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Alice Ongaro Sartori: Joan Jonas: The Mermaid (and the Merman) through the Looking Glass
Joan Jonas: The Mermaid (and the Merman) through the Looking Glass
(p. 237 – 250)

Alice Ongaro Sartori

Joan Jonas: The Mermaid (and the Merman) through the Looking Glass

  • art history
  • film experience
  • life sciences
  • literary studies
  • cultural history
  • media studies
  • cultural studies
  • sound
  • music
  • aesthetics of film

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Alice Ongaro Sartori

Alice Ongaro Sartori is a curator and PhD candidate at the University of Hamburg, where her research explores how the memory of fascism has been re-elaborated within Italian artistic and editorial practices, particularly through visual poetry and the artist’s book. Her research has been supported by the Getty Research Institute of Los Angeles and the Liebelt Stiftung, Hamburg. Her work spans contemporary art and publishing, unfolding through books, public space, and nonconventional exhibition formats that weave together visual culture, literature, and ecology. She is part of wetlands, an independent publishing house based in Venice dedicated to social and environmental sustainability. She co-curated the first editions of the Floating Cinema (Venice, 2020–2022) and previously worked at the National Film School of Italy (2023). She was Head of Public Programs at Ocean Space and received a curatorial fellowship at the Peggy Guggenheim Collection (2018).
Giuseppe Di Salvatore (ed.), Fabienne Liptay (ed.): The Sirenic: Follow the Water, Follow the Sound

“Follow the Water Follow the Sound” is a call and response. Far removed from the associations of seduction and fear that the siren — both as mythological figure and alarm device — has inspired, it is an invitation to another perceptual attunement to our environment. Offering an original perspective, the book imagines the “Sirenic” as a practice oriented towards emergent futures, fabulations of becoming and pedagogies of transformation.

The book engages with notions of singing, voicing and listening that reach into a sonic pluriverse. Through these notions, it provides the grounds for an expanded conception of cinema emerging through sound, music and performance.

Bringing together scholars, curators and artists from across disciplines, the book unfolds as a polyphonic publication. Echoing one another in multiple ways, the authors explore the mythologies and ecologies of water, the poetics and politics of voice, and the invocation of a communal spirit through film and other arts.

 

With contributions by Ruth Baettig, Dalida María Benfield, Elena Biserna, Mattia Capelletti, Giuseppe Di Salvatore, Burcu Dogramaci, Magali Dougoud, Lidia Gasperoni, Alexandra Gelis, Tobias Gerber, Ute Holl, Roberta Ioli, Pauline Julier and Caroline Courrioux, Fabienne Liptay, Gabriel Paiuk, Alice Sartori, Davide Tolfo, Alexandra Tsiamparta, Matthias Maria Wittmann.

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