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Editors’ Foreword
(p. 9 – 11)
(p. 9 – 11)
Marietta Kesting
holds the position of junior professor for media
theory at the cx centre for interdisciplinary studies at the Academy
of Fine Arts Munich since April 2016. She studied photography, film,
cultural studies and media theory at Bennington College, USA and
Humboldt University, Berlin. From 2008 to 2011 she was a researcher
at the Institute for Contemporary History at the University of Vienna
and from 2014–2016 researcher at the interdisciplinary laboratory
Image|Science|Gestaltung at Humboldt University. Her PhD Affective
Images of Post-Apartheid. Documentary Perspectives on Migration,
Xenophobia and Gender in South African Film and Photography (2015)
was funded by the DFG and nominated for the Humboldt-Award.
From 2015 to 2018 she was a postdoctoral researcher at the University
of Applied Arts, Vienna, in the FWF project ‘A Matter of Historicity.
Material Practices in Audiovisual Art’. She curated the photography
exhibit ‘Now you see me, now you don’t’ for the National Theatre
of Mannheim and directed several essayistic films. Kesting is part of
the publishing collective b_books, Berlin since 2004 and has become
a member of the editorial board of FKW journal for visual culture
and gender studies in 2017. She writes for Texte zur Kunst, Social
Dynamics and FKW // Zeitschrift für Geschlechterforschung und visuelle
Kultur, among others. A recent publication is "Changing Visual Politics
in South Africa," in Anne Graefer, Media and the Politics of Offence
(2019).
Other texts by Marietta Kesting for DIAPHANES
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Visuelle Kultur und Theorie des Bildes. Eine Rezensionsdiskussion
In: Gesellschaft für Medienwissenschaft (ed.), Zeitschrift für Medienwissenschaft 7
-
Trance, Rave, Ritual – The Museum of Trance in Haiti
In: Susanne Witzgall (ed.), Reale Magie
-
Trance, Rave, Ritual – The Museum of Trance in Haiti
In: Susanne Witzgall (ed.), Real Magic
-
Vorwort
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybride Ökologien
-
Hybride Medien-Archipele in Sondra Perrys »Typhoon Coming On« und Louis Hendersons »All That is Solid«
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybride Ökologien
-
Editors’ Preface
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybrid Ecologies
-
Hybrid Media Archipelagos in Sondra Perry’s ‘Typhoon Coming On’ and Louis Henderson’s ‘All That is Solid’
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybrid Ecologies
-
Vorwort der Herausgeberinnen
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte
-
»Im Grunde ist der Nationalismus ein System der ungleichen Verteilung von Hoffnung«. Ben Anderson und Jace Clayton im Gespräch mit Marietta Kesting
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte
-
Immersion und Environment. Prolegomena zu einer Affekttheorie
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte
-
‘Basically, it’s a system of unequal distribution of hope’. Ben Anderson and Jace Clayton in conversation with Marietta Kesting
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politics of Emotion/Power of Affect
-
Immersion and Environment: Prolegomena to an Affect Theory
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politics of Emotion/Power of Affect
-
Editors’ Preface
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
Human after Man: The Concept of the Human, Technology, Afrofuturism, and the Production of Speculative Knowledge – Second Introduction
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
‘Most of the time people expect African reality and they don’t allow African imagination to exist’. In conversation with Jean-Pierre Bekolo
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
Who Writes? Who Speaks? @Glissantbot: The More than Human Politics of Languaging in the Post-Colonies
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
Vorwort der Herausgeberinnen
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
Human after Man: Menschenbild, Technologie, Afrofuturismus und spekulative Wissensproduktion – zweite Einführung
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
»Meistens erwarten die Menschen afrikanische Realität und verweigern afrikanischer Vorstellungskraft die Existenz«. Im Gespräch mit Jean-Pierre Bekolo
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
Wer schreibt? Wer spricht? @Glissantbot: More than Human Politics of Languaging in the Post-Colonies
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
Susanne Witzgall
has been the academic head of the BMBF-funded cx centre for interdisciplinary studies at the Academy of Fine Arts Munich since 2011. She studied art history, theatre studies, psychology and art pedagogy at the Ludwig-Maximilians University in Munich and the University of Stuttgart, where she received her doctorate in 2001. From 2003 to 2011 she taught in the department of art history at the Academy of Fine Arts Munich. She has worked as a freelance curator, and was a curator at the Deutsches Museum Bonn and the Deutsches Museum München from 1995 to 2002. Susanne Witzgall curated or cocurated Art & Brain II (1997/1998), Das zweite Gesicht/The Other Face (2002), Say it isn’t so (2007), (Re)designing nature (2010/2011) and other exhibitions, and is the author and editor of numerous books and essays on contemporary art, the relationship between art and science, and subjects of current interdisciplinary debates. These include her monograph Kunst nach der Wissenschaft (Verlag für moderne Kunst, 2003) as well as the publications New Mobility Regimes in Art and Social Sciences (ed. with Gerlinde Vogl and Sven Kesselring, Ashgate, 2013), Power of Material/Politics of Materiality, Fragile Identities, The Present of the Future (all three ed. with Kerstin Stakemeier, diaphanes, 2014, 2016 and 2017 respectively) and Real Magic (2018). Since 2019 she is member of the advisory board of the Piet Zwart Institute/Willem de Kooning Academy Rotterdam as well as of the Institute of Modern Art Nuremberg.
Other texts by Susanne Witzgall for DIAPHANES
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Vorwort der Herausgeberinnen
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Macht des Materials – Politik der Materialität
-
Macht des Materials/Politik der Materialität – eine Einführung
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Macht des Materials – Politik der Materialität
-
Neue Materialist_innen in der zeitgenössischen Kunst
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Macht des Materials – Politik der Materialität
-
Power of Material/Politics of Materiality. An Introduction
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Power of Material – Politics of Materiality
-
New Materialists in Contemporary Art
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Power of Material – Politics of Materiality
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Editor's Preface
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Power of Material – Politics of Materiality
-
Vorwort der Herausgeberinnen
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identitäten
-
Fragile Identitäten und die Frage des Zusammenlebens. Einleitung I
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identitäten
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Digitales Ich und überfordertes Subjekt. Künstlerische Repräsentationen des Selbst und die Neukonzeption der Subjektivität
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identitäten
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Vorwort der Herausgeberinnen
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Die Gegenwart der Zukunft
-
Auf der Suche nach der Zukunft. Einleitung und Epilog
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Die Gegenwart der Zukunft
-
Editors’ Preface
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identities
-
Fragile Identities and the Question of Cohabitation – Introduction I
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identities
-
“Sociality is the most fundamental part of what we are”. In conversation with Paul Broks, Stephen Frosh and Emily Wardill
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identities
-
“I don’t really have an identity other than within a context”. In conversation with Terre Thaemlitz
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identities
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“We don't feel fragile, but maybe tomorrow...”. In conversation with Claire Denis, Okwui Enwezor and Sarah Rifky OPEN
ACCESSIn: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identities
-
“Every human body is an old civilization”. In conversation with Emine Sevgi Özdamar and Christian Kravagna ABO
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identities
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The Digital Self and the Subject Under Strain. Artistic Self-Representation and the Quest for a New Concept of Subjectivity OPEN
ACCESSIn: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identities
-
Vorwort
In: Susanne Witzgall (ed.), Reale Magie
-
Reale Magie – eine einleitende Annäherung
In: Susanne Witzgall (ed.), Reale Magie
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»Kunst sollte dazu aufrufen, Schamane oder Priester zu werden«
In: Susanne Witzgall (ed.), Reale Magie
-
»Wir müssen Magie als eine Form der Wissenserlangung verstehen«
In: Susanne Witzgall (ed.), Reale Magie
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Anrufungen der Materie. Zeitgenössische Kunst und der Neue Materialismus als magisches Diagramm
In: Susanne Witzgall (ed.), Reale Magie
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»Natürlich dreht sich alles um Macht«
In: Susanne Witzgall (ed.), Reale Magie
-
»Wenn wir über Magie sprechen, denke ich an eine Art neurologische Nano-Besssenheit
In: Susanne Witzgall (ed.), Reale Magie
-
Editors' Preface
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), The Present of the Future
-
In Search of the Future. Introduction and Epilogue
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), The Present of the Future
-
"To explore the speculative is urgent and necessary"
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), The Present of the Future
-
"Each time I believe that things are predictable I get sick"
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), The Present of the Future
-
Real Magic – An Introductory Approach
In: Susanne Witzgall (ed.), Real Magic
-
Invocations of Matter – Contemporary Art and New Materialism as a Magical Diagram
In: Susanne Witzgall (ed.), Real Magic
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Vorwort
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybride Ökologien
-
Hybride Ökologien – eine Einleitung
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybride Ökologien
-
»Eine Art des Seins in der Welt«. Relationale Onto-Epistemologien in Kunst und Theorie der Gegenwart
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybride Ökologien
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Editors’ Preface
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybrid Ecologies
-
Hybrid Ecologies – An Introduction
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybrid Ecologies
-
‘A Way of Being in the World’. Relational Onto-Epistemologies in Contemporary Art and Theory
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybrid Ecologies
-
Vorwort der Herausgeberinnen
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte
-
Politik der Emotionen/Macht der Affekte. Eine Einleitung
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte
-
»Gefühle sind immer übertragbar«. Antonio Damasio im Gespräch mit Susanne Witzgall
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte
-
»Emotionen sind im politischen Prozess immer präsent und sollten es auch sein«. Eva Illouz im Gespräch mit Susanne Witzgall
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte
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Zwischen Aufbruch und Ausgrenzung. Politiken der Angst in den zeitgenössischen Künsten
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte
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Politics of Emotion/Power of Affect – An Introduction
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politics of Emotion/Power of Affect
-
‘Feelings are transferable.’ Antonio Damasio in conversation with Susanne Witzgall
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politics of Emotion/Power of Affect
-
‘Emotions are always present and should always be present in the political process’. Eva Illouz in conversation with Susanne Witzgall
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politics of Emotion/Power of Affect
-
Between Awakening and Exclusion: The Politics of Anxiety in the Contemporary Arts
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politics of Emotion/Power of Affect
-
Editors’ Preface
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
Human after Man – First Introduction
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
‘Humanity in the animistic sense is very much something that you can earn’. In conversation with Istvan Praet
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
Copoiesis and Sympoiesis. How Can We Become More Human? How Can We Humanize?. Bracha L. Ettinger in conversation with Kathrin Thiele and Susanne Witzgall
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
‘Who is chaos for whom, and who stays on which side of the border?’. In conversation with Morehshin Allahyari
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
Relational vs. Self-Sufficient Subject. Otobong Nkanga’s and Sandra Mujinga’s Re-Imaginations of the Human (with reference to Octavia Butler’s Xenogenesis Series)
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
‘Most of the time people expect African reality and they don’t allow African imagination to exist’. In conversation with Jean-Pierre Bekolo
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
Vorwort der Herausgeberinnen
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
Das Menschliche nach dem Menschen [Human after Man] – erste Einführung
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
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»Menschsein im animistischen Sinne ist in erster Linie etwas, das verdient werden kann«. Im Gespräch mit Istvan Praet
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
Kopoiesis und Sympoiesis. Wie können wir menschlicher werden, wie können wir vermenschlichen? Bracha L. Ettinger im Gespräch mit Kathrin Thiele und Susanne Witzgall
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
»Wer ist für wen Chaos? Und wer verbleibt auf welcher Seite der Grenze?«. Im Gespräch mit Morehshin Allahyari
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
Relationales vs. autarkes Subjekt. Otobong Nkangas und Sandra Mujingas Re-Imaginationen des Menschen (mit Rekurs auf Octavia Butlers Xenogenesis-Serie)
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
-
»Meistens erwarten die Menschen afrikanische Realität und verweigern afrikanischer Vorstellungskraft die Existenz«. Im Gespräch mit Jean-Pierre Bekolo
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
In the past decade the relevance of emotion and affect in societal dynamics and power relations has increasingly become the focus for scientists and artists. Across disciplines they are breaking down the opposition of cognition and feeling, and emphasizing the central meaning of emotions and affective atmospheres for personal judgement, decision-making and the realm of politics. The present publication can be seen as an enhancing contribution to these discourses. It particularly focusses on artistic positions, which are brought into dialogue with philosophical, gender-theoretical or neuro- and social-scientific approaches. It addresses the ambivalent political dimensions of anxiety, hope and empathy, as well as the relationship between emotion and habit or the power of (media-)technical affective processes. The publication is the result of the sixth annual programme of the cx centre for interdisciplinary studies of the Academy of Fine Arts Munich.
With contributions by Marie-Luise Angerer, Ben Anderson, Jace Clayton, Keren Cytter, Antonio Damasio, Cécile B. Evans, Karianne Fogelberg, Deborah Gould, Susanna Hertrich, Serhat Karakayali, Marietta Kesting, Carolyn Pedwell and Susanne Witzgall.
Content
-
9–11
Editors’ Foreword
Marietta Kesting, Susanne Witzgall
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13–27
Politics of Emotion/Power of Affect – An Introduction
Susanne Witzgall
-
29–36
‘Feelings are transferable.’ Antonio Damasio in conversation with Susanne Witzgall
Antonio Damasio, Susanne Witzgall
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37–42
Emotional Landscapes and Their Cinematic Roots
Keren Cytter
-
43–47
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48–62
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63–77
'Brexit Betrayal' and other Post Crisis Affects
Ben Anderson
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78–84
‘There is a Light that Never Goes Out …’
Jace Clayton
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85–92
‘Basically, it’s a system of unequal distribution of hope’. Ben Anderson and Jace Clayton in conversation with Marietta Kesting
Ben Anderson, Jace Clayton, ...
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93–103
Theoretical and Political Elements of an Affective Set-Up
Marie-Luise Angerer
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104–116
Splitting Selves
Cécile B. Evans
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117–124
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125–136
Fear of Migration: Feelings as a Mode of Political Thought
Serhat Karakayalı
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137–154
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155–168
Immersion and Environment: Prolegomena to an Affect Theory
Marietta Kesting
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169–181
Affective Habits: Sensation, Duration and Automation
Carolyn Pedwell
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182–192
Signals and Artificial Emotions
Susanna Hertrich
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193–202
‘What is perceived as natural or instinctual can be created’. Carolyn Pedwell and Susanna Hertrich in conversation with Karianne Fogelberg
Karianne Fogelberg, Susanna Hertrich, ...
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203–214
Empathy and Design – Between Appropriation and Empowerment
Karianne Fogelberg
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217–222
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223–224