Sylvia Sasse: “History is Written with the Lens”: How the Photo of the Theatrical Storming becomes a Historical Document

“History is Written with the Lens”: How the Photo of the Theatrical Storming becomes a Historical Document
(p. 269 – 279)

p€ 7,95

Sylvia Sasse

“History is Written with the Lens”: How the Photo of the Theatrical Storming becomes a Historical Document

PDF, 11 pages

historic documents
revolution
History of photography
Russia

Sylvia Sasse

is a professor of Slavic studies at the University of Zurich and co-founder of the ZKK (Centre for Arts and Cultural Theory), member of ZGW (Center "History of Knowledge"), and co-editor of "Geschichte der Gegenwart" (www.geschichtedergegenwart.ch).

Sandra Frimmel (ed.), Artur Zmijewski, ...: Kunst als Alibi

Inke Arns (ed.), Igor Chubarov (ed.), ...: Nikolaj Evreinov: »Sturm auf den Winterpalast«

Dieter Mersch (ed.), Sylvia Sasse (ed.), ...: Ästhetische Theorie

Dieter Mersch (ed.), Sylvia Sasse (ed.), ...: Aesthetic Theory

Gleb J. Albert (ed.), Nikolaj Evreinov, ...: Die Schritte der Nemesis

Gleb J. Albert (ed.), Nikolaj Evreinov, ...: The Steps of Nemesis

Other texts by Sylvia Sasse for DIAPHANES

1988. Matthew Barney. Selbstbehinderung OPEN
ACCESS
In: Sandro Zanetti (ed.), Improvisation und Invention

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1915. Nikolaj Evreinovs Theatertherapie. Heilung durch Improvisation
In: Sandro Zanetti (ed.), Improvisation und Invention

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1834. Maximilian Langenschwarz und die Kunst, sich selber Steine in den Weg zu legen
In: Sandro Zanetti (ed.), Improvisation und Invention

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1832. Improvisation versus Dichtung. Odoevskij und Puškin
In: Sandro Zanetti (ed.), Improvisation und Invention

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Den Staat an seine Gesetze erinnern. Dissidenz als Wissen vom Recht
In: Monika Dommann (ed.), Kijan Malte Espahangizi (ed.), Svenja Goltermann (ed.), Nach Feierabend 2015

pOpen access
Vorwort
In: Inke Arns (ed.), Igor Chubarov (ed.), Sylvia Sasse (ed.), Nikolaj Evreinov: »Sturm auf den Winterpalast«

pOpen access
»Geschichte wird mit dem Objektiv geschrieben«. Wie das Foto vom theatralen Sturm zum historischen Dokument wird
In: Inke Arns (ed.), Igor Chubarov (ed.), Sylvia Sasse (ed.), Nikolaj Evreinov: »Sturm auf den Winterpalast«

p€ 7,95
Foreword
In: Inke Arns (ed.), Igor Chubarov (ed.), Sylvia Sasse (ed.), Nikolai Evreinov: »The Storming of the Winter Palace«
Operative Censorship OPEN
ACCESS
Operative Zensur OPEN
ACCESS
Einleitung
In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Ästhetische Theorie

p€ 7,95
Der theoretische Akt
In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Ästhetische Theorie

p€ 7,95
Introduction
In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Aesthetic Theory

p€ 7,95
The Theoretical Act
In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Aesthetic Theory

p€ 7,95
Michail M. Bachtin: »Литературоведение как наиболее свободная (почти карнавальная) область исследования«
In: Thomas Fries (ed.), Sandro Zanetti (ed.), Revolutionen der Literaturwissenschaft 1966–1971

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Julia Kristeva: »[L]a seule manière qu’a l’écrivain de participer à l’histoire devient alors la transgression […] par une écriture-lecture.«
In: Thomas Fries (ed.), Sandro Zanetti (ed.), Revolutionen der Literaturwissenschaft 1966–1971

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Inke Arns (ed.), Igor Chubarov (ed.), ...: Nikolai Evreinov: »The Storming of the Winter Palace«

b€ 30,00 p€ 30,00

Inke Arns (ed.), Igor Chubarov (ed.), Sylvia Sasse (ed.)

Nikolai Evreinov: »The Storming of the Winter Palace«

Softcover, 320 pages

PDF, 320 pages

In 1920, the third anniversary of the October Revolution, The Storming of the Winter Palace was performed with a cast of 10,000. But as a reenactment this mass spectacle, directed by Nikolai Evreinov, was deceptive. It was intended to recall something—the storming of the Winter Palace as the beginning of the revolution—that it itself produced as a theatrical medium. This volume reconstructs the event with texts, photographs, and drawings, and shows how not only in the Soviet Union did the photograph of the theatrical “storming” become a historical document of the October Revolution.

Content

7–20

Foreword

Sylvia Sasse
21–22

The Storming of the Winter Palace (1920)

Nikolai Evreinov
23–29

The Storming of the Winter Palace. An article by the production’s director-in-chief (1920)

Nikolai Evreinov

p€ 4,95
30–49

The Storming of the Winter Palace. Recollections of the staging to celebrate the third anniversary of the October Revolution (unpublished typescript, 1924)

Nikolai Evreinov

p€ 7,95
50–54

The Storming of the Winter Palace. Recollections of the staging to celebrate the third anniversary of the October Revolution (1924)

Nikolai Evreinov

p€ 4,95
55–58

Open-Air Theater (1920)

Konstantin Derzhavin

pOpen access
59–60

A Miracle (1920)

Konstantin Derzhavin

pOpen access
61–63

The Mass as Such (1920)

Konstantin Derzhavin

pOpen access
64–66

The Storming of the Winter Palace. On the fifth anniversary of the staging (1925)

Konstantin Derzhavin

pOpen access
67–68

What is required of the Audience during the Production (1920)

Iosif Slepian, Dmitri Tëmkin

pOpen access
69

November Eight 1920 (1920)

Lev Nikulin

pOpen access
70–74

Baltic Sea (1932)

Lev Nikulin

p€ 4,95
75–80

On Mass Actions and More Important Things (1932)

Sergei Radlov

p€ 4,95
81–87

Nikolai Evreinov (1960)

Iuri Annenkov

p€ 4,95
88–91

Mass Spectacles (1960)

Nikolai Petrov

pOpen access
93–128

Photographs of the 1920 staging in sequence

p€ 12,95
131

Announcement of the Decoration of Petrograd during the Third Anniversary Celebrations of October (1920)

Anonymous

pOpen access
132–133

On the October Celebrations (1920)

Vlagin

pOpen access
134–135

The Staging of the Storming of the Winter Palace (1920)

Anonymous

pOpen access
136–137

An Exhibition in Memory of the Great October (1920)

F. Lenski

pOpen access
138

At a Rehearsal for the Staging of The Storming of the Winter Palace (1920)

Anonymous

pOpen access
139

Motion Pictures and the Staging of The Storming of the Winter Palace (1920)

Anonymous

pOpen access
140–141

The Storming of the Winter Palace. An Eye-Witness Report (1920)

Anonymous

pOpen access
142

Proletarian Action. At the Staging The Storming of the Winter Palace (1920)

Anonymous

pOpen access
143–147

On Uritski Square (Impression of a Muscovite) (1920)

Nikolai Shubski

p€ 4,95
148–151

The Storming of the Winter Palace (1920)

Anonymous

pOpen access
152–158

The Chaos of the Arts (1921)

Arthur Holitscher

p€ 4,95
159–166

The Pageants of 1920 (1922)

Adrian Piotrovski

p€ 4,95
167–176

The Successes of the New Theater (1922)

Platon Kerzhentsev

p€ 4,95
177–196

Theatricalized Life (1926)

René Fülöp-Miller

p€ 7,95
197–211

The Monumentalist Style of the Revolutionary Spectacles (1930)

Nina Gourfinkel

p€ 7,95
212–215

The Theaters and Pageants of Petrograd in the Epoch of War Communism (1933)

Aleksei Gvozdev, Adrian Piotrovski

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216–222

Cinema and Theater. Nikolai Evreinov (1943)

Sergei Eisenstein

p€ 4,95
225–231

History is Written with the Lens (1971)

Leonid Volkov-Lannit

p€ 4,95
233–253

Photographs of the theatrical storming of the Winter Palace as historical documents

p€ 12,95
257–263

Nikolai Evreinov‘s “Revolution In Itself”

Igor Chubarov
269–279

“History is Written with the Lens”: How the Photo of the Theatrical Storming becomes a Historical Document

Sylvia Sasse

p€ 7,95
281–289

Battlefield History: Artistic Reenactments as Participatory Deconstructions of History

Inke Arns

p€ 4,95
293–302

List of figures
303–315

Glossary
317–320

Index

Topics

Sprache

Typ

Zugang

Format

Kategorien

Zeitlich

Geographisch

User account

In: Sandro Zanetti (ed.), Improvisation und Invention

In: Sandro Zanetti (ed.), Improvisation und Invention

In: Sandro Zanetti (ed.), Improvisation und Invention

In: Sandro Zanetti (ed.), Improvisation und Invention

In: Monika Dommann (ed.), Kijan Malte Espahangizi (ed.), Svenja Goltermann (ed.), Nach Feierabend 2015

In: Inke Arns (ed.), Igor Chubarov (ed.), Sylvia Sasse (ed.), Nikolaj Evreinov: »Sturm auf den Winterpalast«

In: Inke Arns (ed.), Igor Chubarov (ed.), Sylvia Sasse (ed.), Nikolaj Evreinov: »Sturm auf den Winterpalast«

In: Inke Arns (ed.), Igor Chubarov (ed.), Sylvia Sasse (ed.), Nikolai Evreinov: »The Storming of the Winter Palace«

In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Ästhetische Theorie

In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Ästhetische Theorie

In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Aesthetic Theory

In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Aesthetic Theory

In: Thomas Fries (ed.), Sandro Zanetti (ed.), Revolutionen der Literaturwissenschaft 1966–1971

In: Thomas Fries (ed.), Sandro Zanetti (ed.), Revolutionen der Literaturwissenschaft 1966–1971

7–20

Sylvia Sasse

21–22

Nikolai Evreinov

23–29

Nikolai Evreinov

30–49

Nikolai Evreinov

50–54

Nikolai Evreinov

55–58

Konstantin Derzhavin

59–60

Konstantin Derzhavin

61–63

Konstantin Derzhavin

64–66

Konstantin Derzhavin

67–68

Iosif Slepian, Dmitri Tëmkin

69

Lev Nikulin

70–74

Lev Nikulin

75–80

Sergei Radlov

81–87

Iuri Annenkov

88–91

Nikolai Petrov

93–128

131

Anonymous

132–133

Vlagin

134–135

Anonymous

136–137

F. Lenski

138

Anonymous

139

Anonymous

140–141

Anonymous

142

Anonymous

143–147

Nikolai Shubski

148–151

Anonymous

152–158

Arthur Holitscher

159–166

Adrian Piotrovski

167–176

Platon Kerzhentsev