User account

Emanuele Coccia, Donatien Grau, ...: Photographie et choses
Photographie et choses
(p. 163 – 198)

Emanuele Coccia, Donatien Grau, Roxana Marcoci, Alice Rawsthorn, Richard Wentworth

Photographie et choses
Toucher les images

PDF, 36 pages

  • conversation
  • art theory
  • contemporary art
  • photography

My language
English

Selected content
English

Emanuele Coccia

is an Associate Professor at the École des hautes études en sciences sociales, Paris. He is the author of Sensible Life (Fordham University Press, 2016), of Goods: Advertising, Urban Space, and the Moral Law of the Image (Fordham University Press, 2018), The Life of Plants (Polity, 2018), and, with Donatien Grau, The Transitory Museum (­Polity, 2019). He has written numerous essays on visual artists and served as a scientific advisor to the exhibition Nous les arbres at the Fondation ­Cartier, Paris, in 2019.
Other texts by Emanuele Coccia for DIAPHANES

Donatien Grau

is head of contemporary programs at musée d’Orsay, Paris. He is the author of various books. He realized the exhibition Pierre Guyotat, la matière de nos oeuvre in collaboration with the Azzedine Alaïa Gallery in April–June 2016. A book of conversations between him and Pierre Guyotat appeared in October 2016: Humains par Hasard.
Other texts by Donatien Grau for DIAPHANES

Roxana Marcoci

is Senior Curator of Photography at the Museum of Modern Art, New York. She holds a PhD in Art History, Theory, and Criticism from the Institute of Fine Arts, New York University.  Some of her recent exhibitions include Louise Lawler: WHY PICTURES NOW (2017); Zoe Leonard: Analogue (2015); Christopher Williams: The Production Line of Happiness (2014); The Shaping of New Visions: Photography, Film, Photobook (2012); and Sanja Ivekovic: Sweet Violence (2011). Marcoci is co-editor and contributing author to the three-volume Photography at MoMA (1840 to Now) series. She is currently preparing a large survey of Wolfgang Tillmans’s work, scheduled to open in February 2021.
Other texts by Roxana Marcoci for DIAPHANES

Alice Rawsthorn

is an award-winning design critic and author of the critically acclaimed books Design as an Attitude and Hello World: Where Design Meets Life. Her weekly design column for the New York Times was syndicated worldwide for over a decade. Born in Manchester and based in London, Alice is chair of the boards of trustees of the Hepworth Wakefield art gallery in Yorkshire and Chisenhale Gallery in London. A founding member of the Writers for Liberty campaign for human rights, she was awarded an Order of the British Empire (OBE) for services to design and the arts.
Other texts by Alice Rawsthorn for DIAPHANES

Richard Wentworth

has developed in his work new forms of relations to “things” across industrial, media, cultural, political history to the present. Making Do and Getting By (1972-ongoing), an extensive journal of encounters, has redefined both photography and sculpture—while arguably paving an artistic way towards Instagram. He has archived the layers of the present day in two projects with the Hayward Gallery, Thinking Aloud (1999) and History is Now (2015), dialogued with many different settings for his art, from biennials to museum exhibitions, to books, to unexpected locations—such as his Artangel project in 2002, An Area of Outstanding Unnatural Beauty and Black Maria at King’s Cross, working closely with the architects Gruppe in 2013. He lives and works in London.
Other texts by Richard Wentworth for DIAPHANES
Donatien Grau (ed.), Christoph Wiesner (ed.): Après la crise

Après la crise établit une plateforme de conversation entre protagonistes de l’art, de l’écriture, de la théorie, de l’exposition, et de l’histoire, afin d’interroger le statut de la photographie aujourd’hui. Les contributeurs viennent des domaines de la théorie critique, de la fiction, de la performance, de la photographie de mode, des musées, du cinéma et du design, et leurs discussions réunissent l’histoire et le contemporain. Ces échanges établissent des parallèles entre la situation actuelle des images photographiques et la crise vécue par la représentation au temps de la naissance de la photographie ; ils mettent en perspective notre relation aux images photographiques à l’ère numérique, et nous permettent de voir en la photographie un médium, une voie pour explorer la politique, l’esthétique, les émotions de nos vies.

 

Au travers de ces conversations vivantes, et des introductions sagaces qui les précèdent, nous en venons à ressentir le fardeau existentiel d’être entouré par des images, tout en commençant à saisir la profondeur historique d’un questionnement des images qui s’ouvrit bien avant la génération actuelle, et qui se confronte aux sujets politiques et culturels cruciaux de notre temps.

 

Avec les contributions de Philippe Artières, Osei Bonsu, Emma Bowkett, Elisabeth Bronfen, Emanuele Coccia, ­Russell ­Ferguson, ­Dominique de Font-­Réaulx, Marc Fumaroli, Leigh Ledare, Kieran Long, Roxana Marcoci, Renzo ­Martens, Paul ­McCarthy, Tom McCarthy, Pascale Montandon-­Jodorowsky, ­ORLAN, Alice Rawsthorn, Jeff Rosenheim, ­Elisa Schaar, ­Bruno Serralongue, Devika Singh, Abdellah Taïa, ­Oliviero ­Toscani, Inez van Lamsweerde & Vinoodh ­Matadin, Wim Wenders, Richard Wentworth.

Content