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Fabienne Liptay: Ana Mendieta: From Cooperation to Entanglement
Ana Mendieta: From Cooperation to Entanglement
(p. 77 – 106)

Fabienne Liptay

Ana Mendieta: From Cooperation to Entanglement

PDF, 30 pages

  • artistic practice
  • global ecology
  • ecology

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English

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English

Fabienne Liptay

Fabienne Liptay is a professor of Film Studies at the University of Zurich. Currently, she is directing the research project Exhibiting Film: Challenges of Format (2017–2026), which was awarded an excellence grant by the Swiss National Science Foundation. She has published widely on the theory and aesthetics of the moving image, film exhibition, time-based artistic practice, and expanded cinema. Her publications include the monograph Telling Images: Studien zur Bildlichkeit des Films (diaphanes, 2016), as well as the co-edited volumes Taking Measures: Usages of Formats in Film and Video Art (Scheidegger & Spiess, 2023) in collaboration with the Migros Museum für Gegenwartskunst, and Eco-operations (diaphanes, 2024) with Liliana Gómez in collaboration with the documenta Institut. Together with Dorota Sajewska and a group of researchers, artists, and curators, Fabienne Liptay founded the Institute for Performance and Film Expanded (www.ipf-expanded.com)—a platform for the transformative power of nondisciplinary thinking and art.
Other texts by Fabienne Liptay for DIAPHANES
Liliana Gómez (ed.), Fabienne Liptay (ed.): Eco-operations

Liliana Gómez (ed.), Fabienne Liptay (ed.)

Eco-operations

Softcover, 336 pages

PDF, 336 pages

The climate change crisis has become part of aesthetic discourse and critical research in culture and the arts. Future-oriented, ecologically conceived possibilities for action are being explored by artists, curators, and scholars alike. Eco-operations addresses these emerging aesthetic ecologies and new technologies of cooperation that both challenge and shape a sustainable future, foregrounding interruptions, ruptures, disconnections, dissonances, exclusions, and allochronism. Moving beyond the concepts of “flow” and “network” as a single, coherent (ecological or technological) system, Eco-operations instead emphasizes the frictions within asynchronously running systems. The infrastructures and formats of artistic production and exhibition play a central role here, as they themselves constitute ecosystems that invite and regulate processes of sharing and exchange. Artists and activists are embedded in these ecosystems, in which they simultaneously intervene when searching for alternative ways of creating collaborative practice. Bringing together scholars, artists, writers, and curators, and working across a range of disciplines, Eco-operations explores this field of tension between global and local ecologies, and aims to speculate on where dissonances imply both creative potential and political challenges.

With contributions by Dalida María Benfield, Ursula Biemann, Lisa Blackmore, T. J. Demos, Laura Flórez & Lorena García Cely, Sandra ­Frimmel, Alexandra Gelis, Liliana Gómez, ­Fabienne ­Liptay, Ana María Lozano, Uriel Orlow, Dorota Sajewska.

Each book also contains an individual print of one of the paperworks that artist Alexandra Gelis has produced during the process of the publication.

An artists edition with a unique handmade cover and paper work by Alexandra Gelis is available directly through DIAPHANES:

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