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Immersion and Environment: Prolegomena to an Affect Theory
(p. 155 – 168)
(p. 155 – 168)
Marietta Kesting
holds the position of junior professor for media
theory at the cx centre for interdisciplinary studies at the Academy
of Fine Arts Munich since April 2016. She studied photography, film,
cultural studies and media theory at Bennington College, USA and
Humboldt University, Berlin. From 2008 to 2011 she was a researcher
at the Institute for Contemporary History at the University of Vienna
and from 2014–2016 researcher at the interdisciplinary laboratory
Image|Science|Gestaltung at Humboldt University. Her PhD Affective
Images of Post-Apartheid. Documentary Perspectives on Migration,
Xenophobia and Gender in South African Film and Photography (2015)
was funded by the DFG and nominated for the Humboldt-Award.
From 2015 to 2018 she was a postdoctoral researcher at the University
of Applied Arts, Vienna, in the FWF project ‘A Matter of Historicity.
Material Practices in Audiovisual Art’. She curated the photography
exhibit ‘Now you see me, now you don’t’ for the National Theatre
of Mannheim and directed several essayistic films. Kesting is part of
the publishing collective b_books, Berlin since 2004 and has become
a member of the editorial board of FKW journal for visual culture
and gender studies in 2017. She writes for Texte zur Kunst, Social
Dynamics and FKW // Zeitschrift für Geschlechterforschung und visuelle
Kultur, among others. A recent publication is "Changing Visual Politics
in South Africa," in Anne Graefer, Media and the Politics of Offence
(2019).
Other texts by Marietta Kesting for DIAPHANES
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Visuelle Kultur und Theorie des Bildes. Eine Rezensionsdiskussion
In: Gesellschaft für Medienwissenschaft (ed.), Zeitschrift für Medienwissenschaft 7
-
Trance, Rave, Ritual – The Museum of Trance in Haiti
In: Susanne Witzgall (ed.), Reale Magie
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Trance, Rave, Ritual – The Museum of Trance in Haiti
In: Susanne Witzgall (ed.), Real Magic
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Vorwort
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybride Ökologien
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Hybride Medien-Archipele in Sondra Perrys »Typhoon Coming On« und Louis Hendersons »All That is Solid«
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybride Ökologien
-
Editors’ Preface
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybrid Ecologies
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Hybrid Media Archipelagos in Sondra Perry’s ‘Typhoon Coming On’ and Louis Henderson’s ‘All That is Solid’
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybrid Ecologies
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Vorwort der Herausgeberinnen
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte
-
»Im Grunde ist der Nationalismus ein System der ungleichen Verteilung von Hoffnung«. Ben Anderson und Jace Clayton im Gespräch mit Marietta Kesting
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte
-
Immersion und Environment. Prolegomena zu einer Affekttheorie
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte
-
Editors’ Foreword
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politics of Emotion/Power of Affect
-
‘Basically, it’s a system of unequal distribution of hope’. Ben Anderson and Jace Clayton in conversation with Marietta Kesting
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politics of Emotion/Power of Affect
-
Editors’ Preface
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
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Human after Man: The Concept of the Human, Technology, Afrofuturism, and the Production of Speculative Knowledge – Second Introduction
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
‘Most of the time people expect African reality and they don’t allow African imagination to exist’. In conversation with Jean-Pierre Bekolo
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
Who Writes? Who Speaks? @Glissantbot: The More than Human Politics of Languaging in the Post-Colonies
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
Vorwort der Herausgeberinnen
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
Human after Man: Menschenbild, Technologie, Afrofuturismus und spekulative Wissensproduktion – zweite Einführung
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
»Meistens erwarten die Menschen afrikanische Realität und verweigern afrikanischer Vorstellungskraft die Existenz«. Im Gespräch mit Jean-Pierre Bekolo
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
Wer schreibt? Wer spricht? @Glissantbot: More than Human Politics of Languaging in the Post-Colonies
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
In the past decade the relevance of emotion and affect in societal dynamics and power relations has increasingly become the focus for scientists and artists. Across disciplines they are breaking down the opposition of cognition and feeling, and emphasizing the central meaning of emotions and affective atmospheres for personal judgement, decision-making and the realm of politics. The present publication can be seen as an enhancing contribution to these discourses. It particularly focusses on artistic positions, which are brought into dialogue with philosophical, gender-theoretical or neuro- and social-scientific approaches. It addresses the ambivalent political dimensions of anxiety, hope and empathy, as well as the relationship between emotion and habit or the power of (media-)technical affective processes. The publication is the result of the sixth annual programme of the cx centre for interdisciplinary studies of the Academy of Fine Arts Munich.
With contributions by Marie-Luise Angerer, Ben Anderson, Jace Clayton, Keren Cytter, Antonio Damasio, Cécile B. Evans, Karianne Fogelberg, Deborah Gould, Susanna Hertrich, Serhat Karakayali, Marietta Kesting, Carolyn Pedwell and Susanne Witzgall.
Content
-
9–11
Editors’ Foreword
Marietta Kesting, Susanne Witzgall
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13–27
Politics of Emotion/Power of Affect – An Introduction
Susanne Witzgall
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29–36
‘Feelings are transferable.’ Antonio Damasio in conversation with Susanne Witzgall
Antonio Damasio, Susanne Witzgall
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37–42
Emotional Landscapes and Their Cinematic Roots
Keren Cytter
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43–47
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48–62
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63–77
'Brexit Betrayal' and other Post Crisis Affects
Ben Anderson
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78–84
‘There is a Light that Never Goes Out …’
Jace Clayton
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85–92
‘Basically, it’s a system of unequal distribution of hope’. Ben Anderson and Jace Clayton in conversation with Marietta Kesting
Ben Anderson, Jace Clayton, ...
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93–103
Theoretical and Political Elements of an Affective Set-Up
Marie-Luise Angerer
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104–116
Splitting Selves
Cécile B. Evans
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117–124
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125–136
Fear of Migration: Feelings as a Mode of Political Thought
Serhat Karakayalı
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137–154
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155–168
Immersion and Environment: Prolegomena to an Affect Theory
Marietta Kesting
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169–181
Affective Habits: Sensation, Duration and Automation
Carolyn Pedwell
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182–192
Signals and Artificial Emotions
Susanna Hertrich
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193–202
‘What is perceived as natural or instinctual can be created’. Carolyn Pedwell and Susanna Hertrich in conversation with Karianne Fogelberg
Karianne Fogelberg, Susanna Hertrich, ...
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203–214
Empathy and Design – Between Appropriation and Empowerment
Karianne Fogelberg
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217–222
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223–224