“A spiral-shaped investigation of Giacometti’s work revolving around various readings of one of his sculptures … Didi-Huberman exploits the formal presence of Cube to construct a metaphoric and polyphonic interplay of critical facets which allows him to engage with a range of Giacometti’s aesthetical investigations.” Timothy Mathews, excerpt from Alberto Giacometti: The Art of Relation.
studied Art History, Cinema and TV-Studies and Philosophy at Ruhr-University Bochum. After being a doctoral researcher at the DFG research training group ›Identity and Difference‹ at Trier University she finished her PhD thesis about »Signatures of Alterity« at the Brunswick University of Art. 2011–2013 she was a postdoctoral researcher at the DFG research training group ›Visibility and Visualisation. Hybrid Forms of Pictorial Knowledge‹ at Potsdam. Her research is about aesthetic thinking, Drawing/Distortions (Verzeichnungen), signatures, theories of authorship, alterity, visual thinking.
is a postdoctoral research fellow in the DFG-project “Rhythm and Projection” at the Institute of General and Comparative Literature at Free University in Berlin and free curator. She wrote her dissertation on Sensuous Thinking in Sergei Eisenstein’s theory project Method. She has published various articles on Soviet Cinema, forms of visual thinking, practices of montage and the relations between literature, ethnology, art and science. Together with Marie Rebecchi she curated the exhibition on “Sergei Eisenstein: The Anthropology of Rhythm” at Nomas Foundation, Rome.