Notice (8): unserialize() [function.unserialize]: Error at offset 8177 of 13533 bytes [CORE/cake/libs/cache/file.php, line 190]
Code | Context
                $data = str_replace('\\\\\\\\', '\\', $data);
            }
            $data = unserialize((string)$data);
$key	=	"cake_model_default_buch"
$time	=	1734837784
$cachetime	=	1734837794
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unserialize - [internal], line ??
FileEngine::read() - CORE/cake/libs/cache/file.php, line 190
Cache::read() - CORE/cake/libs/cache.php, line 362
DataSource::__cacheDescription() - CORE/cake/libs/model/datasources/datasource.php, line 475
DataSource::describe() - CORE/cake/libs/model/datasources/datasource.php, line 278
DboMysqlBase::describe() - CORE/cake/libs/model/datasources/dbo/dbo_mysql.php, line 120
Model::schema() - CORE/cake/libs/model/model.php, line 938
Model::setSource() - CORE/cake/libs/model/model.php, line 789
Model::__construct() - CORE/cake/libs/model/model.php, line 483
ClassRegistry::init() - CORE/cake/libs/class_registry.php, line 142
Controller::loadModel() - CORE/cake/libs/controller/controller.php, line 637
Controller::constructClasses() - CORE/cake/libs/controller/controller.php, line 502
Dispatcher::_invoke() - CORE/cake/dispatcher.php, line 186
Dispatcher::dispatch() - CORE/cake/dispatcher.php, line 171
[main] - APP/webroot/index.php, line 116

 

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Émile Benveniste: »La théorie de la langue poétique est encore à venir «
(p. 123 – 138)

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Sandro Zanetti

Émile Benveniste: »La théorie de la langue poétique est encore à venir «

PDF, 16 pages

• avant-garde
• literary studies
• poetics
• Think Art
• post-structuralism
• intertextuality
• aesthetics
• revolution
• history of literature

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Sandro Zanetti

is a professor for General and Comparative Literature at the University of Zurich. He studied German, History and Philosophy in Basel, Freiburg im Breisgau and Tübingen (1993-1999). After research and teaching in Frankfurt am Main, Basel, Berlin and Hildesheim, Zanetti has been the program director and head of the division for General and Comparative Literature (AVL) at the University of Zurich since 2011, first as an assistant professor (2011-2015), since 2015 as an associate professor. Since its inception in 2014, he is member of the executive committee of the Zentrum Künste und Kulturtheorie (ZKK) (Centre for the Arts and Cultural Theory), UZH. His current research interests include: artistic production processes and poetics of (im)probability.

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Other texts by Sandro Zanetti for DIAPHANES

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  2014. Einleitung OPEN
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  In: Sandro Zanetti (ed.), Improvisation und Invention

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  1957. Situationistische Interventionen mittels Zweckentfremdung

  In: Sandro Zanetti (ed.), Improvisation und Invention

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  1941. Claude Lévi-Strauss und André Breton über »écriture automatique«

  In: Sandro Zanetti (ed.), Improvisation und Invention

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  1834. Maximilian Langenschwarz und die Kunst, sich selber Steine in den Weg zu legen

  In: Sandro Zanetti (ed.), Improvisation und Invention

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  Einleitung

  In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Ästhetische Theorie

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  Auratische Theorie: Walter Benjamin

  In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Ästhetische Theorie

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  Introduction

  In: Dieter Mersch (ed.), Sylvia Sasse (ed.), Sandro Zanetti (ed.), Aesthetic Theory

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  Auratic Theory: Walter Benjamin

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  Einleitung

  In: Thomas Fries (ed.), Sandro Zanetti (ed.), Revolutionen der Literaturwissenschaft 1966–1971

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• 

  Roland Barthes: »[T]he birth of the reader must be ransomed by the death of the Author.«

  In: Thomas Fries (ed.), Sandro Zanetti (ed.), Revolutionen der Literaturwissenschaft 1966–1971

  pOpen access
• 

  Gilles Deleuze: »A quoi sert la littérature?«

  In: Thomas Fries (ed.), Sandro Zanetti (ed.), Revolutionen der Literaturwissenschaft 1966–1971

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• 

  Umberto Eco: »[L]a nostra ricerca non ha nulla a che vedere con lo strutturalismo.«

  In: Thomas Fries (ed.), Sandro Zanetti (ed.), Revolutionen der Literaturwissenschaft 1966–1971

  pOpen access
• 

  Roman Jakobson: »a harmonious disposition of unusually varied devices either on a strip of canvas or in a few lines of a notebook«

  In: Thomas Fries (ed.), Sandro Zanetti (ed.), Revolutionen der Literaturwissenschaft 1966–1971

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Thomas Fries (ed.), Sandro Zanetti (ed.)

Revolutionen der Literaturwissenschaft 1966–1971

Softcover, 508 pages

PDF, 508 pages

Revolutionen finden (auch) in Worten statt: Sätze werden gewendet, in neue Bedeutungen gekehrt, setzen Getrenntes in überraschende Verbindungen, mit weitreichenden Folgen. Rückblickend bescherte die Zeit um 1968 auch der Literaturwissenschaft eine große Wende, von der sie bis heute zehrt. Mit der großen Konferenz in Baltimore 1966 wurde der französische Strukturalismus zu einer internationalen Bezugsgröße. Er bewirkte eine Annäherung der Geistes- und Sozialwissenschaften mit fachübergreifenden Fragestellungen und Modellen auf der Basis einer gewandelten Sprachtheorie. Eine ganze Reihe von Initiativen in den USA und Europa entstand. Für die Literaturwissenschaft bedeutete dies: Aufbrechen der sprachlichen und fachlichen Grenzen, internationale Theorie, Interdisziplinarität, eine verstärkte Komparatistik in allen Philologien. Gleichzeitig mit der Konferenz in Baltimore distanzierte sich der deutsche Germanistentag in München zum ersten Mal von der NS-Germanistik. Erste Konturen einer künftigen Germanistik wurden sichtbar, mit der Forderung nach mehr Komparatistik. In Zürich wurde 1968/69 mit Paul de Man als erstem Ordinarius das Seminar für Vergleichende Literaturwissenschaft gegründet. Peter Szondi, der wie kein anderer diese neue Literaturwissenschaft verkörperte, sollte 1971 die Nachfolge von Paul de Man antreten. Mit dem Tod Peter Szondis im selben Jahr endete eine Ära. Zugleich begann eine neue Zeit des Fragens. Was bleibt von den Revolutionen der Literaturwissenschaft 1966–1971? Die Beiträge in diesem Band geben Antworten auf diese Frage.

Content

• 7–40

  Einleitung

  Thomas Fries, Sandro Zanetti

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• 41–56

  Nicolas Abraham und Maria Torok: »Sous le fétiche se dissimule l’amour occulte d’un mot-objet […].«

  Charles de Roche

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• 57–74

  Theodor W. Adorno: »Die Sprachähnlichkeit steigt mit dem Fallen der Mitteilung.«

  Barbara Naumann

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• 75–86

  Louis Althusser: »– l’AIE culturel (Lettres, Beaux-Arts, sports, etc.)«

  Jürg Berthold

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• 87–102

  Michail M. Bachtin: »Литературоведение как наиболее свободная (почти карнавальная) область исследования«

  Sylvia Sasse

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• 103–122

  Roland Barthes: »[T]he birth of the reader must be ransomed by the death of the Author.«

  Sandro Zanetti

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• 123–138

  Émile Benveniste: »La théorie de la langue poétique est encore à venir «

  Sandro Zanetti

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• 139–152

   Maurice Blanchot: »[L]a littérature […] est faite pour décevoir toute identité […].«

  Marco Baschera

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• 153–174

   Paul de Man: »The only literal statement that says what it means to say is the assertion that there can be no literal statements.«

  Thomas Fries

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• 175–188

  Guy Debord: »Le spectacle […] ne dit rien de plus que ›ce qui apparaît est bon, ce qui est bon apparaît‹.«

  Anja Nora Schulthess

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• 189–202

  Gilles Deleuze: »A quoi sert la littérature?«

  Sandro Zanetti

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• 203–222

  Jacques Derrida: »[C]e supplément est, comme on dit d’une pièce, d’origine.«

  Philippe P. Haensler

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• 223–240

  Umberto Eco: »[L]a nostra ricerca non ha nulla a che vedere con lo strutturalismo.«

  Stefanie Heine, Sandro Zanetti

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• 241–256

  Leslie Fiedler: »Why not, then, invent a New New Criticism, a Post-Modernist criticism?«

  Fritz Gutbrodt

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• 257–272

  Michel Foucault: »L’homme a composé sa propre figure dans les interstices d’un langage en fragments.«

  Franziska Humphreys

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• 273–288

  Hans-Jost Frey: »Since talking always means to say something, we are most of the time […] unaware of the fact that we are talking.«

  Monika Kasper

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• 289–308

  Gérard Genette: »Ici donc, ici seulement – par la métaphore, mais dans la métonymie –, ici commence le Récit.«

  Klaus Müller-Wille

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• 309–320

  René Girard: »Apollo’s oracle still controls our destiny.«

  Thomas Fries

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• 321–338

  Roman Jakobson: »a harmonious disposition of unusually varied devices either on a strip of canvas or in a few lines of a notebook«

  Sandro Zanetti

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• 339–356

  Julia Kristeva: »[L]a seule manière qu’a l’écrivain de participer à l’histoire devient alors la transgression […] par une écriture-lecture.«

  Sylvia Sasse

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• 357–372

  Jacques Lacan: »[L]’inconscient, c’est le discours de l’Autre.«

  Johannes Binotto

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• 373–394

  Emmanuel Levinas: »Il est difficile de pardonner à Heidegger.«

  Philippe P. Haensler

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• 395–412

  Marshall McLuhan und Quentin Fiore: »The medium is the massage.«

  Stefanie Heine

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• 413–424

  Philippe Sollers: »Sommes-nous donc si sûrs de savoir écrire et lire?«

  Marco Baschera

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• 425–446

  Susan Sontag: »Interpretation […] violates Art.«

  Rahel Villinger

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• 447–460

  Jean Starobinski: »Tout texte est un produit productif.«

  Evelyn Dueck

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• 461–476

  Peter Szondi: »Das philologische Wissen hat seinen Ursprung, die Erkenntnis, nie verlassen, Wissen ist hier perpetuierte Erkenntnis – oder sollte es doch sein.«

  Wolfram Groddeck

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• 477–492

  Tzvetan Todorov: »Le fantastique, c’est l’hésitation éprouvée […] face à un événement en apparence surnaturel.«

  Daniel Illger, Christine Lötscher

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• 493–500

  Zu den Autorinnen und Autoren

• 501–512

  Index

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