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When life’s hard, time’s a motherfucker going slow
When life’s hard, time’s a motherfucker going slow

Soham Gupta

Angst

Through the grayness of this concrete city, streams of tin-box vehicles flow ahead languidly – and like at a river’s delta, distributaries of little hatchbacks and dented yellow taxis branch off from the main road, spreading in varied directions. From your roof, you can see the whole city, you can feel it’s pulse – yet, there is such a strange silence around you, it’s as if the noise below is far, far away, so far that you are actually longing...
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Maël Renouard

On Memory Atrophy

Externalized memory had always proceeded by contractions, summaries, reductions, selections, breaks in flow, as well as by organization, classification, boiling down. Card catalogues reduced thousands of works to a few key notions; tables of contents contracted the hundreds of pages in a given book. The sign itself was the first abbreviation of experience. An epic stitched of words was an abbreviation of the war, the long years of which were reduced to a few nights of recitation; the written text that recorded the epic was a contraction of the oral narration which pushed aside its sensory richness, melody, life in a thousand details. In accumulating, every level of abbreviation reconstituted an infinite flow, a new dilation that would be contracted in its turn. From the plurality of pages to the index and the table of contents; from the plurality of books to card catalogues.

The abbreviated elements were further arranged, situated...

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Current Texts
“Poetry must be made  by all. Not by one.”

Mário Gomes

“Poetry must be made by all. Not by one.”

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  • South America
  • fiction
  • theory of architecture
  • spatial turn
  • poetics
  • architecture
  • community
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The limp, voluptuous decadence of the place

Bruce Bégout

The limp, voluptuous decadence of the place

  • short stories
  • avant-garde
  • urbanism
  • obsession
  • contemporary literature
  • Venice

 

To end GOD’S JUDGEMENT
To end GOD’S JUDGEMENT

Antonin Artaud, Stephen Barber (ed.)

Radio Works: 1946–48

Artaud’s work is performative in the sense that it never simply describes, but actively produces the events it enacts. As Austin characterises performative language, ‘the issuing of the utterance is the performing of an action’.3 Artaud’s work, performed correctly, is magical, finding its power in ritualistic chanting. Intonation is key to this, recalling what he wrote about metaphysical language in The ­Theatre and its Double, where the aim is ‘to deal with intonations in an absolutely concrete manner, restoring their...
  • literature
  • radio
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Humanity is a metahuman concept.

Rolf Bossart, Milo Rau

Humanity is a metahuman concept.

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  • art theory
  • transhumanism
  • re-enactment
  • realism
  • postmodernism
  • artistic practice