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Silvia Henke, Dieter Mersch, ...: Manifesto of Artistic Research

b€ 15,00 p OA

Silvia Henke, Dieter Mersch, Thomas Strässle, Jörg Wiesel, Nicolaj van der Meulen

Manifesto of Artistic Research
A Defense Against Its Advocates

Softcover, 128 pages

PDF, 64 pages

Since its beginnings in the 1990s, “artistic research” has become established as a new format in the areas of educational and institutional policy, aesthetics, and art theory. It has now diffused into almost all artistic fields, from installation to experimental formats to contemporary music, literature, dance or performance art. But from its beginnings—under labels like “art and science” or “scienceart” or “artscience” that mention both disciplines in one breath—it has been in competition with academic research, without its own concept of research having been adequately clarified. This manifesto attempts to resolve the problem and to defend the term and the radical potentials of a researching art against those who toy all too carefully with university formats, wishing to ally them with scientific principles. Its aim is to emphasize the autonomy and particular intellectuality of artistic research, without seeking to justify its legitimacy or adopt alien standards.

artistic practice
aesthetics
epistemology
art theory
artistic research
knowledge

Silvia Henke

is a Cultural Studies Scholar at University of Applied Sciences and Arts Lucerne, Design and Art, in the BA Programme and in Master Fine Arts/Art in Public Spheres/Art Education. Since 2002 she is Head of the Department for theory. She studied French and German Literary Criticism, Media Sciences and Philosophy, at the Universities of Basel and Hamburg. Her research focuses on Art and Religion, Transcultural Art Education and Aesthetic Education. www.silviahenke.ch

Dieter Mersch

studied mathematics and philosophy in Cologne, Bochum, Darmstadt. In 2004 he became Professor for Media Theory and Media Science at the University of Potsdam. Since 2013 he is Head of the Institute for Theory at ZHdK Zurich and visiting professor at University Potsdam, where he is one of the chairs of the DFG Research Training Centre 'Visibility and Visualization – Hybrid Forms of pictorial Knowledge'. Dieter Mersch was a visiting professor in Chicago, Budapest and Luzern, and Fellow at IKKM Weimar and at ZHdK Zurich. His work focuses on media philosophy, aesthetics and art theory, semiotics, hermeneutics, post-structuralism and philosophy of the image and language.

Mira Fliescher (ed.), Fabian Goppelsröder (ed.), ...: Sichtbarkeiten 1: Erscheinen

Jens Badura (ed.), Selma Dubach (ed.), ...: Künstlerische Forschung. Ein Handbuch

Florian Dombois (ed.), Mira Fliescher (ed.), ...: Ästhetisches Denken

Dieter Mersch (ed.), Joachim Paech (ed.): Programm(e)

Mira Fliescher (ed.), Fabian Goppelsröder (ed.), ...: Sichtbarkeiten 4: Praktiken visuellen Denkens

Dieter Mersch: Epistemologien des Ästhetischen

Dieter Mersch: Epistemologies of Aesthetics

Magdalena Marszałek (ed.), Dieter Mersch (ed.): Seien wir realistisch

Dieter Mersch (ed.), Sylvia Sasse (ed.), ...: Ästhetische Theorie

Dieter Mersch (ed.), Sylvia Sasse (ed.), ...: Aesthetic Theory

Dieter Mersch: Humanismen und Antihumanismen

Other texts by Dieter Mersch for DIAPHANES

Kunst als epistemische Praxis
In: Elke Bippus (ed.), Kunst des Forschens

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The Political and the Violent: On Resistances OPEN
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In: Anneka Esch-van Kan (ed.), Stephan Packard (ed.), Philipp Schulte (ed.), Thinking – Resisting – Reading the Political

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Phainesthai. Zu Heinrich Barths Phänomenologie des Erscheinens
In: Mira Fliescher (ed.), Fabian Goppelsröder (ed.), Dieter Mersch (ed.), Sichtbarkeiten 1: Erscheinen

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Erscheinung und Ereignis
In: Mira Fliescher (ed.), Fabian Goppelsröder (ed.), Dieter Mersch (ed.), Sichtbarkeiten 1: Erscheinen

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Sichtbarkeit/Sichtbarmachung. Was heißt »Denken im Visuellen«?
In: Martin Beck (ed.), Fabian Goppelsröder (ed.), Sichtbarkeiten 2: Präsentifizieren

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»Pro-Grammata«. Einige Überlegungen zu einer Theorie der Programme
In: Dieter Mersch (ed.), Joachim Paech (ed.), Programm(e)

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3. Einführung: Sektion: »Was ist programmierbar?«
In: Dieter Mersch (ed.), Joachim Paech (ed.), Programm(e)

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Nicht-Propositionalität und ästhetisches Denken
In: Florian Dombois (ed.), Mira Fliescher (ed.), Dieter Mersch (ed.), Julia Rintz (ed.), Ästhetisches Denken

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Vorwort
In: Florian Dombois (ed.), Mira Fliescher (ed.), Dieter Mersch (ed.), Julia Rintz (ed.), Ästhetisches Denken

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Rezeptionsästhetik/Produktionsästhetik/Ereignisästhetik
In: Jens Badura (ed.), Selma Dubach (ed.), Anke Haarmann (ed.), Dieter Mersch (ed.), Anton Rey (ed.), Christoph Schenker (ed.), Germán Toro Pérez (ed.), Künstlerische Forschung. Ein Handbuch

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Seien wir realistisch. Einleitung
In: Magdalena Marszałek (ed.), Dieter Mersch (ed.), Seien wir realistisch

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Objektorientierte Ontologien und andere spekulative Realismen. Eine kritische Durchsicht
In: Magdalena Marszałek (ed.), Dieter Mersch (ed.), Seien wir realistisch

p€ 12,95
Research in the Realm of Aesthetics ABO
In: Dieter Mersch, Epistemologies of Aesthetics
A Short History of ‘Truth’ in Art OPEN
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In: Dieter Mersch, Epistemologies of Aesthetics
Digital Criticism. Für eine Kritik ›algorithmischer‹ Vernunft ABO
Digital Criticism. A Critique of “Algorithmic” Reason OPEN
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Mensch-Maschinen-Verhältnisse
In: Ines Kleesattel (ed.), Ruedi Widmer (ed.), Scripted Culture

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Human-Machine Relationships
In: Ines Kleesattel (ed.), Ruedi Widmer (ed.), Scripted Culture

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Einleitung
In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Ästhetische Theorie

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Ästhetisches Denken: Kunst als Theoria
In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Ästhetische Theorie

p€ 7,95
Introduction
In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Aesthetic Theory

p€ 7,95
Aesthetic Thinking: Art as theoria
In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Aesthetic Theory

p€ 7,95
Vorwort: Dekonstruktion und ästhetisches Denken
In: Mira Fliescher, Der Witz der Kunst

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Die Kunst der Nachdenklichkeit und die Nachdenklichkeit der Kunst
In: Christine Abbt (ed.), Donata Schoeller (ed.), Hartmut von Sass (ed.), Nachdenklichkeit

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Artistic Composition as Research
In: Alex Arteaga (ed.), Architectures of Embodiment

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Vorwort
In: Mira Fliescher (ed.), Fabian Goppelsröder (ed.), Dieter Mersch (ed.), Sichtbarkeiten 4: Praktiken visuellen Denkens

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Einleitung. Struktur und Potenz visuellen Denkens. Vorüberlegungen zu einer Theorie der Ikonizität
In: Mira Fliescher (ed.), Fabian Goppelsröder (ed.), Dieter Mersch (ed.), Sichtbarkeiten 4: Praktiken visuellen Denkens

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Kommentar zum Panel »Kontrastieren – Differenzieren«
In: Mira Fliescher (ed.), Fabian Goppelsröder (ed.), Dieter Mersch (ed.), Sichtbarkeiten 4: Praktiken visuellen Denkens

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Cum grano singularis. Jean-Luc Nancys ›negative‹ koinonia
In: Susanna Lindberg (ed.), Artemy Magun (ed.), Marita Tatari (ed.), Thinking With—Jean-Luc Nancy

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Bruno Latours symmetrische Netzwerke im Spiegel der Asymmetrie sozialer Beziehungen
In: Dieter Mersch, Humanismen und Antihumanismen

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Gilbert Simondons ontogenetischer Szientismus
In: Dieter Mersch, Humanismen und Antihumanismen

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Von Metaphysikkritik zur kritischen Ökologie: Zur posthumanistischen Grundlagendiskussion
In: Dieter Mersch, Humanismen und Antihumanismen

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Die Ungenügen des New Materialism
In: Dieter Mersch, Humanismen und Antihumanismen

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Jean-Luc Nancys Philosophie der ›Mit-Teilung‹ zwischen Ontologie und Sozialität
In: Dieter Mersch, Humanismen und Antihumanismen

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Was bedeutet koininia unter posthumanen Bedingungen?
In: Dieter Mersch, Humanismen und Antihumanismen

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Thomas Strässle

is Head of the transdisciplinary Y Institute at the Bern University of the Arts and Professor of Modern German and Comparative Literature at the University of Zurich. He is also the President of the Max Frisch-Foundation at the ETH Zurich and member of the Literaturclub on Swiss Television SRF.

Nicolaj van der Meulen

studied Art History and Philosophy and wrote his habilitation about the Experience of Space, Time, and Movement in the Late Baroque. His main areas of interest are aesthetic experience, embodiment, imagery and culinary art. Van der Meulen is co-head of the Institute for Aesthetic Practice and Theory at the FHNW Academy of Art and Design, Basel, Switzerland.

Jörg Wiesel

co-director of the Institute for Aesthetic Practice and Theory, FHNW Academy of Art and Design, Basel. Theatre and literary scholar; teaching and research focus: piracy, fashion, aesthetics of contemporary culinary practices.

Other texts by Jörg Wiesel for DIAPHANES

Blutspuren. Piraterie und Palimpsest bei Carmen Boullosa, Johann Wilhelm Archenholtz und Alexandre Olivier Exquemelin
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In: Elke Bippus (ed.), Kunst des Forschens

In: Anneka Esch-van Kan (ed.), Stephan Packard (ed.), Philipp Schulte (ed.), Thinking – Resisting – Reading the Political

In: Mira Fliescher (ed.), Fabian Goppelsröder (ed.), Dieter Mersch (ed.), Sichtbarkeiten 1: Erscheinen

In: Mira Fliescher (ed.), Fabian Goppelsröder (ed.), Dieter Mersch (ed.), Sichtbarkeiten 1: Erscheinen

In: Martin Beck (ed.), Fabian Goppelsröder (ed.), Sichtbarkeiten 2: Präsentifizieren

In: Dieter Mersch (ed.), Joachim Paech (ed.), Programm(e)

In: Dieter Mersch (ed.), Joachim Paech (ed.), Programm(e)

In: Florian Dombois (ed.), Mira Fliescher (ed.), Dieter Mersch (ed.), Julia Rintz (ed.), Ästhetisches Denken

In: Florian Dombois (ed.), Mira Fliescher (ed.), Dieter Mersch (ed.), Julia Rintz (ed.), Ästhetisches Denken

In: Jens Badura (ed.), Selma Dubach (ed.), Anke Haarmann (ed.), Dieter Mersch (ed.), Anton Rey (ed.), Christoph Schenker (ed.), Germán Toro Pérez (ed.), Künstlerische Forschung. Ein Handbuch

In: Magdalena Marszałek (ed.), Dieter Mersch (ed.), Seien wir realistisch

In: Magdalena Marszałek (ed.), Dieter Mersch (ed.), Seien wir realistisch

In: Dieter Mersch, Epistemologies of Aesthetics

In: Dieter Mersch, Epistemologies of Aesthetics

In: Ines Kleesattel (ed.), Ruedi Widmer (ed.), Scripted Culture

In: Ines Kleesattel (ed.), Ruedi Widmer (ed.), Scripted Culture

In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Ästhetische Theorie

In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Ästhetische Theorie

In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Aesthetic Theory

In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Aesthetic Theory

In: Mira Fliescher, Der Witz der Kunst

In: Christine Abbt (ed.), Donata Schoeller (ed.), Hartmut von Sass (ed.), Nachdenklichkeit

In: Alex Arteaga (ed.), Architectures of Embodiment

In: Mira Fliescher (ed.), Fabian Goppelsröder (ed.), Dieter Mersch (ed.), Sichtbarkeiten 4: Praktiken visuellen Denkens

In: Mira Fliescher (ed.), Fabian Goppelsröder (ed.), Dieter Mersch (ed.), Sichtbarkeiten 4: Praktiken visuellen Denkens

In: Mira Fliescher (ed.), Fabian Goppelsröder (ed.), Dieter Mersch (ed.), Sichtbarkeiten 4: Praktiken visuellen Denkens

In: Susanna Lindberg (ed.), Artemy Magun (ed.), Marita Tatari (ed.), Thinking With—Jean-Luc Nancy

In: Dieter Mersch, Humanismen und Antihumanismen

In: Dieter Mersch, Humanismen und Antihumanismen

In: Dieter Mersch, Humanismen und Antihumanismen

In: Dieter Mersch, Humanismen und Antihumanismen

In: Dieter Mersch, Humanismen und Antihumanismen

In: Dieter Mersch, Humanismen und Antihumanismen

In: Anja Lauper (ed.), Transfusionen

In: Sabine Gebhardt Fink (ed.), Muda Mathis (ed.), Margarit von Büren (ed.), Aufzeichnen und Erinnern. Performance Chronik Basel (1987–2006)