Nikulin

  p€ 4,95

• 75–80

  On Mass Actions and More Important Things (1932)

  Sergei Radlov

  p€ 4,95

• 81–87

  Nikolai Evreinov (1960)

  Iuri Annenkov

  p€ 4,95

• 88–91

  Mass Spectacles (1960)

  Nikolai Petrov

  pOpen access

• 93–128

  Photographs of the 1920 staging in sequence

  p€ 12,95

• 131

  Announcement of the Decoration of Petrograd during the Third Anniversary Celebrations of October (1920)

  Anonymous

  pOpen access

• 132–133

  On the October Celebrations (1920)

  Vlagin

  pOpen access

• 134–135

  The Staging of the Storming of the Winter Palace (1920)

  Anonymous

  pOpen access

• 136–137

  An Exhibition in Memory of the Great October (1920)

  F. Lenski

  pOpen access

• 138

  At a Rehearsal for the Staging of The Storming of the Winter Palace (1920)

  Anonymous

  pOpen access

• 139

  Motion Pictures and the Staging of The Storming of the Winter Palace (1920)

  Anonymous

  pOpen access

• 140–141

  The Storming of the Winter Palace. An Eye-Witness Report (1920)

  Anonymous

  pOpen access

• 142

  Proletarian Action. At the Staging The Storming of the Winter Palace (1920)

  Anonymous

  pOpen access

• 143–147

  On Uritski Square (Impression of a Muscovite) (1920)

  Nikolai Shubski

  p€ 4,95

• 148–151

  The Storming of the Winter Palace (1920)

  Anonymous

  pOpen access

• 152–158

  The Chaos of the Arts (1921)

  Arthur Holitscher

  p€ 4,95

• 159–166

  The Pageants of 1920 (1922)

  Adrian Piotrovski

  p€ 4,95

• 167–176

  The Successes of the New Theater (1922)

  Platon Kerzhentsev

  p€ 4,95

• 177–196

  Theatricalized Life (1926)

  René Fülöp-Miller

  p€ 7,95

• 197–211

  The Monumentalist Style of the Revolutionary Spectacles (1930)

  Nina Gourfinkel

  p€ 7,95

• 212–215

  The Theaters and Pageants of Petrograd in the Epoch of War Communism (1933)

  Aleksei Gvozdev, Adrian Piotrovski

  pOpen access

• 216–222

  Cinema and Theater. Nikolai Evreinov (1943)

  Sergei Eisenstein

  p€ 4,95

• 225–231

  History is Written with the Lens (1971)

  Leonid Volkov-Lannit

  p€ 4,95

• 233–253

  Photographs of the theatrical storming of the Winter Palace as historical documents

  p€ 12,95

• 257–263

  Nikolai Evreinov‘s “Revolution In Itself”

  Igor Chubarov

• 269–279

  “History is Written with the Lens”: How the Photo of the Theatrical Storming becomes a Historical Document

  Sylvia Sasse

  p€ 7,95

• 281–289

  Battlefield History: Artistic Reenactments as Participatory Deconstructions of History

  Inke Arns

  p€ 4,95

• 293–302

  List of figures

• 303–315

  Glossary

• 317–320

  Index

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