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Ursula Biemann: Geomorphic Video
Geomorphic Video
(p. 31 – 50)

Ursula Biemann

Geomorphic Video

PDF, 20 pages

  • art theory
  • ecology
  • cultural critic
  • aesthetics
  • architecture

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Ursula Biemann

is an artist, author, and video essayist based in Zurich. Her artistic practice is strongly research-oriented and involves fieldwork in remote locations where she investigates climate change and the ecologies of oil, ice and water. Her video installations have been exhibited worldwide in museums and at international art biennials in Liverpool, Shanghai, Seville, Istanbul, Montreal, Sharjah, Venice, and São Paulo. She has published several books and is the co-founder of the international art and research platform World of Matter. Biemann studied at the School of Visual Arts and the Whitney ISP in New York. She received the Meret Oppenheim Swiss Grand Award for Art and an honorary degree of humanities from the Swedish University Umea.
Other texts by Ursula Biemann for DIAPHANES
Jens Andermann (ed.), Lisa Blackmore (ed.), ...: Natura: Environmental Aesthetics After Landscape

Entangled with the interconnected logics of coloniality and modernity, the landscape idea has long been a vehicle for ordering human-nature relations. Yet at the same time, it has also constituted a utopian surface onto which to project a space-time ‘beyond’ modernity and capitalism. Amid the advancing techno-capitalization of the living and its spatial supports in transgenic seed monopolies, fracking and deep sea drilling, biopiracy, geo-engineering, aesthetic-activist practices have offered particular kinds of insight into the epistemological, representational, and juridical framings of the natural environment. This book asks in what ways have recent bio and eco-artistic turns moved on from the subject/object ontologies of the landscape-form? Moving from botanical explorations of early modernity, through the legacies of mid-twentieth century landscape design, up to artistic experimental recodings of New World nature in the 1960s and 1970s and to present struggles for environmental rights and against the precarization of the living, the critical essays and visual contributions included in Natura attempt to push thinking past fixed landscape forms through interdisciplinary encounters that encompass analyses of architectural sites and artworks; ecocritical perspectives on literary texts; experimental place-making practices; and the creation of material and visual ecologies that recognise the agency of non-human worlds.