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Emma Bowkett, Donatien Grau, ...: Photographie et prolifération des images

Photographie et prolifération des images
(p. 119 – 162)

p€ 12,95

Emma Bowkett, Donatien Grau, Kieran Long, Tom McCarthy, Oliviero Toscani

Photographie et prolifération des images
L’Un et le Multiple

PDF, 44 pages

art theory
photography
conversation
contemporary art

Emma Bowkett

is Director of Photography at the FT Weekend Magazine. Joining in 2009, she was integral to the small creative team who reworked the visual language of the magazine for the 2010 re-launch. Emma has curated exhibitions for the Triennale der Photographie Hamburg, Peckham 24 in London and in 2018 co-curated the PhotoEast festival. She is a visiting university lecturer, and regularly participates at international portfolio reviews, festivals, art fairs, and awards. She is part of Magnum Photos Professional Practice, which supports young and emerging photographers. She won the inaugural Firecracker Contributors Award, which recognises women who have had a substantial impact on the photography industry, voted for by professional photographers. Emma is the co-curator for a Financial Times special supplement and day of events as part of Photo London. Emma has a Masters degree in Image and Communication from Goldsmiths University London.

Other texts by Emma Bowkett for DIAPHANES

Photography and the Proliferation of Images. The One and the Many
In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

p€ 12,95

Donatien Grau

is a scholar and author. He currently serves as head of contemporary programs at the Louvre and as chair of the Association Pierre Guyotat.

Donatien Grau, Sylvère Lotringer: I Was More American than the Americans

Tom Bishop, Donatien Grau: Literature Is a Voyage of Discovery

Tom Bishop, Donatien Grau: La littérature est un voyage de découverte

Donatien Grau, Sylvère Lotringer: J'étais plus américain que les Américains

Catherine Brun (ed.), Guillaume Fau (ed.), ...: Pierre Guyotat et l’Algérie

Patrick Bouchain, Donatien Grau (ed.): Pierre Guyotat. La parole visible

Other texts by Donatien Grau for DIAPHANES

Conversation OPEN
ACCESS
Préface
In: Donatien Grau (ed.), Christoph Wiesner (ed.), Après la crise

pOpen access
Peinture et photographie. L’impossible réconciliation
In: Donatien Grau (ed.), Christoph Wiesner (ed.), Après la crise

p€ 12,95
Photographie et politique. Images par le monde
In: Donatien Grau (ed.), Christoph Wiesner (ed.), Après la crise

p€ 12,95
Photographie et événement artistique. L’unicité recréée
In: Donatien Grau (ed.), Christoph Wiesner (ed.), Après la crise

p€ 12,95
Photographie et choses. Toucher les images
In: Donatien Grau (ed.), Christoph Wiesner (ed.), Après la crise

p€ 12,95
Photographie et fiction. Nos histoires irréelles
In: Donatien Grau (ed.), Christoph Wiesner (ed.), Après la crise

p€ 12,95
La mécanicité de la photographie
In: Donatien Grau (ed.), Christoph Wiesner (ed.), Après la crise

p€ 7,95
Preface
In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis
Painting and Photography. Impossible Reconciliation
In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

p€ 12,95
Photography and Politics. Images through the World
In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

p€ 12,95
Photography and the Artistic Event. Uniqueness Recreated
In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

p€ 12,95
Photography and the Proliferation of Images. The One and the Many
In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

p€ 12,95
Photography and Things. Touching Images
In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

p€ 12,95
Photography and Fiction. Our unreal stories
In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

p€ 12,95
The Mechanics of Photography
In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

p€ 7,95
A Life in Philology OPEN
ACCESS
Une vie en philologie OPEN
ACCESS
"I’d rather live in a book" OPEN
ACCESS
Afropunk Philology. James Spooner in Conversation with Donatien Grau OPEN
ACCESS
Introduction : L’Algérie à l’œuvre
In: Catherine Brun (ed.), Guillaume Fau (ed.), Donatien Grau (ed.), Pierre Guyotat et l’Algérie

pOpen access
Du côté de Faulkner ou de Claude McKay ? La responsabilité de la parole
In: Catherine Brun (ed.), Guillaume Fau (ed.), Donatien Grau (ed.), Pierre Guyotat et l’Algérie

p€ 7,95

Kieran Long

is a curator, writer, teacher, and broadcaster from London. He is currently Director of ArkDes, the national museum of architecture and design in Stockholm, Sweden. He was previously Keeper of the department of Design, Architecture and Digital at the Victoria & Albert Museum and has worked for the Royal College of Art, the BBC, the Evening Standard newspaper, and as editor of several design and architecture publications.

Other texts by Kieran Long for DIAPHANES

Photography and the Proliferation of Images. The One and the Many
In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

p€ 12,95

Tom McCarthy

is a British novelist and artist based in London. McCarthy operates as »General Secretary« of a semi-fictitious organisation called the »International Necronautical Society« (INS). He also published a number of essays and short stories. With his debut novel Remainder (8 ½ Millionen) he was awarded the Believer Book Award in 2008. His novels C (2010) und Satin Island (2015) were shortlisted for the Men's Booker Prize.

Simon Critchley, The International Necronautical Society, ...: Offizielle Mitteilungen

Tom McCarthy: Interim, oder: Die Zeit des Hammers

Tom McCarthy: Recessional—Or, the Time of the Hammer

Tom McCarthy: Schreibmaschinen, Bomben, Quallen

Other texts by Tom McCarthy for DIAPHANES

“Obsessed with buffering”. Questions to Tom McCarthy ABO
In: Tom McCarthy, Recessional—Or, the Time of the Hammer
“Something that is not nothing”. Zurich seminar ABO
In: Tom McCarthy, Recessional—Or, the Time of the Hammer
Photography and the Proliferation of Images. The One and the Many
In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

p€ 12,95
Toke My Asymptote – oder: die ekstatische Agonie des Erscheinens ABO
Toke My Asymptote – or, The Ecstatic Agony of Appearance ABO
Meteomedia, oder: Warum Londons Wetter inmitten von allem is
In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen
Warum Ulysses wichtig ist
In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen
Kool Thing, oder: Warum ich Patty Hearst ficken will
In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen
Auf den Boden der Tatsachen kommen, oder: Was Quallen uns über Literatur zu sagen haben
In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen
Über Kugeln und Flächen: Tristram Shandy
In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen
Interim, oder: Die Zeit des Hammers
In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen
Das Erhabene verwischen Über Gerhard Richter
In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen
Die prothetische Imagination David Lynchs
In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen
Von der Rückkopplung zum Reflux Kafkas Kybernetik der Revolte
In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen
Die Geometrie des Dringlichen
In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen
Die Olive erstechen: Über Jean-Philippe Toussaint
In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen
Über Skooter-Jockeys
In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen
Nichts wird sich verwirklicht haben als die Wirklichkeit
In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen
18 teilweise miteinander verbundene Gedanken über Michel de Certeau, On Kawara, Fliegenfischen und diverse andere Dinge
In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen
Ungläubig in vielen Zungen reden: Über Kathy Acker
In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen
Der kommende Glibber
In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen

Oliviero Toscani

was born in Milan in 1942 and studied photography and design at Kunstgewerbeschule of Zurich from 1961 through 1965. He is internationally renowned as the creative force behind some of the world’s most successful brands, through the years creating what have become some of the most famous corporate images and advertising campaigns. His latest projects include collaborations with the Italian Red Cross and the UNHCR, as well as campaigns dedicated to improving road safety, fighting anorexia, combating violence against women. After six decades of publishing innovation, advertising, film, and television, Toscani now deals with creativity applied to various communication media, producing, with his studio and with Fabrica, editorial projects, books, television programs, exhibitions, and workshops.

Other texts by Oliviero Toscani for DIAPHANES

Photography and the Proliferation of Images. The One and the Many
In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

p€ 12,95

b€ 20,00 p€ 20,00

Donatien Grau (ed.), Christoph Wiesner (ed.)

Après la crise
États contemporains de la photographie

Softcover, 288 pages

PDF, 304 pages

Après la crise établit une plateforme de conversation entre protagonistes de l’art, de l’écriture, de la théorie, de l’exposition, et de l’histoire, afin d’interroger le statut de la photographie aujourd’hui. Les contributeurs viennent des domaines de la théorie critique, de la fiction, de la performance, de la photographie de mode, des musées, du cinéma et du design, et leurs discussions réunissent l’histoire et le contemporain. Ces échanges établissent des parallèles entre la situation actuelle des images photographiques et la crise vécue par la représentation au temps de la naissance de la photographie ; ils mettent en perspective notre relation aux images photographiques à l’ère numérique, et nous permettent de voir en la photographie un médium, une voie pour explorer la politique, l’esthétique, les émotions de nos vies.

Au travers de ces conversations vivantes, et des introductions sagaces qui les précèdent, nous en venons à ressentir le fardeau existentiel d’être entouré par des images, tout en commençant à saisir la profondeur historique d’un questionnement des images qui s’ouvrit bien avant la génération actuelle, et qui se confronte aux sujets politiques et culturels cruciaux de notre temps.

Avec les contributions de Philippe Artières, Osei Bonsu, Emma Bowkett, Elisabeth Bronfen, Emanuele Coccia, Russell Ferguson, Dominique de Font-Réaulx, Marc Fumaroli, Leigh Ledare, Kieran Long, Roxana Marcoci, Renzo Martens, Paul McCarthy, Tom McCarthy, Pascale Montandon-Jodorowsky, ORLAN, Alice Rawsthorn, Jeff Rosenheim, Elisa Schaar, Bruno Serralongue, Devika Singh, Abdellah Taïa, Oliviero Toscani, Inez van Lamsweerde & Vinoodh Matadin, Wim Wenders, Richard Wentworth.

Content

5–10

Préface

Donatien Grau, Christoph Wiesner

pOpen access
11–48

Peinture et photographie. L’impossible réconciliation

Russell Ferguson, Dominique de Font-Réaulx, ...

p€ 12,95
49–84

Photographie et politique. Images par le monde

Osei Bonsu, Donatien Grau, ...

p€ 12,95
85–118

Photographie et événement artistique. L’unicité recréée

Philippe Artières, Donatien Grau, ...

p€ 12,95
119–162

Photographie et prolifération des images. L’Un et le Multiple

Emma Bowkett, Donatien Grau, ...

p€ 12,95
163–198

Photographie et choses. Toucher les images

Emanuele Coccia, Donatien Grau, ...

p€ 12,95
199–248

Photographie et fiction. Nos histoires irréelles

Elisabeth Bronfen, Donatien Grau, ...

p€ 12,95
249–268

La mécanicité de la photographie

Marc Fumaroli, Donatien Grau

p€ 7,95

Topics

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In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

In: Donatien Grau (ed.), Christoph Wiesner (ed.), Après la crise

In: Donatien Grau (ed.), Christoph Wiesner (ed.), Après la crise

In: Donatien Grau (ed.), Christoph Wiesner (ed.), Après la crise

In: Donatien Grau (ed.), Christoph Wiesner (ed.), Après la crise

In: Donatien Grau (ed.), Christoph Wiesner (ed.), Après la crise

In: Donatien Grau (ed.), Christoph Wiesner (ed.), Après la crise

In: Donatien Grau (ed.), Christoph Wiesner (ed.), Après la crise

In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

In: Catherine Brun (ed.), Guillaume Fau (ed.), Donatien Grau (ed.), Pierre Guyotat et l’Algérie

In: Catherine Brun (ed.), Guillaume Fau (ed.), Donatien Grau (ed.), Pierre Guyotat et l’Algérie

In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

In: Tom McCarthy, Recessional—Or, the Time of the Hammer

In: Tom McCarthy, Recessional—Or, the Time of the Hammer

In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen

In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen

In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen

In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen

In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen

In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen

In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen

In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen

In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen

In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen

In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen

In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen

In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen

In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen

In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen

In: Tom McCarthy, Schreibmaschinen, Bomben, Quallen

In: Donatien Grau (ed.), Christoph Wiesner (ed.), After the Crisis

5–10

Donatien Grau, Christoph Wiesner

11–48

Russell Ferguson, Dominique de Font-Réaulx, ...

49–84

Osei Bonsu, Donatien Grau, ...

85–118

Philippe Artières, Donatien Grau, ...

119–162

Emma Bowkett, Donatien Grau, ...

163–198

Emanuele Coccia, Donatien Grau, ...

199–248

Elisabeth Bronfen, Donatien Grau, ...

249–268

Marc Fumaroli, Donatien Grau