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Liliana Gómez: Undercurrents of Water, Mercury, Gold: The Fluid in Decolonial Aesthetic Practices
Undercurrents of Water, Mercury, Gold: The Fluid in Decolonial Aesthetic Practices
(p. 113 – 132)

Liliana Gómez

Undercurrents of Water, Mercury, Gold: The Fluid in Decolonial Aesthetic Practices

PDF, 20 pages

  • media aesthetics
  • artistic practice
  • subversion

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Liliana Gómez

Liliana Gómez

Liliana Gómez is professor of art and society at the University of Kassel/ Kunsthochschule Kassel and the documenta Institut. She directs the research project Contested Amnesia and Dissonant Narratives in the Global South: Post-Conflict in Literature, Art, and Emergent Archives for which she was awarded an excellence grant and SNSF-professorship by the Swiss National Science Foundation. She writes about cultural and media theories, the history of modernity, especially with regard to the arts, the urban and botany, aesthetics and decoloniality, art and human rights, visual cultures and the environmental humanities. Recently she edited Performing Human Rights: Contested Amnesia and Aesthetic Practices in the Global South (diaphanes, 2021) and co-edited Liquid Ecologies in Latin American and Caribbean Art (Routledge, 2020). She is the author of the book Archive Matter: A Camera in the Laboratory of the Modern (diaphanes, 2023) and editor-in-chief of the journal Latin American and Latinx Visual Culture.
Other texts by Liliana Gómez for DIAPHANES
Marie Sophie Beckmann (ed.), Petra Löffler (ed.): Sub(e)merging: Experiences, Practices and Politics from below

Whether it is the ocean, the ground or soil, a metaphorical or symbolic underworld or a political figure of thought, the subsurface intervenes in recent debates about ecological, social and postcolonial conflicts and power inequalities in the humanities and beyond. However, turning to the unstable grounds of the subterranean always involves a conceptual or methodological movement and a practice of submersion, and thus a critical reflection on the conditions, technologies, aesthetics and politics of knowledge production. It is precisely at this point that the volume picks up with approaches from the fields of artistic practice as well as media studies, art history, queer theory, and decolonial studies. From this transdisciplinary perspective, the anthology explores the medial, aesthetic, and material aspects of sub(e)merging as well as its potential as a resistant practice and figure of thought: from submerging as emerging.

 

With contributions by Pınar Asan & Özge Çelikaslan, Sophie Beckmann, Liliana Gómez, Johanna Laub, Petra Löffler, Friederike Nastold, Helen Pritchard, Maryse Ouellet, Julia Schade, Hannah Schmedes, Martin Siegler, Amelie Wedel, Verena Melgarejo Weinandt & Suza Husse.