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has been a research associate for design and architectural
theory at the cx centre for interdisciplinary studies at the
Academy of Fine Arts, Munich, since 2012. She researches the contemporary
expansion of the understanding of design in the light of
current theoretical approaches, for instance from the social sciences
and political theory. She has also curated and initiated events in this
area, such as the format Undesign, which aims to liberate the critical
potential of design (with Sarah Dorkenwald). Her writings have appeared
internationally in design publications, including in étapes and
Frame, as well as in academic publications.
Until 2007 Fogelberg worked as an editor for the publication form.
She has a BA in European studies from King’s College London and the
London School of Economics as well as an MA in the history of design
and material culture from the Royal College of Art/Victoria & Albert
Museum in London.
was, until summer 2020, research fellow
at Potsdam University with the RTG minor cosmopolitanisms. He joins the faculty
of Duke Kunshan University as Assistant Professor of Comparative Literature
and Associate Director of Art. He is author of Queer Ancient Ways: A Decolonial
Exploration (Goleta: punctum books, 2018) and has co-edited the special issue
“Hyperimage” for New Arts: Journal of National Academy of Art (32, 2018); and
a special issue at GLQ – A Journal of Lesbian and Gay Studies: “The Ontology of
the Couple” (25 no. 2, 2019). He curated the minor cosmopolitan weekend at HKW
– Haus der Kulturen der Welt in December 2018 and will co-curate the 2nd Guangzhou
Image Triennial in 2021.
The ideal of the Western white Man as the universal representative of humanity has repeatedly been subject to critique. For several decades the Jamaican author and philosopher Sylvia Wynter – the book’s title refers to her formulation ‘Towards Human after Man’ – has advocated a decolonial concept of the human decoupled from its Western normalized and racialized configurations. Current neo-materialist, post-humanist or ecological discourses see the most pressing impetus for a rethinking of the human above all in climate change, mass extinction, the tightening fusion of the living and the technical and their associated mechanisms of capitalist exploitation. This book interrelates these different approaches and brings them into dialogue with artistic positions projecting alternative forms of the human in radical and sometimes highly speculative ways. The publication is the result of the seventh annual programme of the cx centre for interdisciplinary studies of the Academy of Fine Arts Munich.
With contributions by Morehshin Allahyari, Jean-Pierre Bekolo, Bracha L. Ettinger, Louisa Gagliardi, Maja Gunn, Luciana Parisi, Istvan Praet, Kathrin Thiele, Alexander G. Weheliye, Zairong Xiang and others.