J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-­alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. As Ballard emphasises several times in the World Versus America notebooks, he is utterly serious in his concerns and visions.
Although the Ballard ­estate declined permission for any images of pages from the World Versus America archival notebooks to accompany this essay, any member of the general public interested to do so can readily visit the British Library and view the notebooks in their entirety in the freely-­accessible manuscripts collection there.

– In what way are you a communist – since we need to define this: someone who is convinced that a totally different form of organization of communal life would be good for the human race, –

– Isn’t that equally true of monarchists and leaders of sects?

– ...with a focus on justice.

– but the people should behave differently, right?

– They should be totally different.

– Are you not simply a misanthropist?

––––––––––––––––––––––

– No, because there are people that I like, very much even. And I understand all the less why most people feel compelled to be so nasty.

– Most people don’t seem to be quite as bothered by this as you are.

– Oh really? In my perception, most people are pretty bothered by anything that is different than themselves. That is why we need rules that define how to behave toward people we can’t stand.

– You have just been suffering in a...

The curators were probably worried that someone would stumble carelessly up the stairs while looking at the exhibits—could I simply have gone past the first object at the bottom? Number 1, “Formless Veil, curtain …” Must have been attached to the wall just between the entrance and exitus … “My dear colleague …!” and staircase. “… curtain, height 310 cm, width 475 cm.” I must already have seen it in the previous section, wall-high thing. What I’m overlooking, it occurs to me, is what’s essential. Which is the simplest form of analysis. I should actually go back down the gently curving stone stairs. But it’s over. Before me the Anatomical Theatre opens up along a last flat landing. Lights …

Set into the rectangular space is the oval of a gleaming brown wooden balustrade. From here you look down. Someone is whispering. The funnel of the auditorium declines in three narrowing...

• exhibition
• museum
• body
• contemporary art

• homosexuality
• contemporary literature
• motherhood