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Michael J. Kranixfeld, Jasmin Meinold: Adé
Adé
(p. 77 – 79)
p€ 7,95

Michael J. Kranixfeld, Jasmin Meinold

Adé

PDF, 3 pages

  • contemporary art
  • museum
  • exhibition
  • art
  • pedagogy
  • education
  • art education
  • curatorial practice
  • public sphere
  • documenta

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Michael J. Kranixfeld

participated in the project Inhabiting the World. In 2008, he received his German high school diploma (Abitur) and is currently spending a year working in theater education and public relations at the GRIPS Theater in Berlin as part of the Voluntary Social Year program.

Other texts by Michael J. Kranixfeld for DIAPHANES

  • Adé

    In: Ayse Güleç (ed.), Claudia Hummel (ed.), Sonja Parzefall (ed.), Ulrich Schötker (ed.), Wanda Wieczorek (ed.), KUNSTVERMITTLUNG 1

    p€ 7,95

Jasmin Meinold

Jasmin Meinold participated in the project Inhabiting the World. After completing her German high school degree (Abitur) in 2007 she traveled and worked in New Zealand for a year. Since October 2008 she has been studying aesthetics and art history at the School of Fine Arts in Braunschweig and history at the Technical University, Braunschweig.

Other texts by Jasmin Meinold for DIAPHANES

  • Adé

    In: Ayse Güleç (ed.), Claudia Hummel (ed.), Sonja Parzefall (ed.), Ulrich Schötker (ed.), Wanda Wieczorek (ed.), KUNSTVERMITTLUNG 1

    p€ 7,95
Ayse Güleç (ed.), Claudia Hummel (ed.), ...: documenta 12 education I
b€ 35,00 p€ 35,00

Ayse Güleç (ed.), Claudia Hummel (ed.), Sonja Parzefall (ed.), Ulrich Schötker (ed.), Wanda Wieczorek (ed.)

documenta 12 education I
Engaging audiences, opening institutions Methods and strategies in education at documenta 12

Translated by Helen Ferguson, Nathaniel McBride, Karen Michelsen Castañón, Laura Schleussner and Erik Smith

Softcover, 214 pages

Inkl. DVD

PDF, 214 pages

Inkl. DVD

»Cultural Education« is much debated. It is pivotal in sustaining a sense of community in a society that is constantly shifting. A space where differences can be explored, art exhibitions act as a superb medium for cultural and aesthetic education. They don‘t aspire to peace and harmony but to stage controversy. They enable multiple models of communication, open to dissent and rupture.

Education is situated in tension between public sphere and institution, amateur and professional, artist and audience. Its development needs felicitous examples as well as rigor in discussing problems towards identifying practical solutions.

»documenta 12 education« presents in two illustrated volumes the education formats with concomitant research, providing a basis for developing theory and praxis of gallery education.

These volumes are an ideal resource for people working in the fields of curating exhibitions, gallery education, youth work and cultural policy. People less familiar with cultural work will find in these books a valuable introduction to the field of gallery education.

Volume 1 gives a comprehensive and richly illustrated survey of formats and models of education and collaboration with the public at documenta 12.

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