is professor for Philosophy | Aesthetic Theory at the Academy of Fine Arts Munich and founder of the August Verlag Berlin. She is a member of the DFG research group ‘Media and Mimesis’ at the International Doctoral Program of the LMU Munich and, in spring 2018, was a fellow at the research group ‘BildEvidenz’ of the FU Berlin. Her main research interests are political aesthetics, media philosophy, mimesis, strategies of reenactment, and biopolitics. Among her recent publications are Black Box Leben (2017, ed. with Christiane Voss); ‘Mimesis und Aisthesis. Realismus und Geschichte 284 bei Auerbach und Rancière’ (2018, in Die Wirklichkeit des Realismus, ed. Joseph Vogl, Veronika Thanner, Dorothea Walzer); ‘“Beweis zu nichts”. Marcel Odenbachs Geschichtsbilder’ (2018, in Marcel Odenbach. Beweis zu nichts, Kunsthalle Wien), and ‘Praktiken des Inkarnierens. Nachstellen, Verkörpern, Einverleiben’ (2017, in Zeitschrift für Medien- und Kulturforschung).
has been the academic head of the BMBF-funded cx centre for interdisciplinary studies at the Academy of Fine Arts Munich since 2011. She studied art history, theatre studies, psychology and art pedagogy at the Ludwig-Maximilians University in Munich and the University of Stuttgart, where she received her doctorate in 2001. From 286 2003 to 2011 she taught in the department of art history at the Academy of Fine Arts Munich. She has worked as a freelance curator, and was a curator at the Deutsches Museum Bonn and the Deutsches Museum München from 1995 to 2002. Susanne Witzgall curated or cocurated Art & Brain II (1997/1998), Das zweite Gesicht/The Other Face (2002), Say it isn’t so (2007), (Re)designing nature (2010/2011) and other exhibitions, and is the author and editor of numerous books and essays on contemporary art, the relationship between art and science, and subjects of current interdisciplinary debates. These include her monograph Kunst nach der Wissenschaft (Verlag für moderne Kunst, 2003) as well as the publications New Mobility Regimes in Art and Social Sciences (ed. with Gerlinde Vogl and Sven Kesselring, Ashgate, 2013), Power of Material/Politics of Materiality, Fragile Identities, The Present of the Future (all three ed. with Kerstin Stakemeier, diaphanes, 2014, 2016 and 2017 respectively) and Real Magic (2018). Since 2019 she is member of the advisory board of the Piet Zwart Institute/Willem de Kooning Academy Rotterdam as well as of the Institute of Modern Art Nuremberg.