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"To explore the speculative is urgent and necessary"
(p. 130 – 136)
(p. 130 – 136)
Kerstin Stakemeier, Susanne Witzgall, Liam Young
"To explore the speculative is urgent and necessary"
PDF, 7 pages
Kerstin Stakemeier
studied political science and art history, in which she completed her PhD in 2010. She taught a.o. at the Bauhaus University Weimar and the Free University Berlin, was a researcher at the Jan van Eyck Academie, Maastricht. Since 2012 she is a junior professor at the cx centre of interdisciplinary studies at the Academy of Fine Arts Munich. Stakemeier was the initiator of the »Space for Actualisation«, Hamburg (with Nina Köller, 2007/2008) and realised exhibitions at a.o. Kunsthaus Bregenz (with Eva Birkenstock, 2010) and Staatsgalerie Stuttgart (with Anja Kirschner/David Panos, 2011).
Other texts by Kerstin Stakemeier for DIAPHANES
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Vorwort der Herausgeberinnen
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Macht des Materials – Politik der Materialität
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Krise und Materialität in der Kunst: über Formwerdung und Digitalität
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Macht des Materials – Politik der Materialität
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Crisis and Materiality in Art. On the Becoming of Form and Digitality OPEN
ACCESSIn: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Power of Material – Politics of Materiality
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Editor's Preface
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Power of Material – Politics of Materiality
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Vorwort der Herausgeberinnen
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identitäten
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Digitale Sidekicks. Einleitung II
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identitäten
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Enteignung und Nutzlosigkeiten. Fragile Identitäten
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identitäten
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Vorwort der Herausgeberinnen
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Die Gegenwart der Zukunft
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Katastrophische Reproduktion: Science Fiction jenseits des Subjekts
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Die Gegenwart der Zukunft
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Editors’ Preface
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identities
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Expropriation and Uselessness. Fragile Identities OPEN
ACCESSIn: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identities
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Editors' Preface
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), The Present of the Future
-
Catastrophic Reproduction: Science Fiction on the Far Side of the Subject
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), The Present of the Future
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"Each time I believe that things are predictable I get sick"
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), The Present of the Future
Susanne Witzgall
has been the academic head of the BMBF-funded cx centre for interdisciplinary studies at the Academy of Fine Arts Munich since 2011. She studied art history, theatre studies, psychology and art pedagogy at the Ludwig-Maximilians University in Munich and the University of Stuttgart, where she received her doctorate in 2001. From 2003 to 2011 she taught in the department of art history at the Academy of Fine Arts Munich. She has worked as a freelance curator, and was a curator at the Deutsches Museum Bonn and the Deutsches Museum München from 1995 to 2002. Susanne Witzgall curated or cocurated Art & Brain II (1997/1998), Das zweite Gesicht/The Other Face (2002), Say it isn’t so (2007), (Re)designing nature (2010/2011) and other exhibitions, and is the author and editor of numerous books and essays on contemporary art, the relationship between art and science, and subjects of current interdisciplinary debates. These include her monograph Kunst nach der Wissenschaft (Verlag für moderne Kunst, 2003) as well as the publications New Mobility Regimes in Art and Social Sciences (ed. with Gerlinde Vogl and Sven Kesselring, Ashgate, 2013), Power of Material/Politics of Materiality, Fragile Identities, The Present of the Future (all three ed. with Kerstin Stakemeier, diaphanes, 2014, 2016 and 2017 respectively) and Real Magic (2018). Since 2019 she is member of the advisory board of the Piet Zwart Institute/Willem de Kooning Academy Rotterdam as well as of the Institute of Modern Art Nuremberg.
Other texts by Susanne Witzgall for DIAPHANES
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Vorwort der Herausgeberinnen
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Macht des Materials – Politik der Materialität
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Macht des Materials/Politik der Materialität – eine Einführung
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Macht des Materials – Politik der Materialität
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Neue Materialist_innen in der zeitgenössischen Kunst
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Macht des Materials – Politik der Materialität
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Power of Material/Politics of Materiality. An Introduction
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Power of Material – Politics of Materiality
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New Materialists in Contemporary Art
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Power of Material – Politics of Materiality
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Editor's Preface
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Power of Material – Politics of Materiality
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Vorwort der Herausgeberinnen
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identitäten
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Fragile Identitäten und die Frage des Zusammenlebens. Einleitung I
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identitäten
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Digitales Ich und überfordertes Subjekt. Künstlerische Repräsentationen des Selbst und die Neukonzeption der Subjektivität
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identitäten
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Vorwort der Herausgeberinnen
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Die Gegenwart der Zukunft
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Auf der Suche nach der Zukunft. Einleitung und Epilog
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Die Gegenwart der Zukunft
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Editors’ Preface
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identities
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Fragile Identities and the Question of Cohabitation – Introduction I
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identities
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“Sociality is the most fundamental part of what we are”. In conversation with Paul Broks, Stephen Frosh and Emily Wardill
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identities
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“I don’t really have an identity other than within a context”. In conversation with Terre Thaemlitz
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identities
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“We don't feel fragile, but maybe tomorrow...”. In conversation with Claire Denis, Okwui Enwezor and Sarah Rifky OPEN
ACCESSIn: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identities
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“Every human body is an old civilization”. In conversation with Emine Sevgi Özdamar and Christian Kravagna ABO
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identities
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The Digital Self and the Subject Under Strain. Artistic Self-Representation and the Quest for a New Concept of Subjectivity OPEN
ACCESSIn: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), Fragile Identities
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Vorwort
In: Susanne Witzgall (ed.), Reale Magie
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Reale Magie – eine einleitende Annäherung
In: Susanne Witzgall (ed.), Reale Magie
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»Kunst sollte dazu aufrufen, Schamane oder Priester zu werden«
In: Susanne Witzgall (ed.), Reale Magie
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»Wir müssen Magie als eine Form der Wissenserlangung verstehen«
In: Susanne Witzgall (ed.), Reale Magie
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Anrufungen der Materie. Zeitgenössische Kunst und der Neue Materialismus als magisches Diagramm
In: Susanne Witzgall (ed.), Reale Magie
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»Natürlich dreht sich alles um Macht«
In: Susanne Witzgall (ed.), Reale Magie
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»Wenn wir über Magie sprechen, denke ich an eine Art neurologische Nano-Besssenheit
In: Susanne Witzgall (ed.), Reale Magie
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Editors' Preface
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), The Present of the Future
-
In Search of the Future. Introduction and Epilogue
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), The Present of the Future
-
"Each time I believe that things are predictable I get sick"
In: Kerstin Stakemeier (ed.), Susanne Witzgall (ed.), The Present of the Future
-
Real Magic – An Introductory Approach
In: Susanne Witzgall (ed.), Real Magic
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Invocations of Matter – Contemporary Art and New Materialism as a Magical Diagram
In: Susanne Witzgall (ed.), Real Magic
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Vorwort
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybride Ökologien
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Hybride Ökologien – eine Einleitung
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybride Ökologien
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»Eine Art des Seins in der Welt«. Relationale Onto-Epistemologien in Kunst und Theorie der Gegenwart
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybride Ökologien
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Editors’ Preface
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybrid Ecologies
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Hybrid Ecologies – An Introduction
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybrid Ecologies
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‘A Way of Being in the World’. Relational Onto-Epistemologies in Contemporary Art and Theory
In: Marietta Kesting (ed.), Maria Muhle (ed.), Jenny Nachtigall (ed.), Susanne Witzgall (ed.), Hybrid Ecologies
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Vorwort der Herausgeberinnen
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte
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Politik der Emotionen/Macht der Affekte. Eine Einleitung
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte
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»Gefühle sind immer übertragbar«. Antonio Damasio im Gespräch mit Susanne Witzgall
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte
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»Emotionen sind im politischen Prozess immer präsent und sollten es auch sein«. Eva Illouz im Gespräch mit Susanne Witzgall
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte
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Zwischen Aufbruch und Ausgrenzung. Politiken der Angst in den zeitgenössischen Künsten
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politik der Emotionen/Macht der Affekte
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Editors’ Foreword
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politics of Emotion/Power of Affect
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Politics of Emotion/Power of Affect – An Introduction
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politics of Emotion/Power of Affect
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‘Feelings are transferable.’ Antonio Damasio in conversation with Susanne Witzgall
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politics of Emotion/Power of Affect
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‘Emotions are always present and should always be present in the political process’. Eva Illouz in conversation with Susanne Witzgall
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politics of Emotion/Power of Affect
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Between Awakening and Exclusion: The Politics of Anxiety in the Contemporary Arts
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Politics of Emotion/Power of Affect
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Editors’ Preface
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
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Human after Man – First Introduction
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
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‘Humanity in the animistic sense is very much something that you can earn’. In conversation with Istvan Praet
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
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Copoiesis and Sympoiesis. How Can We Become More Human? How Can We Humanize?. Bracha L. Ettinger in conversation with Kathrin Thiele and Susanne Witzgall
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
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‘Who is chaos for whom, and who stays on which side of the border?’. In conversation with Morehshin Allahyari
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
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Relational vs. Self-Sufficient Subject. Otobong Nkanga’s and Sandra Mujinga’s Re-Imaginations of the Human (with reference to Octavia Butler’s Xenogenesis Series)
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
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‘Most of the time people expect African reality and they don’t allow African imagination to exist’. In conversation with Jean-Pierre Bekolo
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
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Vorwort der Herausgeberinnen
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
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Das Menschliche nach dem Menschen [Human after Man] – erste Einführung
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
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»Menschsein im animistischen Sinne ist in erster Linie etwas, das verdient werden kann«. Im Gespräch mit Istvan Praet
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
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Kopoiesis und Sympoiesis. Wie können wir menschlicher werden, wie können wir vermenschlichen? Bracha L. Ettinger im Gespräch mit Kathrin Thiele und Susanne Witzgall
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
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»Wer ist für wen Chaos? Und wer verbleibt auf welcher Seite der Grenze?«. Im Gespräch mit Morehshin Allahyari
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
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Relationales vs. autarkes Subjekt. Otobong Nkangas und Sandra Mujingas Re-Imaginationen des Menschen (mit Rekurs auf Octavia Butlers Xenogenesis-Serie)
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
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»Meistens erwarten die Menschen afrikanische Realität und verweigern afrikanischer Vorstellungskraft die Existenz«. Im Gespräch mit Jean-Pierre Bekolo
In: Marietta Kesting (ed.), Susanne Witzgall (ed.), Human after Man
The current outlook into the future seems to be largely informed by resignation and anxiety. The understandable scepticism which utopian visions of the future are met with today and the crisis ridden present give rise to nostalgic resorts to seemingly reliable ideas. The book The Present of the Future investigates our present relation to the future and asks which means and strategies artists and scholars pursue today, to gain a new scope of action for shaping alternative futures. How do they create potentials for change and for the imagination of possible futures beyond modernistic idealisms and romanticist projections into remote times? The Present of the Future is the result of the third annual theme of the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich.
Content
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9–11
Editors' Preface
Kerstin Stakemeier, Susanne Witzgall
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12–26
In Search of the Future. Introduction and Epilogue
Susanne Witzgall
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27–32
Reality of the Future and Future Reality
Elena Esposito
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33–40
"Plans will not help realise a projected future"
Elena Esposito, Nora Schultz
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41–47
B-Levels
Nora Schultz
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48–55
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56–70
May You Live in Interesting Times
Andri Snær Magnason
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71–78
"Cassandra is powerless"
Wolfgang Lucht, Andri Snær Magnason
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79–90
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91–95
"Each time I believe that things are predictable I get sick"
Frédéric Neyrat, Kerstin Stakemeier, ...
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96–108
Why the News Anyway
Jan St. Werner
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109–117
"You cannot order scientific results like a pizza"
Hans-Jörg Rheinberger, Jan St. Werner
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118–129
Negotiating the Future. Speculative Design between Claim and Reality
Karianne Fogelberg
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130–136
"To explore the speculative is urgent and necessary"
Kerstin Stakemeier, Susanne Witzgall, ...
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137–147
Infra-structuring the Future: Catastrophe, Crisis, Critique
Claudia Aradau
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148–156
"The imaginary of catastrophe is actually incorporated more and more into the evereyday" ABO
Claudia Aradau, Daniel van der Velden
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157–167
Catastrophic Reproduction: Science Fiction on the Far Side of the Subject
Kerstin Stakemeier
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168–174
I'm that Angel
Tyler Coburn
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175–183
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184–192
The Future of the Body
Karin Harrasser
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193–202
Augmented Embodiments
Johannes Paul Raether
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203–212
"Become parahuman"
Karin Harrasser, Johannes Paul Raether
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213–218
The Authors
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219–222
Table of Figures
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223–224
Colophon