User account

Caroline Courrioux, Pauline Julier: Coexistence: A Sirenic Conversation
Coexistence: A Sirenic Conversation
(p. 327 – 354)

Caroline Courrioux, Pauline Julier

Coexistence: A Sirenic Conversation

  • art history
  • literary studies
  • film experience
  • aesthetics of film
  • media studies
  • sound
  • cultural studies
  • music
  • life sciences
  • cultural history

My language
English

Selected content
English

Caroline Courrioux

Caroline Courrioux has been Head of Exhibitions & Artistic Programs at the Villa Medici in Rome since 2021. A specialist in aesthetics and visual studies, she explores the intersections of contemporary art, ecofeminism, and political imaginaries. Before joining Villa Medici, she was the Head of Exhibitions at the Rencontres d’Arles from 2015 to 2021. Among her recent curatorial projects, The Siren Song: Water as Told by Artists brought together works by 30 artists, reflecting on water as both a physical element and a cultural narrative.

Pauline Julier

Pauline Julier is a Swiss French artist and filmmaker whose practice explores the connections people forge with the world around them through stories, rituals, knowledge, and images. Interweaving documentary, theoretical, and fictional elements, her films and installations reflect the complexity of human relationships with the environment, drawing links between scientific findings and mythological narratives to offer shifting perspectives on our place in the world. Her works have been presented in major contemporary art centers, institutions, and festivals globally, including the Centre Pompidou (Paris), Loop (Barcelona), Visions du Réel (Nyon), Wiels (Bruxelles), ZKM (Karlsruhe), and Tokyo Wonder Site. A two-time recipient of the Swiss Art Award (2010, 2021) and the ‘‘Mondes Nouveaux’’ grant from the French Cultural Department (2022), and her solo show Naturalis Historia toured internationally after opening at the Centre culturel suisse in Paris (2017). She presented a major solo exhibition at Aargauer Kunsthaus (Switzerland) in 2024 and made her first fiction feature film, Les Indes, in 2026.
Giuseppe Di Salvatore (ed.), Fabienne Liptay (ed.): The Sirenic: Follow the Water, Follow the Sound

“Follow the Water Follow the Sound” is a call and response. Far removed from the associations of seduction and fear that the siren — both as mythological figure and alarm device — has inspired, it is an invitation to another perceptual attunement to our environment. Offering an original perspective, the book imagines the “Sirenic” as a practice oriented towards emergent futures, fabulations of becoming and pedagogies of transformation.

The book engages with notions of singing, voicing and listening that reach into a sonic pluriverse. Through these notions, it provides the grounds for an expanded conception of cinema emerging through sound, music and performance.

Bringing together scholars, curators and artists from across disciplines, the book unfolds as a polyphonic publication. Echoing one another in multiple ways, the authors explore the mythologies and ecologies of water, the poetics and politics of voice, and the invocation of a communal spirit through film and other arts.

 

With contributions by Ruth Baettig, Dalida María Benfield, Elena Biserna, Mattia Capelletti, Giuseppe Di Salvatore, Burcu Dogramaci, Magali Dougoud, Lidia Gasperoni, Alexandra Gelis, Tobias Gerber, Ute Holl, Roberta Ioli, Pauline Julier and Caroline Courrioux, Fabienne Liptay, Gabriel Paiuk, Alice Sartori, Davide Tolfo, Alexandra Tsiamparta, Matthias Maria Wittmann.

Content