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(p. 12 – 26)
Artur Zmijewski
is a visual artist, photographer and filmmaker. From 1990–1995 he attended the Academy of Fine Arts in Warsaw at the sculpture department guided by the Polish avant-garde artist Prof. Grzegorz Kowalski. Żmijewski is one of the most prominent radical figures on the Polish art scene.
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Philosophy in Action. Gerald Matt in Conversation with Artur Zmijewski ABO
In: Tobias Huber (ed.), Marcus Steinweg (ed.), INAESTHETIK – NR. 1
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Lieblingskunsttheorie (Auszüge)
In: Sandra Frimmel (ed.), Fabienne Liptay (ed.), Dorota Sajewska (ed.), Sylvia Sasse (ed.), Artur Zmijewski, Kunst als Alibi
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Angewandte Gesellschaftskunst
In: Sandra Frimmel (ed.), Fabienne Liptay (ed.), Dorota Sajewska (ed.), Sylvia Sasse (ed.), Artur Zmijewski, Kunst als Alibi
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Forget Fear
In: Sandra Frimmel (ed.), Fabienne Liptay (ed.), Dorota Sajewska (ed.), Sylvia Sasse (ed.), Artur Zmijewski, Kunst als Alibi
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Schulschwänzen
In: Sandra Frimmel (ed.), Fabienne Liptay (ed.), Dorota Sajewska (ed.), Sylvia Sasse (ed.), Artur Zmijewski, Kunst als Alibi
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Visuelle Gespräche mit Paweł Althamer
In: Sandra Frimmel (ed.), Fabienne Liptay (ed.), Dorota Sajewska (ed.), Sylvia Sasse (ed.), Artur Zmijewski, Kunst als Alibi
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Entkleidung vom Phantasma. Sebastian Cichocki im Gespräch mit Artur Żmijewski
In: Sandra Frimmel (ed.), Fabienne Liptay (ed.), Dorota Sajewska (ed.), Sylvia Sasse (ed.), Artur Zmijewski, Kunst als Alibi
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Sinn des Wiederholens
In: Sandra Frimmel (ed.), Fabienne Liptay (ed.), Dorota Sajewska (ed.), Sylvia Sasse (ed.), Artur Zmijewski, Kunst als Alibi
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Kulturinstitutionskultur
In: Sandra Frimmel (ed.), Fabienne Liptay (ed.), Dorota Sajewska (ed.), Sylvia Sasse (ed.), Artur Zmijewski, Kunst als Alibi
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A → Ż. Praxisvokabular – Erläuterungen des Autors
In: Sandra Frimmel (ed.), Fabienne Liptay (ed.), Dorota Sajewska (ed.), Sylvia Sasse (ed.), Artur Zmijewski, Kunst als Alibi
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Kunst als Alibi. Ein Gespräch mit Artur Żmijewski
In: Sandra Frimmel (ed.), Fabienne Liptay (ed.), Dorota Sajewska (ed.), Sylvia Sasse (ed.), Artur Zmijewski, Kunst als Alibi
Wiktoria Furrer, Carla Gabrí, Nastasia Louveau, Maria Ordóñez, Artur Zmijewski
Softcover, 200 pages
Out of Stock
PDF, 200 pages
How to teach art? What kind of knowledge should artists absorb? How might an ordinary person become a creature addicted to the creative process; a non-artist become an artist? Such programmatic questions articulated by the acclaimed Polish artist Artur Żmijewski were at the heart of the workshop “How to Teach Art?” Between April and July 2018, Żmijewski invited a group of graduate and PhD students from three Zurich universities—the ETH (Swiss Federal Institute of Technology), the UZH (University of Zurich), and the ZHdK (Zurich University of the Arts)—to collectively reflect on their artistic practices. Over the course of four months, the group met several times a week for hourlong sessions, following individual and collective exercises devised by Żmijewski himself.
This book retraces the workshop and its process by means of inconclusive, fragmentary results between theory and practice:. It presents drawings, videos, photographs, 16mm films, and accompanying reflections on the central premise, “How to Teach Art?”
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7–11
Preface
Wiktoria Furrer, Carla Gabrí, ...
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12–26
How to Teach Art?
Artur Zmijewski
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27–85
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86–117
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119–171
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172–197
Moments of Controversies, Crisis, and Creation. Looking Back on »How to Teach Art?«
Wiktoria Furrer, Carla Gabrí, ...
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198–199
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200