How can the gap between images become a site of critical counter-reading rather than a symbol of erasure?
Does the wasteland allow us to accurately assess the contemporary dynamic between the apocalyptic and the urban?
An astonishing new narrative of Mandu Yenu, a throne from the ancient Kingdom of Bamum.
A narrative of the early modern Indian sculpture known as the Mithuna couple.
Antonin Artaud’s last large-scale work, published in its complete form in English for the first time. Foreword by John Zorn.
Stretched between eight fingers and two thumbs
First, before you invent a skin, you are born with a skin; second, you can make a skin when you have one.