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Silvia Henke, Dieter Mersch, ...: Manifesto of Artistic Research

Silvia Henke, Dieter Mersch, Thomas Strässle, Jörg Wiesel, Nicolaj van der Meulen

Manifesto of Artistic Research
A Defense Against Its Advocates

Softcover, 128 pages

Date of publication: 07.02.2020

PDF, 64 pages

Date of publication: 07.02.2020

DE

Since its beginnings in the 1990s, “artistic research” has become established as a new format in the areas of educational and institutional policy, aesthetics, and art theory. It has now diffused into almost all artistic fields, from installation to experimental formats to contemporary music, literature, dance or performance art. But from its beginnings—under labels like “art and science” or “scienceart” or “artscience” that mention both disciplines in one breath—it has been in competition with academic research, without its own concept of research having been adequately clarified. This manifesto attempts to resolve the problem and to defend the term and the radical potentials of a researching art against those who toy all too carefully with university formats, wishing to ally them with scientific principles. Its aim is to emphasize the autonomy and particular intellectuality of artistic research, without seeking to justify its legitimacy or adopt alien standards.

  • artistic research
  • art theory
  • aesthetics
  • artistic practice
  • knowledge
  • epistemology

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Dieter Mersch

Dieter Mersch

studied mathematics and philosophy in Cologne, Bochum, Darmstadt. In 2004 he became Professor for Media Theory and Media Science at the University of Potsdam. Since 2013 he is Head of the Institute for Theory at ZHdK Zurich and visiting professor at University Potsdam, where he is one of the chairs of the DFG Research Training Centre ›Visibility and Visualization – Hybrid Forms of pictorial Knowledge‹. Dieter Mersch was a visiting professor in Chicago, Budapest and Luzern, and Fellow at IKKM Weimar and at ZHdK Zurich. His work focuses on media philosophy, aesthetics and art theory, semiotics, hermeneutics, post-structuralism and philosophy of the image and language.

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