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Emma Bowkett, Donatien Grau, ...: Photographie et prolifération des images
Photographie et prolifération des images
(p. 119 – 162)

Emma Bowkett, Donatien Grau, Kieran Long, Tom McCarthy, Oliviero Toscani

Photographie et prolifération des images
L’Un et le Multiple

PDF, 44 pages

  • conversation
  • photography
  • contemporary art
  • art theory

My language
English

Selected content
English

Emma Bowkett

is Director of Photography at the FT Weekend Magazine. Joining in 2009, she was integral to the small creative team who reworked the visual language of the magazine for the 2010 ­re-launch. Emma has curated exhibitions for the Triennale der Photographie Hamburg, Peckham 24 in London and in 2018 co-curated the PhotoEast festival. She is a visiting university lecturer, and regularly participates at international portfolio reviews, festivals, art fairs, and awards. She is part of Magnum Photos ­Professional Practice, which supports young and emerging photographers. She won the inaugural Firecracker Contributors Award, which recognises women who have had a substantial impact on the photography industry, voted for by professional photographers. Emma is the co-curator for a Financial Times special supplement and day of events as part of Photo London. Emma has a Masters degree in Image and Communication from Goldsmiths University London.
Other texts by Emma Bowkett for DIAPHANES

Donatien Grau

is head of contemporary programs at musée d’Orsay, Paris. He is the author of various books. He realized the exhibition Pierre Guyotat, la matière de nos oeuvre in collaboration with the Azzedine Alaïa Gallery in April–June 2016. A book of conversations between him and Pierre Guyotat appeared in October 2016: Humains par Hasard.
Other texts by Donatien Grau for DIAPHANES

Kieran Long

is a curator, writer, teacher, and broadcaster from London. He is currently Director of ArkDes, the national museum of architecture and design in Stockholm, Sweden. He was previously Keeper of the department of Design, Architecture and Digital at the Victoria & Albert Museum and has worked for the Royal College of Art, the BBC, the Evening Standard newspaper, and as editor of several design and architecture publications.
Other texts by Kieran Long for DIAPHANES
Tom McCarthy

Tom McCarthy

is a British novelist and artist based in London. McCarthy operates as »General Secretary« of a semi-fictitious organisation called the »International Necronautical Society« (INS). He also published a number of essays and short stories. With his debut novel Remainder (8 ½ Millionen) he was awarded the Believer Book Award in 2008. His novels C (2010) und Satin Island (2015) were shortlisted for the Men's Booker Prize.

Other texts by Tom McCarthy for DIAPHANES

Oliviero Toscani

was born in Milan in 1942 and studied photography and design at Kunstgewerbeschule of Zurich from 1961 through 1965. He is internationally renowned as the creative force behind some of the world’s most successful brands, through the years creating what have become some of the most famous corporate images and advertising campaigns. His latest projects include collaborations with the Italian Red Cross and the UNHCR, as well as campaigns dedicated to improving road safety, fighting anorexia, combating violence against women. After six decades of publishing innovation, advertising, film, and television, Toscani now deals with creativity applied to various communication media, producing, with his studio and with Fabrica, editorial projects, books, television programs, exhibitions, and workshops.
Other texts by Oliviero Toscani for DIAPHANES
Donatien Grau (ed.), Christoph Wiesner (ed.): Après la crise

Après la crise établit une plateforme de conversation entre protagonistes de l’art, de l’écriture, de la théorie, de l’exposition, et de l’histoire, afin d’interroger le statut de la photographie aujourd’hui. Les contributeurs viennent des domaines de la théorie critique, de la fiction, de la performance, de la photographie de mode, des musées, du cinéma et du design, et leurs discussions réunissent l’histoire et le contemporain. Ces échanges établissent des parallèles entre la situation actuelle des images photographiques et la crise vécue par la représentation au temps de la naissance de la photographie ; ils mettent en perspective notre relation aux images photographiques à l’ère numérique, et nous permettent de voir en la photographie un médium, une voie pour explorer la politique, l’esthétique, les émotions de nos vies.

 

Au travers de ces conversations vivantes, et des introductions sagaces qui les précèdent, nous en venons à ressentir le fardeau existentiel d’être entouré par des images, tout en commençant à saisir la profondeur historique d’un questionnement des images qui s’ouvrit bien avant la génération actuelle, et qui se confronte aux sujets politiques et culturels cruciaux de notre temps.

 

Avec les contributions de Philippe Artières, Osei Bonsu, Emma Bowkett, Elisabeth Bronfen, Emanuele Coccia, ­Russell ­Ferguson, ­Dominique de Font-­Réaulx, Marc Fumaroli, Leigh Ledare, Kieran Long, Roxana Marcoci, Renzo ­Martens, Paul ­McCarthy, Tom McCarthy, Pascale Montandon-­Jodorowsky, ­ORLAN, Alice Rawsthorn, Jeff Rosenheim, ­Elisa Schaar, ­Bruno Serralongue, Devika Singh, Abdellah Taïa, ­Oliviero ­Toscani, Inez van Lamsweerde & Vinoodh ­Matadin, Wim Wenders, Richard Wentworth.

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