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The Commune in Presentist Democracy
(p. 36 – 45)
(p. 36 – 45)
Isabell Lorey
teaches political theory, cultural studies and gender studies at Humboldt-University Berlin and Vienna University. Among other things she had an assistant professorship for gender and postcolonial studies at University of Arts Berlin and was a news editor at german television.
Other texts by Isabell Lorey for DIAPHANES
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Inventionen. Zur Aktualisierung poststrukturalistischer Theorie
In: Isabell Lorey (ed.), Roberto Nigro (ed.), Gerald Raunig (ed.), Inventionen 1
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gemeinsam
In: Isabell Lorey (ed.), Roberto Nigro (ed.), Gerald Raunig (ed.), Inventionen 1
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Gouvernementale Prekarisierung
In: Isabell Lorey (ed.), Roberto Nigro (ed.), Gerald Raunig (ed.), Inventionen 1
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Inventionen 2. Die Kräfte komponieren. Einleitung
In: Isabell Lorey (ed.), Roberto Nigro (ed.), Gerald Raunig (ed.), Inventionen 2
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Reale Demokratie
In: Isabell Lorey (ed.), Roberto Nigro (ed.), Gerald Raunig (ed.), Inventionen 2
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Maßlose Differenz
In: Isabell Lorey (ed.), Roberto Nigro (ed.), Gerald Raunig (ed.), Inventionen 2
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Biopolitik
In: Isabell Lorey (ed.), Roberto Nigro (ed.), Gerald Raunig (ed.), Inventionen 2
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Politics of Immunization and the Precarious Life
In: Stefan Hölscher (ed.), Gerald Siegmund (ed.), Dance, Politics & Co-Immunity
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Das Kommune in der präsentischen Demokratie
In: Sigrid Adorf (ed.), Sønke Gau (ed.), Basil Rogger (ed.), going public.
Sigrid Adorf (ed.), Sønke Gau (ed.), Basil Rogger (ed.)
going public.
creating visibility in the field of art
Softcover, 228 pages
PDF, 228 pages
Content
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6–15
Introduction
Sigrid Adorf, Sønke Gau, ...
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16–35
Making Public/s. Imaging and Imagining Art Audiences
Eva Kernbauer
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36–45
The Commune in Presentist Democracy
Isabell Lorey
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46–69
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70–83
Grey, Green, Gold and Red. Preface
Uriel Orlow
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84–89
On Grey, Green, Gold and Red
Margarida Brito Alves
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90–119
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120–135
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136–145
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146–165
Originary Research Work. The Periodical Filmkritik and Its Publics
Volker Pantenburg
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166–185
Don’t Breathe Normal: Read Souffles!
Marion von Osten
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186–193
Books as Objects and Deferred Use-Value Promises in Art
Stephan Geene
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194–205
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206–215
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216–225
Self-observation
Dirk Baecker