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Marietta Kesting (ed.), Maria Muhle (ed.), ...: Hybrid Ecologies

p€ 30,00 b€ 30,00

Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.)

Hybrid Ecologies

PDF, 292 pages

Softcover, 292 pages

The notion of ecology not only figures centrally in current debates around climate change, but also traverses contemporary discourses in the arts, the humanities, and the social and techno sciences. In its present reformulation it refers to the multi-layered and multi-dimensional nexus of reciprocities between living processes, technological and media practices, i.e. to the complex relations of human and nonhuman agents. The book Hybrid Ecologies understands ecology as an ambivalent notion, whose multivalence opens up new fields of action and yet, thanks precisely to this openness and vast applicability, at the same time raises questions not least concerning its genealogy. The interdisciplinary contributions seek to explore the political and social effects that a rethinking of community in ecological and thus also in biopolitical terms may provoke, and which consequences the contemporary notion of ecology might entail for artistic and design practices in particular. The present publication is the result of the fifth annual program of the cx centre for interdisciplinary studies, which was conceived in cooperation with the Chair of Philosophy | Aesthetic Theory at the Academy of Fine Arts in Munich.

Content

9–11

Editors’ Preface

Marietta Kesting, Maria Muhle, ...

pOpen access
13–30

Hybrid Ecologies – An Introduction

Susanne Witzgall

p€ 7,95
31–41

Mesology and Ecology. Two Alternative Views of the Environment and Their Political Implications in the Nineteenth Century

Ferhat Taylan

p€ 7,95
42–52

Towards the Rift Valley Crossing (Some Notes, Some Works)

Simon Starling

p€ 7,95
53–58

‘Mesopolitics underlines how human and non-human relations have already been thought, way before our noisy concept of the Anthropocene’. In conversation with Simon Starling and Ferhat Taylan

Simon Starling, Ferhat Taylan

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59–72

Milieu, Mimesis and Mimetism

Maria Muhle

p€ 7,95
73–88

‘A Way of Being in the World’. Relational Onto-Epistemologies in Contemporary Art and Theory

Susanne Witzgall

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89–98

Nihilism Upgrade

Timothy Morton

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99–110

‘Because you think of yourself as totally integrated in bios and you’ve forgotten that you totally rely on other life forms’. In conversation with Ursula Biemann and Timothy Morton

Ursula Biemann, Timothy Morton

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111–123

Hurricanes, Popsicles and Plankton: the Hybrid Ecologies of Bodily Natures

Stacy Alaimo

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124–134

The Art of Life in the Age of Mass Extinction

John Jordan

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135–142

Think Like a Forest – Act Like a Swarm. A class in art, activism and ecological thinking with the Laboratory of Insurrectionary Imagination

p€ 5,95
143–152

Toxic Relations: Ecology, Aesthetics (and their Discontents)

Jenny Nachtigall

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153–163

Queer Ecologies: Against the Ontologizing of Queerness, for the Development of Queer Collectives!

Astrid Deuber-Mankowsky

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164–172

An Orgy of Algorithms and Other Desires and Distractions: The Drag of Physicality in a #digitalphysical Hybrid Ecology

Elly Clarke

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173–180

‘#Sergina is not an avatar, but a Medusa figure’. In conversation with Elly Clarke and Astrid Deuber-Mankowsky

Elly Clarke, Astrid Deuber-Mankowsky

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181–196

Hybrid Media Archipelagos in Sondra Perry’s ‘Typhoon Coming On’ and Louis Henderson’s ‘All That is Solid’

Marietta Kesting

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197–208

Becoming-Environmental: Toward a Critique of Environmentality as Power-Form, World-Form, and Capital-Form

Erich Hörl

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209–215

One Minute Material – A Chronological Analysis of Sound Ecologies

BJ Nilsen

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216–227

Future-Crafting: The Non-humanity of Planetary Computation, or How to Live with Digital Uncertainty

Betti Marenko

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228–240

Ecologizing Design

Martín Ávila

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241–249

‘The idea that we can design an ecology is something we should be wary of’. In conversation with Martín Ávila and Betti Marenko

Betti Marenko, Martín Ávila

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251–262

Radical Ecological Imaginaries: Turning the Ruins of our Present into the Legacies of the Future

Maria Kaika

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263–270

Ecologies of Existence: The Architecture of Collective Equipment

Godofredo Pereira

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271–277

‘I know nothing more violent than a consensus building exercise around the table amongst the “usual suspects”’. In conversation with Maria Kaika and Godofredo Pereira

Maria Kaika, Godofredo Pereira

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279–286

The Authors

global ecology
ecology
art theory
contemporary art

Marietta Kesting

holds the position of junior professor for media theory at the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich since April 2016. She studied photography, film, cultural studies and media theory at Bennington College, USA and Humboldt University, Berlin. From 2008 to 2011 she was a researcher at the Institute for Contemporary History at the University of Vienna and from 2014–2016 researcher at the interdisciplinary laboratory Image|Science|Gestaltung at Humboldt University. Her PhD Affective Images of Post-Apartheid. Documentary Perspectives on Migration, Xenophobia and Gender in South African Film and Photography (2015) was funded by the DFG and nominated for the Humboldt-Award. From 2015 to 2018 she was a postdoctoral researcher at the University of Applied Arts, Vienna, in the FWF project ‘A Matter of Historicity. Material Practices in Audiovisual Art’. She curated the photography exhibit ‘Now you see me, now you don’t’ for the National Theatre of Mannheim and directed several essayistic films. Kesting is part of the publishing collective b_books, Berlin since 2004 and has become a member of the editorial board of FKW journal for visual culture and gender studies in 2017. She writes for Texte zur Kunst, Social Dynamics and FKW // Zeitschrift für Geschlechterforschung und visuelle Kultur, among others. A recent publication is "Changing Visual Politics in South Africa," in Anne Graefer, Media and the Politics of Offence (2019).

Marietta Kesting (ed.), Susanne Witzgall (ed.): Politik der Emotionen/Macht der Affekte

Marietta Kesting (ed.), Susanne Witzgall (ed.): Human after Man

Marietta Kesting (ed.), Susanne Witzgall (ed.): Politics of Emotion/Power of Affect

Other texts by Marietta Kesting for DIAPHANES

Visuelle Kultur und Theorie des Bildes. Eine Rezensionsdiskussion
In: Gesellschaft für Medienwissenschaft (ed.), Zeitschrift für Medienwissenschaft 7

pOpen access
Trance, Rave, Ritual – The Museum of Trance in Haiti
In: Susanne Witzgall (ed.), Reale Magie

p€ 7,95
Trance, Rave, Ritual – The Museum of Trance in Haiti
In: Susanne Witzgall (ed.), Real Magic

p€ 7,95
Vorwort
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybride Ökologien
Hybride Medien-Archipele in Sondra Perrys »Typhoon Coming On« und Louis Hendersons »All That is Solid«
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybride Ökologien

p€ 7,95
Editors’ Preface
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybrid Ecologies

pOpen access
Hybrid Media Archipelagos in Sondra Perry’s ‘Typhoon Coming On’ and Louis Henderson’s ‘All That is Solid’
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybrid Ecologies

p€ 7,95
Vorwort der Herausgeberinnen
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte

pOpen access
»Im Grunde ist der Nationalismus ein System der ungleichen Verteilung von Hoffnung«. Ben Anderson und Jace Clayton im Gespräch mit Marietta Kesting
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte

p€ 5,95
Immersion und Environment. Prolegomena zu einer Affekttheorie
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte

p€ 7,95
Editors’ Foreword
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politics of Emotion/Power of Affect

pOpen access
‘Basically, it’s a system of unequal distribution of hope’. Ben Anderson and Jace Clayton in conversation with Marietta Kesting
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politics of Emotion/Power of Affect

p€ 5,95
Immersion and Environment: Prolegomena to an Affect Theory
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politics of Emotion/Power of Affect

p€ 7,95
Editors’ Preface
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man

pOpen access
Human after Man: The Concept of the Human, Technology, Afrofuturism, and the Production of Speculative Knowledge – Second Introduction
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man

p€ 5,95
‘Most of the time people expect African reality and they don’t allow African imagination to exist’. In conversation with Jean-Pierre Bekolo
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man

p€ 5,95
Who Writes? Who Speaks? @Glissantbot: The More than Human Politics of Languaging in the Post-Colonies
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man

p€ 7,95
Vorwort der Herausgeberinnen
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
Human after Man: Menschenbild, Technologie, Afrofuturismus und spekulative Wissensproduktion – zweite Einführung
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man

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»Meistens erwarten die Menschen afrikanische Realität und verweigern afrikanischer Vorstellungskraft die Existenz«. Im Gespräch mit Jean-Pierre Bekolo
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man

p€ 5,95
Wer schreibt? Wer spricht? @Glissantbot: More than Human Politics of Languaging in the Post-Colonies
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man

p€ 7,95

Maria Muhle

is professor for Philosophy | Aesthetic Theory at the Academy of Fine Arts Munich and founder of the August Verlag Berlin. She is a member of the DFG research group ‘Media and Mimesis’ at the International Doctoral Program of the LMU Munich and, in spring 2018, was a fellow at the research group ‘BildEvidenz’ of the FU Berlin. Her main research interests are political aesthetics, media philosophy, mimesis, strategies of reenactment, and biopolitics. Among her recent publications are Black Box Leben (2017, ed. with Christiane Voss); ‘Mimesis und Aisthesis. Realismus und Geschichte 284 bei Auerbach und Rancière’ (2018, in Die Wirklichkeit des Realismus, ed. Joseph Vogl, Veronika Thanner, Dorothea Walzer); ‘“Beweis zu nichts”. Marcel Odenbachs Geschichtsbilder’ (2018, in Marcel Odenbach. Beweis zu nichts, Kunsthalle Wien), and ‘Praktiken des Inkarnierens. Nachstellen, Verkörpern, Einverleiben’ (2017, in Zeitschrift für Medien- und Kulturforschung).

Other texts by Maria Muhle for DIAPHANES

From the Plebs to the Demos: Two Notions of Political Subjectification
In: Anneka Esch-van Kan (ed.), Stephan Packard (ed.), Philipp Schulte (ed.), Thinking – Resisting – Reading the Political

p€ 7,95
Medienwissenschaft als theoretisch-politisches Milieu
In: Gesellschaft für Medienwissenschaft (ed.), Zeitschrift für Medienwissenschaft 10

pOpen access
Omer Fast: »5,000 Feet is the Best«. Reenactment zwischen dokumentarischem und ästhetischem Regime
In: Gesellschaft für Medienwissenschaft (ed.), Zeitschrift für Medienwissenschaft 11

pOpen access
Foucault. Die Materialität der Arbeit
In: Gesellschaft für Medienwissenschaft (ed.), Zeitschrift für Medienwissenschaft 15

pOpen access
Vorwort
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybride Ökologien
Milieus, Mimesis und Mimesen
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybride Ökologien

p€ 7,95
Editors’ Preface
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybrid Ecologies

pOpen access
Milieu, Mimesis and Mimetism
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybrid Ecologies

p€ 7,95

Jenny Nachtigall

is a professor of art history and theory in interim at the Städelschule in Frankfurt since 2019. She studied art history, cultural studies and philosophy in London and Lüneburg (2005–2010). From 2014 until 2019 she was research associate at the chair of philosophy | aesthetic theory at the Academy of Fine Arts in Munich. She worked as curatorial assistance at the Tate Modern, London (2010–2011) and has taught at the Humboldt University Berlin and the Art History Department of the University College London (UCL), where she completed her PhD in 2016. She teaches and researches the history and theory of modern and contemporary art, with a focus on questions of mediality, form and mass culture and currently works on the role of vitalisms in art and theory since 1900. Together with Dorothea Walzer she realized the project art and(re)production (HU Berlin/UCL, 2013/14) and, together with Manuela Ammer, Eva Birkenstock, Kerstin Stakemeier and Stephanie Weber the exhibition and magazine format Klassensprachen (2017). Among her recent publications are ‘The Modern Subject, a Dead Form Living. On the Aesthetics of (a Fractured) Vitalism’ (2019, in Post-Apocalyptic Self-Reflection, ed. by Tanja Widmann, Laura Preston), ‘Vitalism/Living Form’ (2018, in Neolithic Childhood. Art in a False Present, c. 1930, ed. Anselm Franke, Tom Holert), and Klassensprachen – Written Praxis (2017, ed. with Manuela Ammer, Eva Birkenstock, Kerstin Stakemeier, Stephanie Weber). She writes among others for Artforum and Texte zur Kunst.

Other texts by Jenny Nachtigall for DIAPHANES

Vorwort
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybride Ökologien
Toxische Verhältnisse. Ökologie, Ästhetik (und ihr Unbehagen)
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybride Ökologien

p€ 7,95
Editors’ Preface
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybrid Ecologies

pOpen access
Toxic Relations: Ecology, Aesthetics (and their Discontents)
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybrid Ecologies

p€ 5,95

Susanne Witzgall

has been the academic head of the BMBF-funded cx centre for interdisciplinary studies at the Academy of Fine Arts Munich since 2011. She studied art history, theatre studies, psychology and art pedagogy at the Ludwig-Maximilians University in Munich and the University of Stuttgart, where she received her doctorate in 2001. From 2003 to 2011 she taught in the department of art history at the Academy of Fine Arts Munich. She has worked as a freelance curator, and was a curator at the Deutsches Museum Bonn and the Deutsches Museum München from 1995 to 2002. Susanne Witzgall curated or cocurated Art & Brain II (1997/1998), Das zweite Gesicht/The Other Face (2002), Say it isn’t so (2007), (Re)designing nature (2010/2011) and other exhibitions, and is the author and editor of numerous books and essays on contemporary art, the relationship between art and science, and subjects of current interdisciplinary debates. These include her monograph Kunst nach der Wissenschaft (Verlag für moderne Kunst, 2003) as well as the publications New Mobility Regimes in Art and Social Sciences (ed. with Gerlinde Vogl and Sven Kesselring, Ashgate, 2013), Power of Material/Politics of Materiality, Fragile Identities, The Present of the Future (all three ed. with Kerstin Stakemeier, diaphanes, 2014, 2016 and 2017 respectively) and Real Magic (2018). Since 2019 she is member of the advisory board of the Piet Zwart Institute/Willem de Kooning Academy Rotterdam as well as of the Institute of Modern Art Nuremberg.