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Fabienne Liptay: On the Higher Frequencies
On the Higher Frequencies
(p. 99 – 128)

Fabienne Liptay

On the Higher Frequencies

  • sound
  • life sciences
  • film experience
  • cultural history
  • media studies
  • art history
  • aesthetics of film
  • cultural studies
  • literary studies
  • music

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Fabienne Liptay

Fabienne Liptay is a professor of Film Studies at the University of Zurich. Currently, she is directing the research project Exhibiting Film: Challenges of Format (2017–2026), which was awarded an excellence grant by the Swiss National Science Foundation. She has published widely on the theory and aesthetics of the moving image, film exhibition, time-based artistic practice, and expanded cinema. Her publications include the monograph Telling Images: Studien zur Bildlichkeit des Films (diaphanes, 2016), as well as the co-edited volumes Taking Measures: Usages of Formats in Film and Video Art (Scheidegger & Spiess, 2023) in collaboration with the Migros Museum für Gegenwartskunst, and Eco-operations (diaphanes, 2024) with Liliana Gómez in collaboration with the documenta Institut. Together with Dorota Sajewska and a group of researchers, artists, and curators, Fabienne Liptay founded the Institute for Performance and Film Expanded (www.ipf-expanded.com)—a platform for the transformative power of nondisciplinary thinking and art.
Other texts by Fabienne Liptay for DIAPHANES
Giuseppe Di Salvatore (ed.), Fabienne Liptay (ed.): The Sirenic: Follow the Water, Follow the Sound

“Follow the Water Follow the Sound” is a call and response. Far removed from the associations of seduction and fear that the siren — both as mythological figure and alarm device — has inspired, it is an invitation to another perceptual attunement to our environment. Offering an original perspective, the book imagines the “Sirenic” as a practice oriented towards emergent futures, fabulations of becoming and pedagogies of transformation.

The book engages with notions of singing, voicing and listening that reach into a sonic pluriverse. Through these notions, it provides the grounds for an expanded conception of cinema emerging through sound, music and performance.

Bringing together scholars, curators and artists from across disciplines, the book unfolds as a polyphonic publication. Echoing one another in multiple ways, the authors explore the mythologies and ecologies of water, the poetics and politics of voice, and the invocation of a communal spirit through film and other arts.

 

With contributions by Ruth Baettig, Dalida María Benfield, Elena Biserna, Mattia Capelletti, Giuseppe Di Salvatore, Burcu Dogramaci, Magali Dougoud, Lidia Gasperoni, Alexandra Gelis, Tobias Gerber, Ute Holl, Roberta Ioli, Pauline Julier and Caroline Courrioux, Fabienne Liptay, Gabriel Paiuk, Alice Sartori, Davide Tolfo, Alexandra Tsiamparta, Matthias Maria Wittmann.

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