In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways.
In the post-avant-garde era we’re all either in the vanguard or asleep in the lap of capital. In this sense everybody
is avant-garde—or nobody.
In the late nineteenth century Alfred Jarry created a prototype of the modern wannabe in his pot-bellied Père Ubu, a figure that raises entitlement to a high art. Ubu doesn’t want to be king; others urge him to it. But he is also the others. And when he does become king, CEO, or US president, he doesn’t know what it means, or if it means anything at all. He just states his claim. And so he shimmies from statement to power. And having obtained power, Ubu decerebrates the world, exposing the grounds for groundlessness, to paraphrase Ortega y Gasset. Ubu is a tautomaniac, that is, he can be explained in his own terms and is thus always in the right (being in the right is all he is). He needs no proof, but on the contrary wants “to turn the absurd into the highest power of thought” (Deleuze & Guattari)....
Ξένος extraneus του έξω όχι του μέσα (intraneus) όχι της οικίας unheimlich όχι του heim όχι της εστίας της άλλης πλευράς της πόρτας – fores, foreigner όχι υπερβολικά στον ρυθμό, odd όχι κανονικός όχι συνήθης σπάνιος ιδιάζων seltsam παράξενος besherat γενναίος κομψός απρόβλεπτος στραβός verschroben
λοξός αναπάντεχος εξαιρετικός εκπληκτικός
Είναι εκπληκτικό πόσες λέξεις εκφράσεις τρόπους διαφορετικούς έχουμε για να μιλήσουμε για τον παράξενο ξένο τον ausländer τον έξω από τη χώρα και όχι «pays avec nous» όπως λέγαμε κάποτε στη Γαλλία «c’est un pays à moi» για να πούμε κάποιος από το χωριό μου τη γειτονιά μου την περιοχή μου την πατρίδα μου
When to switch off? What to look for? How to write? Which lines to draw? Whence self-recognition? DIAPHANES 3—TIME PROBE ZERO SYNTHESIS
– In what way are you a communist – since we need to define this: someone who is convinced that a totally different form of organization of communal life would be good for the human race, –
– Isn’t that equally true of monarchists and leaders of sects?
– ...with a focus on justice.
– but the people should behave differently, right?
– They should be totally different.
– Are you not simply a misanthropist?
– No, because there are people that I like, very much even. And I understand all the less why most people feel compelled to be so nasty.
– Most people don’t seem to be quite as bothered by this as you are.
– Oh really? In my perception, most people are pretty bothered by anything that is different than themselves. That is why we need rules that define how to behave toward people we can’t stand.
– You have just been suffering in a...
The curators were probably worried that someone would stumble carelessly up the stairs while looking at the exhibits…
The curators were probably worried that someone would stumble carelessly up the stairs while looking at the exhibits—could I simply have gone past the first object at the bottom? Number 1, “Formless Veil, curtain …” Must have been attached to the wall just between the entrance and exitus … “My dear colleague …!” and staircase. “… curtain, height 310 cm, width 475 cm.” I must already have seen it in the previous section, wall-high thing. What I’m overlooking, it occurs to me, is what’s essential. Which is the simplest form of analysis. I should actually go back down the gently curving stone stairs. But it’s over. Before me the Anatomical Theatre opens up along a last flat landing. Lights …
Set into the rectangular space is the oval of a gleaming brown wooden balustrade. From here you look down. Someone is whispering. The funnel of the auditorium declines in three narrowing...